the Purpose of Art...

The entire discussion in this thread is why I think I'm really going to struggle with the same course as Byker long term. My mind is going to have to open up in way I never thought would happen, and I read a bunch of peoples thoughts on some of the work discussed in here and actually feel like I'm some uneducated oaf because I just don't get it. Woe is me, let me get my miniature violin.

I'm 3-4 years along that path. Started the first year producing nice images because thats what I knew how to do, and could do well. But the Art part of the course is so much more. I've learnt lots, mostly by looking and researching the work of other photographers, but also get along to study visits. Interacting with other students, tutors really opened my thoughts and understanding.
P.S. level 4 is easy, I'ev hardly taken any images so far in level 5, it's a lot of research, reading, thoughts,

It's a good journey to be on though
 
The entire discussion in this thread is why I think I'm really going to struggle with the same course as Byker long term. My mind is going to have to open up in way I never thought would happen, and I read a bunch of peoples thoughts on some of the work discussed in here and actually feel like I'm some uneducated oaf because I just don't get it. Woe is me, let me get my miniature violin.


The first year as a gentle introduction to the academic side, and deals with mainly contextual issues, not critical - connotation, denotation, broad themes such as identity, gender, representation etc. The reading list will be fairly light too... Berger, Hall etc... it will lead you in gently. 1st year will be heavily biased to the technical most likely. The discussions in here are the sort of thing you'd expect at level 5 onwards, and level 6. You'll be fine :)
 
yeah right , and shortly afterwards a magical flying horse landed next to the unicorn paddock bearing a message for her from Zeus (to be clear i'm not doubting you - just the honesty of that explanation - i'm sure you are repeating it in good faith)

If you're depressed , and living like that you don't wake up one day and say "hey this could be an artistic installation"

I once took a whole 36 roll of shots of my feet and an empty wine bottle while i was p***ed (it seemed like a good idea at the time) I'm sure i could come up with some pretentious waffle about how it was a paradign of my situation.. the lack of footwear being clearly evocative of the change of priorities brought about be alchol or some such... it would be utter b*****ks but in some quarters it would probably fly as art.

I may have mentioned before my freind lee who did a creative arts degree at the same uni i was at (he wanted to go into the army but needed a degree first to qualify for fast track officer training - creative art was the only course that would take him with one E and two Us) he hated everything about his course and as a consequence did jacks*** and spend most of his time drinking and playing rugby. The day before his diserttation piece was due in he reallised that he'd actually done nothing... so he glued four beer bottles together with superglue - one one way up and the other three the other way up , and four of us sat in the pub and had a creative writing session putting together an explanation about how these beer bottles were an essential paradign of the student experience... and basically threw in every pretentious cliche we could think of "the bottles were essentially contained precisely within their own dimensions , in the same way that the student feels contained by the dimensions of the university" that sort of thing.

He expected a fail , or at best to scrape through with a non honours pass. He actaully scored 86% for his dissertation module, which took him to an over all 2nd class honours position (dragging up the woeful exam marks). This told me everything i needed to know about the credibility of a lot of creative arts

Im a little dubious about dipping my toe into this discussion, but here goes.

Right up front, ill say that im not someone that even pretends to understand a lot of what is considered art, and to be honest I dont think it will ever interest me enough to bother trying to learn about it. So, what follows is entirely just an observation on my part.

I understand when people say that the artist doesnt necessarily require artistry in creation of their art, just the artistic vision/intent. Taking Emmin as an example, surely 'My Bed' came about during/after a bout of depression (heartbreak, I think I read somewhere). She looked at this bed one day and thought, 'This could be my latest art installation'. Now, im sure ill probably be shouted down for this, but where was her artistic vision in this case? Its not like she had a perfectly clean well made bed one day and had a vision about how she could create the very essence of depression by just using the bed, a few sanitary towels, fag packets and empty booze bottles. So to me (in my opinion), this wasnt intentional, which pretty much goes against what has been said previously on this thread about artistic vision and intent.

What BSM has said above, is pretty much something that ive thouight about in the past. What is to stop me accidentally taking a really technically bad photo of something, then afterwards creating some cliched scenario in my head that would appeal to the genuine art lover, in order to gain adoration/money?? The answer is, nothing, of course.

This is one of the reason for the suspicion aimed at some artists...



...in my opinion ;)
 
"creating some cliched scenario"

And therein is the issue. As its cliche'd it's unlikely to be artistic
 
Just to stick with Emin's bed. I view it as nothing more than a still life, elements of it representing something of her life at the time. This is no different to someone plonking a bowl of fruit on a stand and taking a photo of that, or a pair of dirty boots. In fact this means more than those examples as the constituent parts of her work actually mean something and have an element of symbolysm to them which is all you can ask of for a decent still life.

