Question about diffraction

odd jim

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Ok, I'm slightly confused by this 'diffraction' phenomenon.... I have read that you shouldn't stop down a crop camera to much narrower than f8-10 due to diffraction setting in causing image softness. But if diffration sets in after this, why do manufacturers make crop only lenses that stop down as narrow as f22 and sometimes more?

On a side note, I regually shoot landscapes at f11 and narrower, and not noticed any softness creep in. Quite the opposite in fact.
 
I don't know that you would notice much in the way of image softness due to diffraction. Cannot say that I have, even down at f.22.
Camera movement and lens optical quality are likely to be bigger factors.
If stopping down to f.22 and lower significantly deteriorated image quality then probably manufacturers would not design lenses to do that.
 
It's true that most lenses are sharpest in their mid aperture ranges but that doesn't mean that you shouldn't use the upper and lower ranges. It's about compromise. Would you rather have the large depth of field/longer shutter speed or the greater sharpness (of the area that's still in focus)? More often than not I prefer the wide depth of field so stop down a bit more.
 
I don't know that you would notice much in the way of image softness due to diffraction. Cannot say that I have, even down at f.22.
Camera movement and lens optical quality are likely to be bigger factors.
If stopping down to f.22 and lower significantly deteriorated image quality then probably manufacturers would not design lenses to do that.

Stopping down has to lead to a bigger circle of confusion, the laws of physics won't permit otherwise. The question is whether or not the circle of confusion crosses over the resolution of the sensor. When it does, stopping down must result in a slightly softer image.

Theres a pretty good article on it here
http://www.bobatkins.com/photography/technical/diffraction.html
 
It's mote noticable on high pixel density crop cameras like the 7d, someone did a comparison of a 450 and a 7 and concluded the 7 was less sharp at f16 or simething. Others gave diffraction as the reason
 
Stopping down has to lead to a bigger circle of confusion, the laws of physics won't permit otherwise. The question is whether or not the circle of confusion crosses over the resolution of the sensor. When it does, stopping down must result in a slightly softer image.

Theres a pretty good article on it here
http://www.bobatkins.com/photography/technical/diffraction.html
I do not think the CoC will alter when you stop down if you understand anything about CoC you will see it must stay constant for the same size sensor and can not alter.
 
Stopping down has to lead to a bigger circle of confusion, the laws of physics won't permit otherwise. The question is whether or not the circle of confusion crosses over the resolution of the sensor. When it does, stopping down must result in a slightly softer image.

Theres a pretty good article on it here
http://www.bobatkins.com/photography/technical/diffraction.html

Stopping down i.e. making the aperture smaller, will always lead to smaller circles of confusion (COC) and therefore a greater depth of field.
The size of the COC will be smaller near to the focusing distance, getting progressively larger at distance away from the focusing distance.

Diffraction will affect the sharpness at all apertures but the effect increases the smaller the aperture.

If you use f8 or f11 for a landscape you will get sharpness at the focusing distance but nearer or further objects may show some blurring due to COC.

Using, say f16 or f22, for a landscape may cause some softening at the focusing distance due to diffraction but at the same time it may result in some sharpening at nearer or further distances due to smaller COC.

Overall sharpness depends on lots of things, the best way forward is to take a series of shots, with the camera on a tripod or supported, of the same scene at the same focal length using various apertures. Then view the different shots and see what is acceptable to you, both on screen and printed.
 
Stopping down i.e. making the aperture smaller, will always lead to smaller circles of confusion (COC) and therefore a greater depth of field.
The size of the COC will be smaller near to the focusing distance, getting progressively larger at distance away from the focusing distance.

Diffraction will affect the sharpness at all apertures but the effect increases the smaller the aperture.

If you use f8 or f11 for a landscape you will get sharpness at the focusing distance but nearer or further objects may show some blurring due to COC.

Using, say f16 or f22, for a landscape may cause some softening at the focusing distance due to diffraction but at the same time it may result in some sharpening at nearer or further distances due to smaller COC.

Overall sharpness depends on lots of things, the best way forward is to take a series of shots, with the camera on a tripod or supported, of the same scene at the same focal length using various apertures. Then view the different shots and see what is acceptable to you, both on screen and printed.

I agree with Suvv. You can make this really complicated if you like, but the bottom line is what it looks like.

From my own tests, using a crop-format camera, diffraction is not really a problem at f/11, even though, technically, it is definately there in quite a big way. At f/16 it is taking a hit for sure and I avoid f/16 if I want high quality on a biggish print. At f/22, diffraction is bad. I never use f/22. It is horrible if you value sharpness.

