ancient_mariner
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Tron called - they want their MCP back.
Nice going BTW.
Nice going BTW.
That Alf is probably the best i have ever seen from you, joking aside, it's actually very nice.Here is an unusual one. I had a 10 stop filter on the camera and was moving location and pressed the shutter before dismantled things properly so I set off walking taking a 60 second exposure on the way. The camera was intentionally moved about 20 metres
Whitehaven harbour sunset ICM by Alf Branch, on Flickr
One from yesterday on a very wet Dartmoor. It's an ICM multiple exposure.
Does A Bogeyman Lives in Bellever Forest
These are excellentmy zoom exposure shots., with my dog sleeping through it.
View attachment 140712 View attachment 140713
I like that a lot, just the right amount of ICM
What a great example. Perfectly demonstrated.
This is very nice, one for the wall i think.I really like the Walk in the Woods @Nick Owen and the lights @Pick, although your dog looks in danger
I had a first attempt on a walk just after Christmas.
View attachment 236988
That's very kind. I realised after posting that maybe a bit of sky needs to be cropped off. I might print it off at A4 size and see how it looks.This is very nice, one for the wall i think.
Well done.
The February theme for FPOTY 19 was "Abstract and odd", and I decided I wanted to have another try at ICM, which I first dabbled with a couple of years ago. The tricky part was, it had to be on film (the F in FPOTY). I went out on a nice day to a local wood, and shot a whole film, but as I went to change film at the end, I discovered I'd misloaded the film and had taken... nothing at all! Luckily another reasonable day came up a few days later, and I was able to try again. I reloaded the same film (Agfa Vista 400), bodged up a 2-stop ND filter from two Cokin grads in opposing directions, and by setting +2 EC I was able to get shutter times between half and two seconds.
1) This was my FPOTY entry, "Ghostly embrace"; I wanted the most abstract and odd!
R1-09872-0028 by Chris R, on Flickr
2) This one I also liked, although I rejected it as a bit too obvious what it was
R1-09872-0030 by Chris R, on Flickr
3) Finally, this one seems to have been quite popular when I showed it as one that didn't make the cut. I don't remember how I made this; I suspect with a very rapid zoom while the shutter was open, but not at all sure.
R1-09872-0023 by Chris R, on Flickr
Its quite nerve-wracking, shooting off a whole roll of film and facing £6 of processing charges without any real idea of what you've got. But I really quite enjoy it. One thing that intrigues me (apart from how different the images are from anything I could have possibly imagined) is how intense the colours can be. I have no idea why this is.
One thing with film that might help is the reciprocity failure, which will have greater effect in the darker areas, so the light can have more influence... maybe!
I like the idea of Intentional Camera Movement
Really like these! I’d put them on the wall.
I remember bodging my film loading and the huge disappointment when I realised - one time was travel shots in Istanbul in the 70s which was just devastating.
When we used to receive our 126 / 110 film format prints back from Truprint, Boots or whoever back in the '70s showing our school trip / family holiday; were we not seriously dissapointed with images like these?…..I must have thrown litterally hundreds away.
failures
dodgy shots
One from this morning's storm on the Hoe. More can't keep the tripod braced enough rather than ICM but the result is the same.
The Tempest
Thanks. I haven't, just a quick play with some levels in LR.This looks like a texture has been added! Very nice!
Nope, fail sorry.......:banghead:Does this count as ICM? I've worked out the car moved about 6 feet during this exposure
British GT Championship Media Day by Richard Crawford, on Flickr
Nope, fail sorry.......:banghead: