Whilst I agree with your points about giving stuff away for free. I think that the erosion in the value that people place on photography runs a lot deeper and changes in culture and technology have contributed to the current state of affairs.
If I look back to my childhood, I remember being taught that if you want something of decent quality then you have to pay for it. Alongside this I remember if you wanted photos you first had to part with money to buy the film and then pay again to develop them and at the time, compared to earnings, this wasn't cheap. Photos were then displayed and shared in albums.
Fast forward to today, most people will take photos on a mobile device and never look at them again let alone print them and look at large versions, meaning that the appreciation of quality is reduced. Because there is less appreciation and the improvements to technology and software like instagram, people think that "snaps" taken on a phone are good enough and because people's expectations are lower, editors are content to publish sub standard work.
Unfortunately in society everybody wants the same or similar for less money, in some cases photographers are no different, buying grey import equipment to save on costs, or shopping round for the best UK prices, something that is now easier due to the Internet.
I agree completely.
But wouldn't charging for the same crap devalue it even further, David?
I don't think it would. My point in the post you quoted me from was pretty much trying to explain that being better has little to do with it for the low end work. No matter how great your work was, there's be an expectation these days that they try to get your work for free. If Vogue apprached me to shoot a cover story... I'd do it for free.. of course... but a local carpet warehouse? What in god's name would I want to shoot THAT for free for? What would I possibly get out of it?
The issue is that many will, and genuinely think that having a tear sheet from from a local carpet warehouse catalogue will somehow launch their career. It won't.
To a hobbyist it doesn't have a value, it's a cost (in common the the vast majority of hobbies).
Whether you're a hobbyist or not shouldn't even enter the debate. If you produce work for someone, then you should be remunerated for your time and effort. If someone wants to use something you've already shot.. they should at least offer a token amount at least. It costed you time, and effort, and required skill. Call me old fashioned, but those things should be valued and rewarded, not expected to be given away gratis.
I also think your opinion that hobbyists placing no value in their work is a myth too. No one is more rabidly anal about copyright protection and infringement that amateurs. Looks how many threads there are in here about it. It seems anachronistic therefore that the same hobbyists are prepared to give it away fro free.... then go into meltdown when someone uses their image without asking... LOL
Like it or not the bread and butter work is gone, its another disrupted industry. Add it to the buggy whip, the record, film photography some vestiges will hang on and people will pay a premium for the very best but the mass market has moved on.
It hasn't gone.. it's changed.. but not gone. Take social portraiture as an example. People, despite being able to produce better images than in any other time in history with no expertise whatsoever, sill see the value in quality photography. What#'s changed is the temptation to just use things off the internet with impunity (or perceived impunity) making people feel there's no value in commissioning work. When people realise that they can't find what they need on the internet (specific images of their products and services) then they feel it's perfectly fine to approach a photographer and ask for the work for free.
You'd not expect a new taxi driver to take you on a 10 mile trip for free and only promise to say good things about them. That would be unthinkable. However... people think it's OK to approach the creative industries and do just that. The fact is.. if people didn't work for free, this situation wouldn't exist at all. It's the amateurs desire to be seen as "professional" and having "clients" that drives this.
Lots of industries have undergone similar paradigm shifting changes in the digital age, but only the creative arts (Graphics, design, photo and music) seem to targeted by the leaches.
It's the thin end of a wedge. When people stop seeing value in creative endeavour.. then the only result will be a dearth of creativity in society. You wanna live in a world like that?