Edit: just to emphasise that diffraction effects vary a lot depending on format. The above is for crop-format DSLRs. Full-frame is less affected and you can go roughly one stop higher for the same level of degradation. Compacts have tiny sensors and diffraction is a real problem even as low as f/5.6 which is why most of them don't go higher than f/8.
 
I think diffraction is only an issue for pixel peepers, I doubt it would be noticeable in prints in the real world.

Yes, probably it's a theory and practice situation. In theory the image is degraded by diffraction. In practice it is hard for the human eye to notice it.
 
Yes, probably it's a theory and practice situation. In theory the image is degraded by diffraction. In practice it is hard for the human eye to notice it.

Sorry, I have to disagree. I used to think the same, coming from 35mm film. The combination of the bigger 35mm format and lower ISO meant that in practice you never got anywhere near high f/number diffraction problems. But with smaller digital formats and much higher ISO, diffraction can be a real problem these days.

You have a full frame D700 which is less affected, but if you shoot two detailed images at say f/8 and then at f/32 (approx diffraction equivalent of f/22 on a crop camera) then you'll see it for sure - just zoom in at the max magnification on the LCD and it will be obvious.
 
Sorry, I have to disagree. I used to think the same, coming from 35mm film. The combination of the bigger 35mm format and lower ISO meant that in practice you never got anywhere near high f/number diffraction problems. But with smaller digital formats and much higher ISO, diffraction can be a real problem these days.

You have a full frame D700 which is less affected, but if you shoot two detailed images at say f/8 and then at f/32 (approx diffraction equivalent of f/22 on a crop camera) then you'll see it for sure - just zoom in at the max magnification on the LCD and it will be obvious.[/QUOTE]


But is that not the rub - need to zoom in to full magnification to see the difference.
I will check it out though.
 
some lenses go to f32 and f64...for technical stuff so i think the downside you mention is a marginal think balanced against the ability to resolve deeper fields...as in macro

its like hi fi...and those reports about this and that to 0.01% tolerance

you got to either see it or hear it if its there..otherwise you are being frightened off good and well priced equipment
 
I do not think the CoC will alter when you stop down if you understand anything about CoC you will see it must stay constant for the same size sensor and can not alter.

You don't refer here to the circle of confusion but rather the maximum permissible circle of confusion for acceptable focus.

In an ideal world a lens, when focused on a point source, would result in a single point of light on the sensor. In practice this doesn't happen simply because it's not physically possible to make a perfect lens. You can get damn close, but not perfect.

Instead of a point on the sensor what you end up with is a spot. The size of the spot is of interest since it determines how clear the focus of the image is. That's where pixel density/size becomes important, the higher the pixel density/smaller the pixel size, the smaller the CoC must be for the subject to be in focus. As a very slight digression, that's the reason why a full frame sensor gets sharper images than a crop sensor.

Next consider the relationship between aperture and the circle of confusion. With a wide open aperture the focal plane is very narrow. Objects in front or behind the focal plane are thrown out of focus because the spot of light that hits the sensor from them is large, spread accross mutltiple pixels, hence out of focus. Conversely objects in the focal plane are extremely sharp as their spot on the sensor is extremely small.

As we close the aperture we notice an inverse relationship. Objects that were previously out of focus become more in focus as the spot they create on the center gets smaller, but annoyingly the minimum circle of confusion actually increases slightly.

As a result, the wider the lens, the better the focus, with a caveat. The caveat is that lenses are made to tolerances, and it's a lot easier to manufacture a small lens than a big lens. The reason some lenses don't perform optimally wide open is simply manufacturing imperfections, not optics, the wide open aperture exposing the biggest bit of lens to the light.
 
You don't refer here to the circle of confusion but rather the maximum permissible circle of confusion for acceptable focus.

In an ideal world a lens, when focused on a point source, would result in a single point of light on the sensor. In practice this doesn't happen simply because it's not physically possible to make a perfect lens. You can get damn close, but not perfect.

Instead of a point on the sensor what you end up with is a spot. The size of the spot is of interest since it determines how clear the focus of the image is. That's where pixel density/size becomes important, the higher the pixel density/smaller the pixel size, the smaller the CoC must be for the subject to be in focus. As a very slight digression, that's the reason why a full frame sensor gets sharper images than a crop sensor.

That is not true.

