The Chemist

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French Canadian living in Europe since 1989!
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Today, the final class of the week was about directing a session.

All five of the students in studio with me had to take ten shots of
an other and direct the subject to come to a good result as the
others were assistants.

I noticed that they were not taking the exercise seriously — too
many grimaces and other monkey stuff.

So I selected the shyest, dressed him with an old lab coat and sug-
gested he kept his fetish sticks… I took 2 takes and this is #2…



LP%20Chimiste%20XDp.jpg



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Nice black background - I've yet to understand how to do that without cutting the subject out. Did you simply use a flash a certain way to achieve this?
 



Possibly more simply than the opposite, a white BG. The inverse
square law helps in this. The BG is an anthracite paper some 3m
behind the subject and the light sources are kept close to model.
 
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Aha, I’ve much to learn
 
Great result, especially for only the second take!




Possibly more simply than the opposite, a white BG. The inverse
share law helps in this. The BG is an anthracite paper some 3m
behind the subject and the light sources are kept close to model.

I don't wish to sound pedantic but I believe it is the inverse square law that is being referred to. :)
 
I don't wish to sound pedantic but I believe it is the inverse square law that is being referred to.


I don't mind you being so as I am more irritated by the darn
auto-correct feature that caused this I think… thanks! :cool::D
 
Great result, especially for only the second take!

Thanks Jeff!

After demonstrating that directing a shoot means taking control of it,
— even the shyest guy quickly and happily executed the wanted pose
feeling more secure with the given instructions than in an improvisation.
 
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juggler

Yep, some of them are quite funny indeed but this is always symbolic
imagery. A similar approach may be taken with politicians, lawyers, girls,
sports, cops etc.
 
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