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It's when an artist is able to play with perceptions to make something appear more real than it is that the fun starts.
And the next 'but' is that if they haven't managed to perceive clearly what is before them they can't make that leap.
Cézanne was playing with perception, tilting planes and so on. That's 'wrong', but makes the paintings more real.
I had the privilege to see a Mark Rothko recently and I stood quite close, I think Rothko said to stand 6 inches away, which I did and from further back. I stood there for about 20 minutes and felt like I was almost falling into the painting.
They've seemed to move for me. The colours coming forward and receding. Unless you see them for real they're just coloured shapes.