I wack a Marigold on top of mine. Might make my 50D look like Feathers McGraw, but fharquar it.


love the imageJust shoot in Manual mode in which case exposure isn't affected by light entering the viewfinder anyway.
There's no danger of that - the mirror is up -totally sealing off the viewfinder from the path of the light from the lens to the sensor. Viewfinder blinds were totally unecessary in film SLRs before the introduction of the first aperture priority cameras.Thanks CT. I thought that light entering the viewfinder may affect the image and not just the metering when taking long exposures.
There's no danger of that - the mirror is up -totally sealing off the viewfinder from the path of the light from the lens to the sensor. Viewfinder blinds were totally unecessary in film SLRs before the introduction of the first aperture priority cameras.

There's no danger of that - the mirror is up -totally sealing off the viewfinder from the path of the light from the lens to the sensor.
But the mirror's not totally reflective, it has a transmission/reflection ratio of around 40:60 Given this fact, I would assume that around 40% of the light reaching it through the viewfinder will get beyond it into the mirror chamber.
Bob
Has the nature of mirrors changed signmificantly since then?
Mirrors changed when AF sensors started to appear behind them.
Bob
LOL. I was expecting a fast return ball there, but anyway try removing the lens, locking the mirror up, and pointing the viewfinder at a powerful light -see if you can seen any light entering the mirror box.
LOL. What did we do before gaffa tape?![]()
Fair point - but pellicle mirrors were being used in some SLRs as far back as the 60s.
....Maybe I'm being a little too logical here but I'm assuming that 40% passes through the mirror when it's down therefore 40% must pass through it when it's up too.