There's nothing wrong at all in someone looking at something and saying they dont get it. I think they open themselves up for as much derision as possible when they say "i dont get it, thats ****" and make no effort at all to look into it further to try and understand what it means. Once you do that then you can say well ok i understand what they were trying to do but its still not for me.
 
Just to stick with Emin's bed. I view it as nothing more than a still life, elements of it representing something of her life at the time.

This - a portrait of that instant in her life (rather like a photo is an instant in time) , there's a disgust about it, reflecting the disgust that she'd let her life become as she slipped into depression. Quite a personal, revealing thing to do. Obviously it's changed as it's been moved, sold, remade, reorganised etc but the essence of that personal portrait is still there
 
Ok, so a poor choice of words, but i think we all know what I was getting at.

Ummmm I am not sure I do so sorry.

However, if it's that easy then crack on, do it. Make loads of money and 'con' the art lovers out of their hard earned and tons of adoration. There is nothing to stop you or anyone else doing it. It must be a really easy way to make some cash right? Yet, it doesn't really happen.

Very occasionally an artist might happen across a happy accident but then they would generally take the theme/idea from that accident and develop it further.
 
Ummmm I am not sure I do so sorry.

However, if it's that easy then crack on, do it. Make loads of money and 'con' the art lovers out of their hard earned and tons of adoration. There is nothing to stop you or anyone else doing it. It must be a really easy way to make some cash right? Yet, it doesn't really happen.

Very occasionally an artist might happen across a happy accident but then they would generally take the theme/idea from that accident and develop it further.

Oh for Christsakes. I think if you read my post and the one I quoted from you might understand a little better. I never said doing this would be easy. I used BSMs example of a University friend that managed to dupe his assessors, and mearly inferred that anyone could do this. I never said it would be easy, I never said it would be successful every time, but it IS possible to 'make it up' if your story is good enough.

is that clearer?
 
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Oh for Christsakes. I think if you read my post and the one I quoted from you might understand a little better. I never said doing this would be easy. I used BSMs example of a University friend that managed to dupe his assessors, and mearly inferred that anyone could do this. I never said it would be easy, I never said it would be successful every time, but it IS possible to 'make it up' if your story is good enough.

is that clearer?

Thanks for being so condescending, it helps a great deal in the debate. I did read your post and all the others in here. The quote you took has already been called into question as to the validity of the story.

Of course its possible. Anythings possible but it generally doesn't happen. Thats MY point.

To hang your discussion on an unlikely exception and to form an opinion based on exceptions is a strange way to think.

Just my opinion

Is that clear enough for you?
 
Not being art is not a bad thing. That's where people spit their dummies out. Being told your work is not art is not an insult.. it's a description. There's just as much worth in a photo that's nothing more than pleasing to look at. It's just not art if that's it's only purpose. I have a friend that makes some lovely landscpae images.. probably better than any I coudl take. I like them. I've considered asking to buy some for the wall of our cabin near Ambleside (he shoots the Lake District). It's not art though. They're bloody good images, and they are lovely things... beautiful to look at. Why is that not enough?
Quick enquiry, I'm curious, in previous discussions of this nature you've mentioned Ansel Adams as an artist (I agree) why do you not consider you mates landscapes art?
 
Thanks for being so condescending, it helps a great deal in the debate. I did read your post and all the others in here. The quote you took has already been called into question as to the validity of the story.

Of course its possible. Anythings possible but it generally doesn't happen. Thats MY point.

To hang your discussion on an unlikely exception and to form an opinion based on exceptions is a strange way to think.

Just my opinion

Is that clear enough for you?

The fact that BSM's quote has been 'called into question', just shows that there are some people on here that dont like it when others are able to give credence to their opinions if they are not agreed with. I believe its perfectly valid point of view, sorry.

I need to ask, how do you know that this sort of thing generally doesnt happen? If someone is doing it, and making money from it, they are hardly likely to advertise the fact they are duping people are they?

**Edited to add** Its the validity of the idea/sentiment of BSMs post im agreeing with before anyone thinks otherwise.
 
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The fact that BSM's quote has been 'called into question', just shows that there are some people on here that dont like it when others are able to give credence to their opinions if they are not agreed with. I believe its perfectly valid point of view, sorry.

I need to ask, how do you know that this sort of thing generally doesnt happen? If someone is doing it, and making money from it, they are hardly likely to advertise the fact they are duping people are they?

Seriously? So you read that some guys mate made up his final dissertation on a 3 year course and achieved a 2/2 with no other real work? You believe that above someone who actually works in the education system and gave clear thought through reasons why this was unlikely?

