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- Name
- Mike
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Apologies for the question, but I get the concept of opening up to a wide aperture for reducing the depth of field and have tried this quite successfully.
I also get that long focal lengths compress the backgrounds (like in the tracking zoom shot in Jaws when Brody is on the beach).
The bit I am struggling with is why longer lenses reduce the DofF. Why do portrait people use 70-200 f2.8? I like the look of those shots, but want to understand the implementation of the technique. I get the 2.8 bit and I know that the lens compresses the backgrounds, but why do people say this reduces the DofF?
I would love a Nikon 70-200 f2.8, but I have a D7K crop sensor and suspect that it may be too long for a crop sensor?
I also get that long focal lengths compress the backgrounds (like in the tracking zoom shot in Jaws when Brody is on the beach).
The bit I am struggling with is why longer lenses reduce the DofF. Why do portrait people use 70-200 f2.8? I like the look of those shots, but want to understand the implementation of the technique. I get the 2.8 bit and I know that the lens compresses the backgrounds, but why do people say this reduces the DofF?
I would love a Nikon 70-200 f2.8, but I have a D7K crop sensor and suspect that it may be too long for a crop sensor?