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Your current lenses will not work on the next generation of cameras, which are just around the corner, like the Panasonic GH1 which will be out in a few months!
There's a very significant interview with Panasonic on DPReview, concerning the implications of the new GH1 camera, and its on-board image processing. This camera needs completely new lenses, and so will all others like it that will surely follow from every manufacturer. Interview is here:
http://www.dpreview.com/news/0903/09031901panasonicinterview.asp
The bit I picked up on is the in-camera processing of images, both Raws and JPEGs, where lens aberrations are corrected digitally rather than just optically.
This has massive implications for the next generation of cameras. It's all good news of course, except that your current lenses won't work properly, if at all What's for sure is that they will not be able to take full advantage of the new technology. See what your think from this quote:
DPR - There's been some controversy on the whole subject of in-camera lens correction and the fact that Panasonic makes it very difficult to override, even in raw mode, even when using third-party converters such as Adobe Camera Raw. We wanted to know if there had been a fundamental shift in lens design, away from purely optical correction of aberrations.
Your approach to lens design appears to have changed; there's now an element of digital correction built into the design. Do you consider the future of lens design to be partly optical and partly digital (using in-camera corrections)? And are there any compromises involved in digital aberration correction?
Panasonic - "Without the technology we've developed to allow digital lens corrections we simply couldn't make such lenses. In order to minimize the size and in order to maximize the performance of the lens we choose to use this technology. It's a digital camera, so it makes sense."
We agree completely, we don't think it's an issue at all how you get the performance you want as long as the results are good, but to many purists this is hard to swallow. So when you're designing a lens now you're designing it partly optically and partly digitally?
"Yes. Of course we work closely with the lens engineers. But Leica doesn't allow us to use digital corrections, so that's why there are no Leica lenses for the Micro G system. But of course, we have a plan with Leica as part of the roadmap."
So does the camera need a database of lens corrections? Does it need a firmware update every time a new lens is released?
"No, the lens has some information which it sends to the camera."
What about third-party lens manufacturers? Will they be able to use the same mechanism to tell the camera to apply corrections to their lenses?
"Yes, members of the Four Thirds consortium can."
So do you know if there will actually be any third-party lenses for Micro Four Thirds system?
"I think not in the near future. First will be Olympus and Panasonic."
I guess they're going to wait and see how well the system does; this isn't just a new lens mount for them; they have to design a completely new lens.
"Indeed."
There's a very significant interview with Panasonic on DPReview, concerning the implications of the new GH1 camera, and its on-board image processing. This camera needs completely new lenses, and so will all others like it that will surely follow from every manufacturer. Interview is here:
http://www.dpreview.com/news/0903/09031901panasonicinterview.asp
The bit I picked up on is the in-camera processing of images, both Raws and JPEGs, where lens aberrations are corrected digitally rather than just optically.
This has massive implications for the next generation of cameras. It's all good news of course, except that your current lenses won't work properly, if at all What's for sure is that they will not be able to take full advantage of the new technology. See what your think from this quote:
DPR - There's been some controversy on the whole subject of in-camera lens correction and the fact that Panasonic makes it very difficult to override, even in raw mode, even when using third-party converters such as Adobe Camera Raw. We wanted to know if there had been a fundamental shift in lens design, away from purely optical correction of aberrations.
Your approach to lens design appears to have changed; there's now an element of digital correction built into the design. Do you consider the future of lens design to be partly optical and partly digital (using in-camera corrections)? And are there any compromises involved in digital aberration correction?
Panasonic - "Without the technology we've developed to allow digital lens corrections we simply couldn't make such lenses. In order to minimize the size and in order to maximize the performance of the lens we choose to use this technology. It's a digital camera, so it makes sense."
We agree completely, we don't think it's an issue at all how you get the performance you want as long as the results are good, but to many purists this is hard to swallow. So when you're designing a lens now you're designing it partly optically and partly digitally?
"Yes. Of course we work closely with the lens engineers. But Leica doesn't allow us to use digital corrections, so that's why there are no Leica lenses for the Micro G system. But of course, we have a plan with Leica as part of the roadmap."
So does the camera need a database of lens corrections? Does it need a firmware update every time a new lens is released?
"No, the lens has some information which it sends to the camera."
What about third-party lens manufacturers? Will they be able to use the same mechanism to tell the camera to apply corrections to their lenses?
"Yes, members of the Four Thirds consortium can."
So do you know if there will actually be any third-party lenses for Micro Four Thirds system?
"I think not in the near future. First will be Olympus and Panasonic."
I guess they're going to wait and see how well the system does; this isn't just a new lens mount for them; they have to design a completely new lens.
"Indeed."