Yes, looks a bit washed out. DRL would be the right firstPP needs work though as it looks as though the shadows have been pushed a bit much and the black level needs bringing down.
If one wants to create a good composition, no it isn't; but2 is a good example of someone trying to find a use for a wide angle lens when it isn't really appropriate
This is relative to the end goal and shooting conditions.SS is fine although ideally would be higher.
If one wants to create a good composition, no it isn't; but
if the purpose is the precise illustration of given informa-
sion, as a working document, then it is.
I noticed that too - a little soft on the edges. Do you think stopping down or using a faster shutter speed might reduce the softness I'm experiencing, or do you think it's a focusing issue?I like the composition of the first one, but have to agree both are a bit washed out
Probably my eyes, but they also both look rather soft at the far left edge, doesn't look like a DoF problem though.
I'll give it another go tonight and see if I can get better results with the PP with the suggestions you've given.1 is quite nice with the leading lines and nice light, PP needs work though as it looks as though the shadows have been pushed a bit much and the black level needs bringing down.
2 is a good example of someone trying to find a use for a wide angle lens when it isn't really appropriate - the interesting bit is the trees in the sun and the cloud formation, not the tree at the front.
edit: SS is fine although ideally would be higher.
Yes, looks a bit washed out. DRL would be the right first
tweak as it makes all further tweak decisions much easier.
DRL = Dynamic Range Levels = black and white points setting.Apologies for the basic question, but what does DRL stand for?
Things are not so simple. There is, of course, a matter of choiceDo you think the washed out appearance is down to my choices in PP?
Again, that's up to you… but if asked for critique, I would ratherI guess I have a habit of bringing up the shadows considerably and bringing down the highlights.
I noticed that too - a little soft on the edges. Do you think stopping down or using a faster shutter speed might reduce the softness I'm experiencing, or do you think it's a focusing issue
I'll give it another go tonight and see if I can get better results with the PP with the suggestions you've given.
I decided to give the lens a test run - so the shots were just taken as with a trial in mind rather than to have any real meaning. Perhaps architecture would be a better subject for such a wide angle.
Thanks Kodiak - I need to read up on how to adjust DRL and white balance properly. I've just been using the auto settings in Lightroom, and really just adjusting exposure and contrast by eye keeping the histogram away from the edges either sideDRL = Dynamic Range Levels = black and white points setting.
Things are not so simple. There is, of course, a matter of choice
that is absolutely legitimate and there is the level of knowledge
and/or taste that supports an option or the other… given that all
will mature with time and experience.
Again, that's up to you… but if asked for critique, I would rather
go for a suggestion in the direction of DRL + WB as first steps.
Any other decision will be easier once these are technically right
because any other decision has more to do with artistic intent.
Do I answer your questions?
Stay away from presets… as you'll not learn to cook've just been using the auto settings in Lightroom
Too late really to keep an eye on the histogram once injust adjusting exposure and contrast by eye keeping the histogram away from the edges either side
this word and its function don't even exist in mya little bit of vibrancy
Yes, that's the whole thing!all without purpose other than what seems pleasing to the eye.
Thanks ABTog, will give that a go.It's always worth testing a lens before using it for something critical.
I used to find that my Sigma 10-20mm was a little soft on one side particularly when zoomed all the way out to 10mm. By about 14mm it was better. Yes a higher aperture will help, though that will need either a higher ISO or slower shutter speed.
I reckon you probably want to go up to ISO 400 or maybe even 800 (your D500 can easily handle that) and get that shutter speed above 1/100s.
The 10-20mm is great for architecture, but the straight lines of buildings will probably show any soft spots on the lens.
Too late really to keep an eye on the histogram once in
your converter. This should be done in camera after a
shot has been taken.
this word and its function don't even exist in my
converter!!!
typically massively overcooks the black point...
Auto typically massively overcooks