If people were creating art all over the place by "accident" it wouldn't just be one person (if it was then my points above stand). If that's the case then yes, I would know about it and so would everyone else.

However if I am wrong, then it would be very interesting to chat to a few people who have achieved what you say by making money out of accidents. Oh but I can't cos they are all secretive and don't want anyone else to know their brilliant scam...

Goodness me......really?
 
Seriously? So you read that some guys mate made up his final dissertation on a 3 year course and achieved a 2/2 with no other real work? You believe that above someone who actually works in the education system and gave clear thought through reasons why this was unlikely?

If people were creating art all over the place by "accident" it wouldn't just be one person (if it was then my points above stand). If that's the case then yes, I would know about it and so would everyone else.

However if I am wrong, then it would be very interesting to chat to a few people who have achieved what you say by making money out of accidents. Oh but I can't cos they are all secretive and don't want anyone else to know their brilliant scam...

Goodness me......really?

You obviously missed the edit at the bottom of my post, so ill repeat.

Contrary to what you might think, I did read all of the posts after BSMs. The fact that David pretty much destroyed it as phalacy matters not one little bit. Its the idea/sentiment of such a thing that I agree with, and while its possible to scam the public in this way, I see no reason why my opinion is not valid to you.

So...you are saying that people duping the public for montary gain would happily tell you what they are doing? :thinking: ...erm...(y)


And the above is why I was dubious about having an opinion in here. Obviously, there is absolutely no way that an art lover could be scammed is there?
 
Which Uni was this Moose?

I'm currently working on a project which is a personal portrait based on feelings. Perhaps I should just call it collosal wankiness

Crewe and Alsager (its not there anymore , it got absorbed into manchester metropolitan)

i'm not saying that art is w***y btw - i'm saying that the art lecturers on lee's course were collosal w******s - principally due to their desire to find 'meaning' in pretty much everything and a lack of understanding of sarcasm, humour , or irony. As lee demstrated in order to score highly all that was necessary was to push the right buttons rather than actually possessing any artistic ability. There was a girl called kim on lee's course who was a very tallented water colourist ... she was continually marked down because her pictures were too 'pretty'... she became disillisioned with studying art as a result , and swapped to a business course ... she's currently a mid level exec in an accountancy firm , and does water colour as a hobby (I stayed in touch because my freind tom married her)
 
Seriously? So you read that some guys mate made up his final dissertation on a 3 year course and achieved a 2/2 with no other real work? You believe that above someone who actually works in the education system and gave clear thought through reasons why this was unlikely?

I didnt say with no other real work - i said that the marks on his disertation pulled up his woeful exam marks... without that he would have been heading for a non honours pass at best. Also no disrespect to the 'person who works in the education system' but being a lecturer at one ex polytechnic doesnt make him an expert on the educational workings of all ex polytechnics . I could rebut the "reasons why it is unlikely" but tbh I lack the arsed - believe me or don't believe me , though a debate is pretty pointless if you are going to accuse the other position of falsehood

for better or worse this kind of thing was very common at our uni , on the environmental studies course I did we had a lecturer who was extremly left wing , and it quickly became known accross our year that she was incapable on non biased marking, so if you wanted a good mark all you had to do was espouse a left wing argument and if possible through in a quote or two from das kapital or the ragged trousered philanthropists or such texts. ( In my final year essay which carried most of the marks for the unit I managed to quote Marx, Guevara, and that weeks issue of socialist worker ) and if you expressed a right wing view point (as my freind ian who's politics are somewhere to the right of thatcher frequently did) then you were doomed regardless of the academic rigour of your essay


If people were creating art all over the place by "accident" it wouldn't just be one person (if it was then my points above stand). If that's the case then yes, I would know about it and so would everyone else.

I don't know about 'by accident' but people are creating 'art' which isnt worthy of the name all over the place beds, piles of teabags, stacks of bricks, etc , and then justifying it by pretentious explanation ... I make no judgement on whether these people are genuine or shysters, but if they are genuine then its pretty sad that they and thieir audience have mistaken prentious cliche for creativity.
 
You can't pass a degree with just a dissertation. A degree is the aggregate of all your level 5 and level 6 grades,

not in lees case or in mine - the degree in both cases was awarded based on the average of 6 units taken in the final year (years 1&2 were a dimploma that you had to pass to enter year 3), the dissertation made up two of these units , while the other four were assessed by a mixture of exam and course work. Lees grades were heading for a non honours pass before he got 86% for the dissertation units but the high score on the dissertation units raised his average to just over the 2:2

and there are no "exams" on a creative arts degree, and it's all coursework.

Wrong again - as i said four of the 6 year units were examined partly by exam and partly by coursework.

