Thanks Ben, very helpful insightsBy weird colours I mean a cast. Looked greenish if I remember
Thanks Lee, let me know how it pans out.I've used the 500t and it was ok from what I remember... I have a bulk tin of 250d to try out so I'll let you know if I get round to using it.
Kevin, great Blog posts and some super images, I really like the muted colours . Thanks for information, very helpful indeed.I have bulk rolls of both Vision 50D and Vision 250D.
The 250D, I haven't shot yet but I expect to be using some next week. I've written a couple of blog posts about 50D, here:
filmphotography.blog - This website is for sale! - filmphotography Resources and Information.
This website is for sale! filmphotography.blog is your first and best source for all of the information you’re looking for. From general topics to more of what you would expect to find here, filmphotography.blog has it all. We hope you find what you are searching for!filmphotography.blog
filmphotography.blog - This website is for sale! - filmphotography Resources and Information.
This website is for sale! filmphotography.blog is your first and best source for all of the information you’re looking for. From general topics to more of what you would expect to find here, filmphotography.blog has it all. We hope you find what you are searching for!filmphotography.blog
I have used 500T and was really impressed with it. The colour tones worked really well for what I wanted to achieve, and overall it seemed like a nicec film to work with. The only downside is the limited number of labs that process ECN2. The one I used Silverpan, and while the results were great, the time it took to come back was way longer than my usual lab (Peak Imaging). That said I would definitely use it again, and in fact I have some 500T, 200T and 250D to use also.
Images below shot on Canon EOS 5QD with 50mm f1.8