
How many shots has your D2HS taken?
'Like Nikon cameras are today'...?
It is a Nikon camera like today...lol
No, the English is perfect - it's just that the D2Hs is a modern camera - Nikon have been testing shutters on all their cameras since the 1950's...
Your post suggested it was an antique...made me laugh, that's all...it's late, I'm tired, pay no attention...lol
No, the English is perfect - it's just that the D2Hs is a modern camera - Nikon have been testing shutters on all their cameras since the 1950's...
Your post suggested it was an antique...made me laugh, that's all...it's late, I'm tired, pay no attention...lol

In digital terms it is an antique![]()
I read that Nikon test their shutters for 50,000 actuations before they are even fitted into their pro cameras.
Not sure what i think about this, its like buying a body thats already taken that amount of shots, and whats to say it wasnt going to go tits up just after that amount anyway.:shrug:
Dean![]()
I read that Nikon test their shutters for 50,000 actuations before they are even fitted into their pro cameras.
Not sure what i think about this, its like buying a body thats already taken that amount of shots, and whats to say it wasnt going to go tits up just after that amount anyway.:shrug:
Dean![]()
Curious: Why didn't you get a D2x? Unless you're going to specialise in fast sports imagery?
I was also told by a highly regarded photographer who has both D2XS and a D2HS that the D2HS is a better camera having far superior performance in low light. I asked him about it only having 4.1mp and he started banging his head against a wall.
If you print you get pixel binning from the D2X for free. Yes, its rubbish at 100% - but if downsample it to 4.1mp to match the D2HS see what you think then
Try it![]()

I don't care how highly regarded he is - he's flat out wrong.
If you print you get pixel binning from the D2X for free. Yes, its rubbish at 100% - but if downsample it to 4.1mp to match the D2HS see what you think then
Try it![]()
Try it? I've read it three times and still don't understand what you're trying to say - perhaps some punctuation would help?![]()

It was the structure of your sentence I was struggling with.......![]()
Yes, the D2Hs is very good.
But I can't see why you'd buy one when a D2X will cost you less. 4.1 megapixels is just fine for most stuff anyhow.. but D2X are dirt cheap, under £600 even less and have super image quality at base ISO.
miurasv - not meant to be an inflammatory question...
What kind of research did you do before buying your camera? Have you had much of a chance to play with it? I'm confused as to why you would buy one then post a raft of questions regarding D40/D60/D80/D200, lenses and then question the build quality of your camera.
Just intrigued.
Steve
as soon as I got my first D2Hs I knew the D300 was no longer for me - they are in a different class! Mps is not what its about - it's all about iq - and the D2Hs has that in abundance - if you know how to use it.
Trust me - It really is amazing.D2HS is a good camera then.
Trust me - It really is amazing.
It is a VERY good camera, just that you could have bought a D2x for about the same and if you needed the higher buffer-capacity (which they should all have by dint of the firmware upgrade) or higher frame-rate, you can switch to half-frame mode - so it becomes a D2H in effect.
It was designed for Sports and News 'togs who needed a high buffer capacity for shooting high-speed action sequences and whose end-product wasn't strictly based on image quality - like print news outlets...
Apart from some dedicated Sports pro's, most people bought the D2x because after the firmware-upgrade it offered almost the same characteristics anyway and could also be used for higher-quality applications like magazine work.
The D2xs was pretty much both cameras rolled into one - higher buffer capacity but with the 10.2Mpi sensor and colour management from the firmware upgrade...Lovely it is...
I'd be very happy using a '2Xs if I didn't have the D3/D3x bodies now...
It was designed for Sports and News 'togs who needed a high buffer capacity for shooting high-speed action sequences and whose end-product wasn't strictly based on image quality - like print news outlets...