There will be essays and critical presentations, hosting seminars and exhibitions throughout as well as your studio projects. He'd have to be consistently producing work for the last 2 years to pass. Also, even though level 4 grades don't count towards your degree classification, you have to pass ALL your first year projects as well to be able to progress to the second year.

and wrong again the 2nd year performance didnt count towards our degrees , so long as we passed the diplomas that made up year 1 and 2

Also... to get 86% (B+) in his dissertation, it must have been very well researched, referenced and written. You can't just write any old crap.

May be in a good institution in front of good lecturers this might be so - the fact that it wasn't was kind of my point. Dissertation may be the wrong word in lee's case it was a final piece and explanation which was scored across two units.... and in front of lecturers who's buttons can be pushed you can indeed write any old crap so long as it is the right kind of prententious crap

To get a 2:1 or a 2:2 you'd need to average C- (for a 2:2) to B+ (for a 2:1) for the entire last 2 years.

again not so - the year 2 grades didnt count towards the degree at all (neither in my case or lee's)

You have to work for the full 3 years to get a degree Pete

And I know thats not true from personal experience. I majored in rugby, drinking and women in my first year and failed 5 of the 6 units - I re took 4 and just scraped a pass to go on to year two , in year two I also spent most of my time p***ing my grant against the wall but did slightly more work and passed all the units with a non honours average, but sufficient to get the diploma. In year 3 (the degree year) I got my act together knocked both the drinking to excess and the womanising on the head and worked my arse off , getting a distinction grade on my dissertation , and acing most of the coursework. Unfortunately the exams required knowledge i should have had but didnt from the diploma years which pulled my average down to a 2:1

The bottom line on this is that while i respect that you know how it works now in a decent university , with rigorous and fair lecturers , you don't have the first idea how it worked in our university in the early 90s , while I do because I was there
 
You obviously missed the edit at the bottom of my post, so ill repeat.

Contrary to what you might think, I did read all of the posts after BSMs. The fact that David pretty much destroyed it as phalacy matters not one little bit. Its the idea/sentiment of such a thing that I agree with, and while its possible to scam the public in this way, I see no reason why my opinion is not valid to you.

So...you are saying that people duping the public for montary gain would happily tell you what they are doing? :thinking: ...erm...(y)


And the above is why I was dubious about having an opinion in here. Obviously, there is absolutely no way that an art lover could be scammed is there?

So, an idea/sentiment is something you agree with? The fact it may not be true or factual or at best a very RARE occurrence matters not. Thats the bit that you form your opinions about art or any other subject on? The public can be scammed in millions of different ways. Of course its possible, i have accepted and said that. It just isn't that common. Do you think the 'art world' are a bunch of stupid morons that go around waiting to be duped all the time. On second thoughts, don't answer that as I think I can tell what the answer is going to be already.

To dupe people consistently a duper would have to have a lot of accidents. One piece of work does not an artist make. To get an exhibition commissioned takes a full body of 'accidents' and "w***y b*****ks" speak on each piece, oh and more often than not, around some kind of theme to hold the whole thing together. One hell of an accident i'd say.

Your opinion seems to be based around exception as I said before. Which is why I am struggling to accept it as valid. Could what you say happen? Yes. Is it common? I think not. Unless of course you are basically saying that all artists are duping the public in which case we can end the discussion.

The individual wouldn't necessarily volunteer the details of their little scam but you think over all these years of historical art that nobody would have made their millions and then 'outed' themselves to show what a joke the whole art world is? There are many that hate it but yet still happily take their dollar from it but total scams? Mmmm......the world as a whole isn't quite that naive.

Your last line, what does that mean? Who ever said an art lover couldn't be scammed? I don't recall writing that bit. If I did then I apologise for misleading you, I thought I had agreed they could be scammed. We all can. Art lovers, art haters, pretty much anyone at some point.

Why dubious about posting? Because someone might not agree with you? Odd. Oh and you were the one who laid in with the thick condescension and a post beginning "Oh for Christsakes"
 
I didnt say with no other real work - i said that the marks on his disertation pulled up his woeful exam marks... without that he would have been heading for a non honours pass at best. Also no disrespect to the 'person who works in the education system' but being a lecturer at one ex polytechnic doesnt make him an expert on the educational workings of all ex polytechnics . I could rebut the "reasons why it is unlikely" but tbh I lack the arsed - believe me or don't believe me , though a debate is pretty pointless if you are going to accuse the other position of falsehood

for better or worse this kind of thing was very common at our uni , on the environmental studies course I did we had a lecturer who was extremly left wing , and it quickly became known accross our year that she was incapable on non biased marking, so if you wanted a good mark all you had to do was espouse a left wing argument and if possible through in a quote or two from das kapital or the ragged trousered philanthropists or such texts. ( In my final year essay which carried most of the marks for the unit I managed to quote Marx, Guevara, and that weeks issue of socialist worker ) and if you expressed a right wing view point (as my freind ian who's politics are somewhere to the right of thatcher frequently did) then you were doomed regardless of the academic rigour of your essay