The reality is that pixel density has virtually no effect on diffraction. The theory, involving creative formulae, is not reflected in real world images. I have never seen an image with a higher pixel density show lower actual sharpness than than one with lower density, which would be the case if this was true.

Eg, Canon 40D vs 7D, 10mp vs 18mp. No question at all that the 7D is sharper.

Next consider the relationship between aperture and the circle of confusion. With a wide open aperture the focal plane is very narrow. Objects in front or behind the focal plane are thrown out of focus because the spot of light that hits the sensor from them is large, spread accross mutltiple pixels, hence out of focus. Conversely objects in the focal plane are extremely sharp as their spot on the sensor is extremely small.

As we close the aperture we notice an inverse relationship. Objects that were previously out of focus become more in focus as the spot they create on the center gets smaller, but annoyingly the minimum circle of confusion actually increases slightly.

As a result, the wider the lens, the better the focus, with a caveat. The caveat is that lenses are made to tolerances, and it's a lot easier to manufacture a small lens than a big lens. The reason some lenses don't perform optimally wide open is simply manufacturing imperfections, not optics, the wide open aperture exposing the biggest bit of lens to the light.

None of that is true either. I would try and explain why, except I cannot make out the reasoning.



Here is a graphic of diffraction in action, clearly showing what happens at high f/numbers http://www.dpreview.com/lensreviews/canon_50_1p8_ii_c16/page3.asp

Switch between full frame and crop format to see how that changes the aperture level at which diffraction becomes a limitation. Pixel density on the two cameras used, Canon 450D at 12mp and 1DsIII with 21mp, is very roughly similar.

On this test you can also see how diffraction effects the centre of the image sooner than the edges. Of course it is actually affecting the whole image equally, but raising the f/number still improves edge sharpness, by reducing other aberrations at a higher rate than diffraction reduces it.

Did somenone say that you could make this subject complicated? :D
 
Make it complicated? I can do that :thinking:


That is not true.

The reality is that pixel density has virtually no effect on diffraction. The theory, involving creative formulae, is not reflected in real world images. I have never seen an image with a higher pixel density show lower actual sharpness than than one with lower density, which would be the case if this was true.

Eg, Canon 40D vs 7D, 10mp vs 18mp. No question at all that the 7D is sharper.
You simply can't use that as a comparison because you are not comparing like for like. To make a true comparison all other factors have to be held equal and only sensor size varied. With all other things held equal the larger sensor will produce a sharper image. The simplest way to view this is to forget digital and think instead of film and do a reductio ad absurdium.

With lenses now optimised for crop sensors and technology advancing in many areas related to image processing there are a myriad of other factors to take into account, but sensor size is an important factor.


HoppyUK said:
Squawk said:
As a result, the wider the lens, the better the focus, with a caveat. The caveat is that lenses are made to tolerances, and it's a lot easier to manufacture a small lens than a big lens. The reason some lenses don't perform optimally wide open is simply manufacturing imperfections, not optics, the wide open aperture exposing the biggest bit of lens to the light.
None of that is true either. I would try and explain why, except I cannot make out the reasoning.

My fault, I explained it poorly by being so brief and ignoring aberrations, trying to focus entirely on diffraction, so lets go back to the start and be a bit more thorough.

There are essentially two factors that limit a lens. Aberration and diffraction, and for the purpose of this discussion I'm going to ignore aberrations at the start in order to concentrate on diffraction.

Cameras, or more specifically lenses, are limited by diffraction. Even if you could produce a "perfect" lens, its resolving power would be limited due to diffraction. The limit is proportional to the size of the objective lens. We see reference to this all the time when discussing astronomy, the constant search for manufacturing processes to produce bigger and bigger mirrors to get better resolution.

On the link I provided earlier, given again here, you can see a table that actually lists the diffraction limited performance of various f-stops.

How are diffraction limits and aperture related? When using a smaller aperture you decrease the apparent size of the lens. Although the lens itself stays the same size the area of lens in use is decreased, and as we noted earlier, the size of the objective lens is directly proportional to the resolving power of the lens. The inference, wider aperture = higher resolution.


HoppyUK said:
Here is a graphic of diffraction in action, clearly showing what happens at high f/numbers http://www.dpreview.com/lensreviews/canon_50_1p8_ii_c16/page3.asp

I'm missing something here because I don't see a contradiction with anything I said.


