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Depends where you look I think, the tops of the windows and door are dead level so it was a bit of a balancing act. Conscious I didn't want them to be leaning either.
I meant more the perspective than tilt.
Depends where you look I think, the tops of the windows and door are dead level so it was a bit of a balancing act. Conscious I didn't want them to be leaning either.
I meant more the perspective than tilt.
More often than not I prefer shots like this uncorrected too.Yeah, good point. Just tried it, actually prefer it as it is which is probably what I thought at the time of the edit. I can see some would prefer it corrected though
I’m not sure anyone uses the 200-600 as a landscape lens. It would be a big lens to carry around. perhaps the 100-400 would be a better option.I've been thinking about selling my pretty brand new Sony 24-105mm and getting a 200-600mm instead, although that would leave a fair gap between 35mm and 200mm.
I don't do portraits (if I did I would get the 85mm or 135mm). I've got the 35mm for family stuff so that leaves landscape/panoramic. Would the 200-600mm be useful for doing high detail stitched panos, or is it overkill?
Part of me is thinking that because the 200-600mm focal lengths are so far away from 35mm, then will I be more likely to actually make use of this lens? Whereas the 24-105mm overlaps and is much closer in focal length to the 35mm, so I can often make do by either stitching or moving physically?
I do....I’m not sure anyone uses the 200-600 as a landscape lens. It would be a big lens to carry around. perhaps the 100-400 would be a better option.
Perhaps I would of been better to say ‘most wouldn’t use it as a landscape lens‘ as there is always the exception to the rule (you’re the first I know of who does). I’m guessing you don’t carry it far or take it up a mountain. It’s not what many would regard as a standard landscape lens that should be in every landscape photographer kit bag.I do....![]()
You're correct, I don't carry it up mountains etc, but it is my most used lens, and it is used mainly for wildlife, but I've taken some good landscape shots with it, as well as portraits....Perhaps I would of been better to say ‘most wouldn’t use it as a landscape lens‘ as there is always the exception to the rule (you’re the first I know of who does). I’m guessing you don’t carry it far or take it up a mountain. It’s not what many would regard as a standard landscape lens that should be in every landscape photographer kit bag.
I've never tried stitching.What about for stitched panoramic photos though, would that immense reach allow for very detailed results? The size and weight wouldn't bother me as I would only be taking it out for specific purposes in a backpack rather than a walkabout with the family.
The thing is, there have been many an occasion in the past when I wished I had more reach whether it be Faslane where you are shooting across Gare Loch and can't get any closer, or a warship sailing down the Firth of Clyde and even instances such as getting a shot of the lighthouse on Pladda from a vantage point in Kildonan.
However, how is the quality at 600mm whilst taking into account atmospheric effects?
How bad is the vignetting if you don't have it in crop mode? Or is that not even an option?
That's the issue, detail will depend a lot on atmospheric conditions and how far away you are shooting.What about for stitched panoramic photos though, would that immense reach allow for very detailed results?
However, how is the quality at 600mm whilst taking into account atmospheric effects?
Stoneywood Mill by Mike Stephen, on FlickrI took this shot with my a7r3 + 200-600
Shooting into the hazy sun and the mill in shadow - not the best conditions but I had to take the shot as I retired from there the day before
Stoneywood Mill by Mike Stephen, on Flickr
Great pack now going in classified.
Plenty of time to play with my new toys nowNice to see you're making good use of the new kit Mike
Les
Quite bad
I zoomed to approx 80mm in FF to get shot of it
fstoppers.com
How bad is the vignetting if you don't have it in crop mode? Or is that not even an option?
1 copy by Mike Stephen, on Flickr
1-2 copy by Mike Stephen, on Flickr
1-3 copy by Mike Stephen, on Flickr
Here are some examples to answer your question
70-350 on a7r3 at FF
1 copy by Mike Stephen, on Flickr
70-350 on a7r3 APS-C Mode
1-2 copy by Mike Stephen, on Flickr
70-350 on a7r3 at FF 77mm
1-3 copy by Mike Stephen, on Flickr








Oyster Shells-03516 by G.K.Jnr., on Flickr
for looking., 
Great idea! Love the textures. Were the oysters tasty?Just a simple tourist close up type Snapograph taken at Kent UK of a pile of Oyster Shells that have had the Oysters removed.
I've deliberately gone for a higher contrast gritty look to this snap to emphasise the texture.
Sony-RX, 1/1000th @ F5.6, ISO-100, Handheld.
Oyster Shells-03516 by G.K.Jnr., on Flickr
for looking.,
![]()
Great idea! Love the textures. Were the oysters tasty?
Is the A7R2 still a valid camera today? I’m considering something with greater crop-ability than my A7C as a second camera, but my budget is crippled. I can get a 7R2 new from E-Infin for just over £1k, which is just do-able. I never use video, and rarely shoot anything which moves. Most of my lenses are manual focus.
Are the batteries the same as the A6500? I might have some knocking about.Yep it's IQ is still up there with the latest and greatest. Things haven't actually improved a whole lot since that sensor.
But it uses a different battery to your A7C which can be annoying.
Yep the older smaller ones. NP-FW50Are the batteries the same as the A6500? I might have some knocking about.
Male Woodpecker by Mike Stephen, on FlickrThe Sigma 100-400 gets really good reviewsI'm considering getting a 100-400ish lens for my a7R IV. Which lens in that bracket is "best"? What are the top 3 options?
Cheers
Cheers WWThat is nice Mike![]()