I don't know about 'by accident' but people are creating 'art' which isnt worthy of the name all over the place beds, piles of teabags, stacks of bricks, etc , and then justifying it by pretentious explanation ... I make no judgement on whether these people are genuine or shysters, but if they are genuine then its pretty sad that they and thieir audience have mistaken prentious cliche for creativity.

My comments were made about the general university system. You obviously went to a bad one 20 years ago, however, surely its churlish to assume all are like this?

"art which isn't worthy of the name" is exactly the whole point and been running through this thread from the beginning. YOU don't think its worthy, cool. Others do. Why is that not cool too? You don't get it. Fine. No argument. Others do get it and like it. Cool too surely?

"I make no judgement on whether these people are genuine or shysters, but if they are genuine then its pretty sad that they and thieir audience have mistaken prentious cliche for creativity."

In your opinion. Not in mine cos I just think, each to their own. It doesn't float my boat but I don't worry about it. Good luck to 'em.
 
Quick enquiry, I'm curious, in previous discussions of this nature you've mentioned Ansel Adams as an artist (I agree) why do you not consider you mates landscapes art?

Good question actually. Firstly... he was one of the first who embraced the camera for what it was... not a device to mimic pictorial landscape paintings, but a precision, optical device to capture reality... but STILL a means of creative expression. Along with other members of the f64 club, decided to set around making some shifts in how people use and appreciate photography. He took it to the next level with not only the exposure of the negative, but the development, and the printing. He was a pioneer in the extent of the extremes he manipulated every aspect of the photographic process for creative purposes. That's one aspect.. the fact that he innovated, but perhaps the more important reason is the motivation behind it, which was the drive for conservation of the pacific north west's natural habitat, and he was instrumental in lobbying the national parks service and government in preserving many areas that are now protected... his work was instrumental in that. He actually used his images to evoke the emotions of those that could make such policy happen. In that respect, it's art... it has purpose, and while many regard Adams as a technician (quite rightly) he is one of the MANY artists who strike that perfect balance between art and craft. Some don't, and don't need to... but if Adams's work was not so beautiful, it wouldn't have worked.. it wouldn't have had the purpose he intended for it.
 
Perhaps it was my ballsup with the word 'Nonce' and the the difference that had on what I was saying and derision etc that followed. That was enough to make anyone dubious.

Mind you, that was quite funny when you think about it, had I commisioned a painting of what was in that post imagine the confusion at the reveal:)
 
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not in lees case or in mine - the degree in both cases was awarded based on the average of 6 units taken in the final year (years 1&2 were a dimploma that you had to pass to enter year 3), the dissertation made up two of these units , while the other four were assessed by a mixture of exam and course work. Lees grades were heading for a non honours pass before he got 86% for the dissertation units but the high score on the dissertation units raised his average to just over the 2:2



Wrong again - as i said four of the 6 year units were examined partly by exam and partly by coursework.



and wrong again the 2nd year performance didnt count towards our degrees , so long as we passed the diplomas that made up year 1 and 2



May be in a good institution in front of good lecturers this might be so - the fact that it wasn't was kind of my point. Dissertation may be the wrong word in lee's case it was a final piece and explanation which was scored across two units.... and in front of lecturers who's buttons can be pushed you can indeed write any old crap so long as it is the right kind of prententious crap



again not so - the year 2 grades didnt count towards the degree at all (neither in my case or lee's)



And I know thats not true from personal experience. I majored in rugby, drinking and women in my first year and failed 5 of the 6 units - I re took 4 and just scraped a pass to go on to year two , in year two I also spent most of my time p***ing my grant against the wall but did slightly more work and passed all the units with a non honours average, but sufficient to get the diploma. In year 3 (the degree year) I got my act together knocked both the drinking to excess and the womanising on the head and worked my arse off , getting a distinction grade on my dissertation , and acing most of the coursework. Unfortunately the exams required knowledge i should have had but didnt from the diploma years which pulled my average down to a 2:1

The bottom line on this is that while i respect that you know how it works now in a decent university , with rigorous and fair lecturers , you don't have the first idea how it worked in our university in the early 90s , while I do because I was there


