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If you have any other questions, feel free to drop me a PM about it
Thank you, I'm grateful for the help.
No doubt I'll have questions over the coming months!
If you have any other questions, feel free to drop me a PM about it
Medium format cameras are very different, but at the end of the day it really is just a bigger format delivering a bigger negative. A much more enjoyable format over 35mm for me - my preference is small format for digital, and medium format for film. Best of both worlds.
If England get through tonight.. f it.. I'm selling off the digital and going film.
Huge resurrect here! Inspired by a visit to Dave Hill's 35mm portfolio a dusty d700 and digital kit. Been thinking about doing this since i started this thread!
If England get through tonight.. f it.. I'm selling off the digital and going film.
You have a handy place to have your film developed in Wandsworth common, erm used to be cheap but now have doubled their prices and wouldn't now recommend them on the bargain list...it was Genie Imaging.
Gave me a heart attack - for develop only it was £1.99 and now it is £2.29 (both excluding VAT). So an actual price increase of 36p? :shrug:
Unless you mean develop + scan/print, which is something I never did.
excalibur2 said:You have a handy place to have your film developed in Wandsworth common..... Genie Imaging.
If you like it covered in water marks!
MindofMel said:Drooling at the f1.2 at f1.4 lenses muhahhaha
As I have now sold my D700 I guess I shoot only film as my only means of shooting digital is an iphone 4s now and it's extremely fiddly to actually take pictures with!
There is of course the cost of buying film and having it developed but I shoot far less on film, probably only 1 or 2 rolls for a whole day trip shooting compared with about 600 shots with the D700.
I definitely prefer film equipment as it's far lighter than digital for 35mm - the D700 felt like a real brick compared with the Pentax MX. Also like the way the equipment is so much more simple to use, with only just the controls you actually NEED - no complex menus, LCD readouts etc
Tell me about it
#one drooler f/1.2 & f/1.4 here!
Altho I'm currently after a 135mm f/2.8 for my film SLR at the moment! Try something new :} best wishes with the exclusively film exploration!
Tell me about it
#one drooler f/1.2 & f/1.4 here!
Altho I'm currently after a 135mm f/2.8 for my film SLR at the moment! Try something new :} best wishes with the exclusively film exploration!
or with the EOS mount and adapter, you can get 'nearly' any lens to fitYour slr is a k-mount one, isn't it? If so, don't discount the Pentax m135 f3.5 lenses - they are cheaper then the 2.8s, not much slower and really nice to use
or with the EOS mount and adapter, you can get 'nearly' any lens to fit
Ahh, but what forum are we in, and what is the 5D Mk2?
JCoquillon said:I think digital and film both have their place.
I learnt to shoot manual and the basics of exposure on digital and then got into film. Since then my DSLR has been largely neglected, but I won't get rid of it as it still has it's place.
The only thing for me is,i like to shoot colur,and my kodachrome 64 is now gone
There's a fair few of us mourning that particular passing...
I'm with Jim on this one, digital for wildlife and film for most other things.
And yes, another film meet would be an excellent idea.
Andy
I'm with Jim & Andy on this as well. Use digital for wildlife and all other forms film. Not yet entered the world of medium format myself still 35mm.
The only thing for me is,i like to shoot colur,and my kodachrome 64 is now gone
...
There's a fair few of us mourning that particular passing...
For those of you Kodachrome devotees who does from time to time use digital - there may be hope. The RPP does support true film profiles and has Kodachrome 64 profile in there. Unlike any other film look emulators out there its approach is somewhat unique - the film profiles are measured from real developed films and preserve their colour characteritics (the authors describe process of profiling that takes quite some time somewhere on one of the russian livejournal websites).
The RPP's Kodachrome 64 profile is so good that I now use it by default with everything as a starting point
Looks like a very nice bit of software. Shame it's mac only :shake:
There is a reason for that as well - they found that almost all colour management engines (the Windows, the Adobe one) are adding quite a bit of noise and colour shifts when converting the image (for display, to camera profile, using film profile or to output RGB space). The Apple ColorSync however is performing a lot better and leaves the others behind.
Writing all the colour transformation operations from scratch is a mammoth task and not something the RPP developers can handle at the moment - hence the choice of MacOS as platform. It is actually like this - RPP was designed to give the best possible quality out of RAW files and the platform in this case actually part of the solution.
Still doesn't help if you don't have (and can't afford) a mac, though, does it?
I use a changing bag and a sink - that's really all you need for developing.
Can you point me in the way of a walkthrough/guide on this method. Just picked up a Fujica ST705 and would love to run some B&W film through it.