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Both images taken with a Bronica ETRS on Portra 160
That's bloody gorgeous.
Both images taken with a Bronica ETRS on Portra 160
That's bloody gorgeous.
Two images from Skye.
The first from the Fairy Glen, a wonderful place full of strangely ridged hills and a natural 'castle' on top of a hill.
The second image is from a much photographed location. Looking down on the 'Old man of Storr'. This was taken just around sunrise and involved an hours climb in the dark with a headtorch.
Both images taken with a Bronica ETRS on Portra 160
Wow, #2 is spectacular. Well worth your effort. Print it BIG and hang it up.
The light is mesmerising, composition spot on. Just Brill..
It certainly was worth the effort, fantastic shot.
That's an outstandingly beautiful image, I feel like I'm standing right there next to the camera. Gorgeous.
Beautiful images, particularly the second one, the light is fantastic!Two images from Skye.
The first from the Fairy Glen, a wonderful place full of strangely ridged hills and a natural 'castle' on top of a hill.
The second image is from a much photographed location. Looking down on the 'Old man of Storr'. This was taken just around sunrise and involved an hours climb in the dark with a headtorch.
Both images taken with a Bronica ETRS on Portra 160
This may sound heretical but is there any chance of seeing the digital one in a different thread or something? This one is so spectacular the digital must be unbelievable.Thanks all. Unfortunately the digital shot is even better Then again there's just something about film
Asha, good to hear from you again, hope the house move all went well. Looking at your location I must say I am a tad envious! Nice shots of a stunning landscape.What a fantastic gallerie of shots to view after an absence of a few weeks due to a house move etc.........some fantastic work, including a shot of myself ( fortuanatley from a distance!! Thank you Richard!)
Far too much to comment on individually, something that will hopefully change now that i am back on here and can find a little time to offer some feedback.
As one can imagine, ive hardly had a moment to take photos however seeing as I've now had my "new to me" LF monorail sytem for a little while, I naturally had to try it out.
A couple of quick test shots, pretty much to ensure the bellows, lens/shutter and seals are good and of course to bring the standard of this thread back down to "Asha" level
What easier way to test than to set up litterallyjust outside my front door and grab the scenes.
Far from creative etc but a taster of what is on my doorstep:
1. Uninhabited building at the "end of the garden" :
View attachment 11784
2. Across the valley towards the Italian border:
View attachment 11786
This may sound heretical but is there any chance of seeing the digital one in a different thread or something? This one is so spectacular the digital must be unbelievable.
Sure thing. Heres the thread
Hi Brian,
Star Burst filters were over used at one time and became unfashionable, and the last thing you think of when you see a picture opportunity is "would this shot look better with a filter on"! but on the right subject I think they still look good, so dig them filters out of your bag and give them a go. I know you can't see results straight away on film like you can with digital, but if you take one with and without a filter at least you haven't ruined the picture if it does not work out!
You weren't kidding either!Sure thing. Heres the thread
A very striking shot. Mart, I am not sure about the starburst filter but I do love the colours and the real sense of the industrial. Some really nice 645 work appearing in this thread recently.View attachment 11856
Coking Plant oven push at night time in Barnsley taken on a Bronica ETRsi with a 50mm lens and a 4x star burst filter on to Portra 400 film.
Jim, a really nice eclectic set. I particularly love the grain in the first, the pano works really well I think.I am alive and have finally got round to getting some (old!) films developed. Please excuse the age (and quality) of some of these!
Some with my Rollei.
0514 Pan F 6x6-1.jpg by menthel, on Flickr
Exposure was shot but as I fiddled with it I like it more! Pan F.
0514 Pan F 6x6-4.jpg by menthel, on Flickr
Great textures. Pan F.
0514 Pan F 6x6-11.jpg by menthel, on Flickr
The light in this one makes it for me. Pan F.
Canon Eos 30 (I think)
HP5+ 0510-26.jpg by menthel, on Flickr
Got to love the British Museum and some of their lighting! HP5+.
HP5+ 0510-22.jpg by menthel, on Flickr
More BM. HP5+.
And then a bunch of miscreants!
0515 Acros 100 6x6-11.jpg by menthel, on Flickr
Works well in B&W. Without having seen the colour version, it looks to me that colour wouldn't add anything to this scene, as the main features are the sense of ruggedness, and the tonal contrastsOriginally on Ektar but I thought it might convert to a contrasty b&w... any thoughts?
Andy
Bloody cheek!"miscreant"...................Yep, definetly the one leaning against the fence!
Tom, it's is actually quite a nice effect! Really like the first shot!. I have had a similar effect with Fp4 when I had the Developer at the right temperature but the stop and fixer were just too cold, so it was the temperature differential that I think caused the problem for me!Not gonna develop again til I got myself a thermometer, pretty sure the grain/blown highlights have come from the chems being too hot? These have come out alright though
Photographica 2014, London by Tom Horton Photo, on Flickr
London by Tom Horton Photo, on Flickr
London Eye by Tom Horton Photo, on Flickr
London Eye by Tom Horton Photo, on Flickr
Brick Lane, London by Tom Horton Photo, on Flickr
Brick Lane, London by Tom Horton Photo, on Flickr
Brick Lane, London by Tom Horton Photo, on Flickr
I do like those Andy, particularly the second image, very nice!A few Spring shots from the big Fuji. All on Ektar 100.
Spring-Lane by andysnapper1, on Flickr
Spring-in-the-Forest by andysnapper1, on Flickr
Furrows2 by andysnapper1, on Flickr
Furrows1 by andysnapper1, on Flickr
Flag-Iris1 by andysnapper1, on Flickr
Bloody cheek!
Really liking the Photograhica and 2nd London eye shots. Lots of lovely grain.
Tom, it's is actually quite a nice effect! Really like the first shot!. I have had a similar effect with Fp4 when I had the Developer at the right temperature but the stop and fixer were just too cold, so it was the temperature differential that I think caused the problem for me!