I've been involved in education for far longer than I have actively been a lecturer. I was often the external industry consultant for photography courses (both BA and HND) validated by Lancaster, Falmouth, Bournemouth and Leeds universities, and Hugh Baird college in Bootle (which is the only FE college I've been course consultant at) - this dates back more than 13 years. I have no direct experience of higher education in the 90s... not as staff, or external consultancy however. I ahve as a student though, and I saw no evidence of that level of incompetence. To the best of my professional knowledge of higher education courses in the arts (all modesty aside, not inconsiderable ) I'm not aware of any Honours courses that have only taken third year grades into consideration when awarding degrees within that 13 year period, and I'm not aware of any massive changes how degrees have been awarded in the previous 10 before that. The only exception to that rule is HND and FdA Top Up years, where only that year's work is assessed for award. However, in order to obtain a place on a HND or FdA Top Up year, you have to pass the HND or FdA with commendation or higher.

If what you suggest is true, then A) Thank god that's the case now, and B) It may explain your less than enthusiastic attitude to arts based higher education, and your attitude overall. You have to admit that such an experience would have inevitably coloured your perception of the value of such courses, and hence given you a staggering amount of bias in such a debate. I think that's pertinent because what you are suggesting could simply not happen in any degree course in this country now. There are simply too many checks, and too much administrative data gathered to make such a course untenable, both financially and pedagogically.

It's also pertinent because what you are suggesting is not the norm, despite the anecdotal nature of your argument suggesting it is. Nor has it BEEN the norm. Art education in my experience, and that of my colleagues who pre-date me by some time, is one of extreme rigour, and hard work with diligent assessment and a great deal of external industry liaison to ensure the relevance, and usefulness of such courses. This came under even more strict scrutiny during the Blair years when "widening Participation" became fashionable, as all courses needed to be able to demonstrate vocational relevance. This is something art based courses have always struggled to do, as whether an artist is commercially (or otherwise) successful is largely down to THEM, not US, as there are no "jobs" as an artist.

While I have MANY problems with higher education in this country right now, one thing I am certain of, is that there are more checks, audits, reports and statistically obsessive management than ever before. Any lecturers, courses or universities behaving as you suggest would have their financial plugs pulled faster than a flaming toaster.

If you tried to run that beer bottle BS past me.. I'd just laugh at you, and advise you to either do some work, or carry on wasting your tuition fees.... up to you.... but the latter would not result in your obtaining a degree :)

Incidentally.. while the college you mention may have been absorbed into Man Met... I can assure you Man Met remains one the best degree courses in this country right now. The staff are very research heavy for post grad, and very industry relevant for honours.
 
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So Ansel was following other social documentary photographers of around the time. Jacob Riis, Lewis Hime etc?
 
So Ansel was following other social documentary photographers of around the time. Jacob Riis, Lewis Hime etc?


What do you mean by following them around? His work was very different, obviously, so not sure what you mean here.

[edit]

Misread.... sorry. Yeah... there was an upsewelling of social conscience, and a drive for photography to be more than merely pictorial. That was very heavily felt in the US in this period.. culminating in the whole FSA thing... that's something that's stuck stateside. They have a much more evolved awareness of photography as a means of social documentation than we do.
 
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Good question actually. Firstly... he was one of the first who embraced the camera for what it was... not a device to mimic pictorial landscape paintings, but a precision, optical device to capture reality... but STILL a means of creative expression. Along with other members of the f64 club, decided to set around making some shifts in how people use and appreciate photography. He took it to the next level with not only the exposure of the negative, but the development, and the printing. He was a pioneer in the extent of the extremes he manipulated every aspect of the photographic process for creative purposes. That's one aspect.. the fact that he innovated, but perhaps the more important reason is the motivation behind it, which was the drive for conservation of the pacific north west's natural habitat, and he was instrumental in lobbying the national parks service and government in preserving many areas that are now protected... his work was instrumental in that. He actually used his images to evoke the emotions of those that could make such policy happen. In that respect, it's art... it has purpose, and while many regard Adams as a technician (quite rightly) he is one of the MANY artists who strike that perfect balance between art and craft. Some don't, and don't need to... but if Adams's work was not so beautiful, it wouldn't have worked.. it wouldn't have had the purpose he intended for it.

Yeah I guess its the intent and message of the image rather than simply technically excellent photographs.
 
Yeah I guess its the intent and message of the image rather than simply technically excellent photographs.


As others have said... when the work transcends itself... then you have to consider it in such terms.
 
So, an idea/sentiment is something you agree with? The fact it may not be true or factual or at best a very RARE occurrence matters not. Thats the bit that you form your opinions about art or any other subject on? The public can be scammed in millions of different ways. Of course its possible, i have accepted and said that. It just isn't that common. Do you think the 'art world' are a bunch of stupid morons that go around waiting to be duped all the time. On second thoughts, don't answer that as I think I can tell what the answer is going to be already.