HoppyUK said:
Switch between full frame and crop format to see how that changes the aperture level at which diffraction becomes a limitation. Pixel density on the two cameras used, Canon 450D at 12mp and 1DsIII with 21mp, is very roughly similar.
I don't see how that's a useful comparison for the same reason I listed above, all other factors must be kept equal to give a valid test and that simply isn't possible with these cameras.

HoppyUK said:
On this test you can also see how diffraction effects the centre of the image sooner than the edges.
Can you explain to me how you infer that from the diagram, I'm missing it and would like to understand. I can see that the resolution at the image edges is inferior, but can't see how you infer this to be due to diffraction.

HoppyUK said:
Of course it is actually affecting the whole image equally, but raising the f/number still improves edge sharpness, by reducing other aberrations at a higher rate than diffraction reduces it.


This brings us to the subject which I glossed over in my initial post, aberrations. Aberrations cause the edges of images to be out of focus or distorted. They affect the center of the image too, but not to the same degree. Reducing a lens size (higher f-number) reduces aberrations, but at the cost of introducing more diffraction.

Aberrations and diffraction are the reason we pay for good glass (or more accurately, why I will do when I can afford some). There are fundamental laws of physics/optics that cannot be overcome, but manufacturers strive to get as close to those limits as they can. Where diffraction is concerned a device is said to be "diffraction limited" if it meets the theoretical limits of resolution.

I don't profess to know much about aberrations save for a few basic types. AFAIK spherical aberrations are the prime cause of soft image edges, with barrel distortion a secondary issue.

On the link you posted Hoppy it seems that there is a marginal drop off in performance (sharpness) with the lenses wide open, with optimal performance at around 1 stop from fully open. Sharpness then drops as the lens is stopped down. The implication would be that diffraction is the limiting factor other than with the lens wide open.


HoppyUK said:
Did somenone say that you could make this subject complicated? :D

That would be me :wave:
 
Diffraction , distraction, aberrations.... am I bovered :D

Hehe, just point me in the direction of a debate/argument on the internet and let me loose. Doesn't much matter the subject :bonk:

Best way to learn stuff IMO, probably makes me an argumentative sod at times, but I'm all sweet on the inside, honest ;)
 
Make it complicated? I can do that :thinking:

<snip>

Haha yes! I won't go through your post line by line because I think that, now that you have explained things differently and/or I have understood them as you meant in the first place, I don't think there is much to disagree about :)

I got the impression that you were saying pixel density was a significant factor in diffraction. It is a factor, but I don't beilieve it's significant, or at least I have yet to see any evidence of it outside the (allegedly) theoretical.

That's why I compared the 40D and 7D, as the major difference between them is pixel density. Likewise with the link to DPReview comparing a 50 1.8 lens on a 450D and then a 1DsIII. Those two cameras have very roughly similar pixel density (as close as you can reasonably get) and the big difference is of course format size. It shows how diffraction hits the larger format later, at approx one f/number higher.

Diffraction is primarily an optical problem, it's not directly sensor related, and applies equally to all lenses, regardless of design or quality or cost (although the shape and finish at the edge of the aperture blades has an impact as the light pases over them).

As you say, diffraction is a factor at all lens apertures regardless, but what happens is that as the aperture is closed down (higher f/numbers) this reduces most other lens aberrations a lot. The point where diffraction becomes signifciant in practice is when the increase in sharpness created by the higher f/number, is exceeded by the increasing impact of diffraction on image quality.

Generally speaking, a good quality lens will deliver optimum sharpness at around f/5.6 on a crop format camera, and at f/8 on a full frame DSLR. After that, diffraction overrides the improvement in image quality caused by the higher f/number, and IQ goes down. At what point this becomes unacceptable is subjective, but it's very easy to test and see for yourself (as I mentioned earlier).

If you check out the graphic on the DPReview link, you can see how diffraction affects the centre of the frame first, as that's where the image is sharpest first, and IQ begins to reduce. At the same time, the edges of the frame continue to improve slightly, as the other aberrations are stronger there and raising the f/number still has more of an upside than the downside of diffraction.

In other words, if you are looking for peak central sharpness only, that will tend to happen slightly earlier than overall edge to edge sharpness, as an average across the whole frame.
 
Haha yes! I won't go through your post line by line because I think that, now that you have explained things differently and/or I have understood them as you meant in the first place, I don't think there is much to disagree about :)

I'm from Yorkshire, what I means and what I says iz two different things. :thumbs:
 
Interesting :)
diffraction is an issue in macro as peak sharpness fall off past F10
even though using F22 would get more of the subject in focus its not usable as the sharpness of the image is reduced
Pete
 
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