To dupe people consistently a duper would have to have a lot of accidents. One piece of work does not an artist make. To get an exhibition commissioned takes a full body of 'accidents' and "w***y b*****ks" speak on each piece, oh and more often than not, around some kind of theme to hold the whole thing together. One hell of an accident i'd say.

Your opinion seems to be based around exception as I said before. Which is why I am struggling to accept it as valid. Could what you say happen? Yes. Is it common? I think not. Unless of course you are basically saying that all artists are duping the public in which case we can end the discussion.

The individual wouldn't necessarily volunteer the details of their little scam but you think over all these years of historical art that nobody would have made their millions and then 'outed' themselves to show what a joke the whole art world is? There are many that hate it but yet still happily take their dollar from it but total scams? Mmmm......the world as a whole isn't quite that naive.

Your last line, what does that mean? Who ever said an art lover couldn't be scammed? I don't recall writing that bit. If I did then I apologise for misleading you, I thought I had agreed they could be scammed. We all can. Art lovers, art haters, pretty much anyone at some point.

Why dubious about posting? Because someone might not agree with you? Odd. Oh and you were the one who laid in with the thick condescension and a post beginning "Oh for Christsakes"

Ok, as you are apparently intent on arguing...

Maybe im not explaining myself properly. In my opinion, it would be possible to scam the public. I only used art lovers as an example as from your previous posts, you gave the impression that you were beyond such things. Youve already said you agree that it would be possible to scam someone, so whats your problem? If you agree with that, then why question why I have that opinion. You are also assuming that these potential scams would be coming from 'accidents'. I never said that. If someone were to try and scam others, its not much of a reach to say that they are deliberately taking a photo in a certain manner, or painting something in a certain manner (deliberately) which they would then try to pass off as a well thought out piece of art.

Does this happen a lot? I dont know, but I never gave an indication of how prevalent such things could be. On the other hand, how do you know how much this happens? You dont.

The bottom line is, that neither of us can 'prove' either way, so if you dont agree with an opinion I have that is fine, but that is all it is...an opinion. If you dont like it, move on.

The reason I was dubious should be quite apparent. I gave an opinion based on an observation, and immediately get told im wrong. Later on, it transpires that, what I say in my opinion 'Could' happen...you agree with. Go figure.
 
Haha

Ok, as you are apparently intent on arguing...

Why is it that I am the only one arguing? And why arguing? Its called a debate isn't it. I'm not arguing with you about something like this. Its a discussion online. Oh, and guess what? It takes 2 to tango.


You are also assuming that these potential scams would be coming from 'accidents'. I never said that. .


Ummm Yes you did?

What is to stop me accidentally taking a really technically bad photo of something, then afterwards creating some cliched scenario in my head that would appeal to the genuine art lover, in order to gain adoration/money?? The answer is, nothing, of course.

This is one of the reason for the suspicion aimed at some artists...

Ok, as you are apparently intent on arguing...

Maybe im not explaining myself properly. In my opinion, it would be possible to scam the public. I only used art lovers as an example as from your previous posts, you gave the impression that you were beyond such things. Youve already said you agree that it would be possible to scam someone, so whats your problem?

Scam the public full stop? Nothing to do with art? Sorry for thinking your comments were made in reference to the thread. I gave the impression 'I' was beyond such things? Wow, massive leap you made there then. Why on earth would I be immune? I simply said I don't think it happens much.

Your point is that it maybe happens a lot. The burden of proof surely rests with the accuser? I'm happy I don't think it happens often for all the reasons I have previously mentioned and you've chosen to ignore.





Ok, as you are apparently intent on arguing...

The bottom line is, that neither of us can 'prove' either way, so if you dont agree with an opinion I have that is fine, but that is all it is...an opinion. If you dont like it, move on.

The reason I was dubious should be quite apparent. I gave an opinion based on an observation, and immediately get told im wrong. Later on, it transpires that, what I say in my opinion 'Could' happen...you agree with. Go figure.

I don't agree with yours any more than you agree with mine so why don't you move on? Honestly, I'm fine with it.

You posted a comment, I replied with a contra view, I don't think I told you that you were wrong? I disagreed, sorry for that. I must learn to just blindly accept anything you write from now on!

This is dull now.
 
Just to lighten the thread up a bit.... you heard of Gizoogle? The site that translates websites into gangsta speak? Well.. running this thread through it is ****ing hilarious!

NOT SAFE FOR WORK!!!

http://gizoogle.net/index.php?search=http://www.talkphotography.co.uk/threads/the-purpose-of-art.564615/page-8#post-6552802&se=Gizoogle Dis Shiznit


That is just brilliant! moose is now 'bangin soft moose and your talk of education is replaced with ejaculation.. makes for a giggle reading your serious stuff;)
 
As others have said... when the work transcends itself... then you have to consider it in such terms.
True.


Just to lighten the thread up a bit.... you heard of Gizoogle? The site that translates websites into gangsta speak? Well.. running this thread through it is ****ing hilarious!

NOT SAFE FOR WORK!!!

http://gizoogle.net/index.php?search=http://www.talkphotography.co.uk/threads/the-purpose-of-art.564615/page-8#post-6552802&se=Gizoogle Dis Shiznit

Thats brilliant, I'd never heard of that site before!
 
Haha



Why is it that I am the only one arguing? And why arguing? Its called a debate isn't it. I'm not arguing with you about something like this. Its a discussion online. Oh, and guess what? It takes 2 to tango.





Ummm Yes you did?





Scam the public full stop? Nothing to do with art? Sorry for thinking your comments were made in reference to the thread. I gave the impression 'I' was beyond such things? Wow, massive leap you made there then. Why on earth would I be immune? I simply said I don't think it happens much.

Your point is that it maybe happens a lot. The burden of proof surely rests with the accuser? I'm happy I don't think it happens often for all the reasons I have previously mentioned and you've chosen to ignore.







I don't agree with yours any more than you agree with mine so why don't you move on? Honestly, I'm fine with it.

You posted a comment, I replied with a contra view, I don't think I told you that you were wrong? I disagreed, sorry for that. I must learn to just blindly accept anything you write from now on!

This is dull now.

Youre right, this IS dull. Glad we agree on something.

When I was talking about accidents, I was talking about me. Obviously, this was expanded upon to include scammers, scamming deliberately, and of course I was referring to scamming the public with regards to selling them 'art'. What do think I was referring to?

Why do I have to 'prove' it happens to make the opinion valid to you? Surely, if my opinion is so out of this world, you should be able to 'prove' to me otherwise? And who is it you think im accusing? Ive mearly pointed out that in my opinion, it could happen. Im not pointing the finger at anyone in particular am I?
 
What do you mean by following them around? His work was very different, obviously, so not sure what you mean here.

[edit]

Misread.... sorry. Yeah... there was an upsewelling of social conscience, and a drive for photography to be more than merely pictorial. That was very heavily felt in the US in this period.. culminating in the whole FSA thing... that's something that's stuck stateside. They have a much more evolved awareness of photography as a means of social documentation than we do.

There's been a bot, just read Danzigers Britain, images are ok but the writing is a little brief, snapshots in time really almost as though he wanted to distance himself.
Thinking of photographers, Nicholas Battye, Chris Steele-Perkins and Paul Trevor also did some work around Liverpool etc, there's Chris Killip but much later than the us suff. I guess the nearest we have would be Brandt in the 1930's
 
Youre right, this IS dull. Glad we agree on something.

When I was talking about accidents, I was talking about me. Obviously, this was expanded upon to include scammers, scamming deliberately, and of course I was referring to scamming the public with regards to selling them 'art'. What do think I was referring to?

Why do I have to 'prove' it happens to make the opinion valid to you? Surely, if my opinion is so out of this world, you should be able to 'prove' to me otherwise? And who is it you think im accusing? Ive mearly pointed out that in my opinion, it could happen. Im not pointing the finger at anyone in particular am I?

Ummm...because you were the one that brought it up and called it into question. Your point originally (that admittedly keeps changing) is that you are suspicious of some artists because of scammers and accidents that could be conning the general public. I merely said it isn't quite as easy as that and that its a shame your opinion is formed by exceptions rather than the 'norm'. Emin creates and had created other works as well, not just the bed. That was one installation amongst her many other works. Yet you chose that one, suggested it was an accident and said what is to stop you from taking an accidental picture, waffling and conning the public. I have said what generally would stop this from happening (but conceded it could and might on the very odd occasion) and you have completely ignored those points that disprove your opinion and said I have proved you right!?

Ho hum, I'm done with this ever goal post moving discussion with you.
 
I have said what generally would stop this from happening (but conceded it could and might on the very odd occasion) and you have completely ignored those points that disprove your opinion and said I have proved you right!?


If you stopped putting words in my mouth, maybe youd see that my stance hasnt changed. But hey ho.

Im aware that Emin has created other works, but considering that the bed was already being discussed, I chose it as an example. The line I have quoted above is very telling. If you think I have ignored something you have said, its because of this attitude.

Tell me, how do you disprove an opinion? You cant can you?

Im so glad you wont be responding. Dull, as has already been mentioned.
 
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