Medium format recommendations?

Actually rethinking,


NONE OF THE ABOVE:D:D:D:D
 
Thanks for all the suggestions so far folks. Plenty to consider there. It'll be a month or three before I'm likely to take the plunge anyway, so I have some time to research the suggestions.

That's sensible, just think what do want to use the camera for e.g. landscapes, street, action, closeups etc and what format you fancy 6X6, 6X7 or 6X4.5, does the weight worry you, and do you want to use flash and of course cost and so on,....good luck
 
...and you forgeot re Etrs and similar:- interchangeable focussing screens and bellows, extention tubes, for close up work...I would think close up work on a TLR is more difficult :eek:

My Mamiya C330 has interchangeable focusing screens and bellows; and if used on a tripod which is no great hardship for close up work, there is a paramender which removes parallax error. I will admit that this wouldn't work with insects.
 
Yes, the 55mm lens focuses quite close, 24cm i think. I love my Mamiya, all the lenses are stunning and I use it a lot for tripod work but it is quite heavy and I wouldn't want to carry it for too long.
Rolleicords are rising in price rapidly. I bought a Vb two years ago for £99 now they are waaay more than that, well worth it though a cracking, lightweight camera that has exceptional lenses.
 
How do the Fuji GW690/670 line compare with the suggestions already given? I'm a sucker for a rangefinder and these are way cheaper than the likes of the Mamiya 7 (maybe for a reason?)
 
How do the Fuji GW690/670 line compare with the suggestions already given? I'm a sucker for a rangefinder and these are way cheaper than the likes of the Mamiya 7 (maybe for a reason?)

They are heavier and maybe a bit bigger than the Mamiya 7. No option to change the lenses and I've seen a few comments about the rangefinder patches being a bit small and dim. The viewfinder on my old Mamiya 7ii was extremely bright and the rangefinder patch the best I've ever seen. The lens on the Fuji is superb - right up there with the M7 as far as I can tell. They also seem to be simple reliable cameras. I've been tempted to buy one, but have way too many cameras, and I love my Pentax 6x7 too much to be bothered with another system.
 
Yes, the 55mm lens focuses quite close, 24cm i think. I love my Mamiya, all the lenses are stunning and I use it a lot for tripod work but it is quite heavy and I wouldn't want to carry it for too long.
Rolleicords are rising in price rapidly. I bought a Vb two years ago for £99 now they are waaay more than that, well worth it though a cracking, lightweight camera that has exceptional lenses.

Rolleiflex prices seem to be the same. There are odd bargains to be had, but 3.5F versions frequently go for £750+ and 2.8F for £950+. That's almost double what they were three years ago.
 
Yes, the 55mm lens focuses quite close, 24cm i think. I love my Mamiya, all the lenses are stunning and I use it a lot for tripod work but it is quite heavy and I wouldn't want to carry it for too long.
Rolleicords are rising in price rapidly. I bought a Vb two years ago for £99 now they are waaay more than that, well worth it though a cracking, lightweight camera that has exceptional lenses.

...but Andy what use is a camera if you can't take the shot you want o_O for the chimney at the Peak you were either using a TLR or LF and you didn't have the right lens to take the shot :(
 
No
...but Andy what use is a camera if you can't take the shot you want o_O for the chimney at the Peak you were either using a TLR or LF and you didn't have the right lens to take the shot :(

Nope, it was my Voigtlander Vitomatic II which has a 50mm lens so I shot a top and bottom pano and stitched them together. Shot achieved, there's always a way. ;)
I'm not really sure what point you are trying to make Brian, I was merely agreeing with Stephen about the Mamiya system and giving my thoughts on Rolleicords.
 
How do the Fuji GW690/670 line compare with the suggestions already given? I'm a sucker for a rangefinder and these are way cheaper than the likes of the Mamiya 7 (maybe for a reason?)

I've had two an original GW690 and the MkII. They have a stunningly good image quality but they are a bit boxy and large. I didn't have any trouble with the patch, both mine were bright enough but although I took some of my favourite shots with them I just didn't feel the love and sold them.

IQ is excellent though.
Tonquin-Beach-Sunset2 by Andy, on Flickr
 
@FishyFish if you make it along to a f&c meet I'm between us all you'll be able to have a go with most variations of medium format cameras.

I'm not sure when the next day out will be but there should be one along soon.
 
@FishyFish if you make it along to a f&c meet I'm between us all you'll be able to have a go with most variations of medium format cameras.

I'm not sure when the next day out will be but there should be one along soon.

Devon meet is the next one in May I think. Nothing else has been organised. Yet. Are you volunteering? :D
 
No


Nope, it was my Voigtlander Vitomatic II which has a 50mm lens so I shot a top and bottom pano and stitched them together. Shot achieved, there's always a way. ;)
I'm not really sure what point you are trying to make Brian, I was merely agreeing with Stephen about the Mamiya system and giving my thoughts on Rolleicords.

.....just that you mentioned a Rollei (or similar TLRs)...my joke has always been you need to carry 3 Rolleis:- wide angle, normal, and tele to cover all situations...but my joke might be out of date now using stiching in Photoshop :D But still, unless you want a MF for a particular use then you can't beat a system that's versatile for all situations e.g. MF SLRs with WYSIWYG (y)
 
Does the SQ-A have a straight film path so you can leave a roll in without getting the kink? I think finding a 6x6 with a better film path is on my to do list.

Erm, I've not had problems with kinking, personally. It leads off the top roll, over the back plate, then onto the takeup spool... kind of a C-shaped path?
 
@FishyFish if you make it along to a f&c meet I'm between us all you'll be able to have a go with most variations of medium format cameras.

I'm not sure when the next day out will be but there should be one along soon.

I was thinking along those lines last night, if there was some sort of local(ish) weekend or 1-day Sat or Sun meet I'd be up for attending (if I was invited, that is! :whistle:) and if FishyFish could attend I'd be happy to bring a Yashica 635 along for him to try out. We just need the weather to buck its ideas up and for spring to arrive. However, if we just made it a 1 day weekend meet we could always set a date but postpone if the weather outlook wasn't good?
 
Erm, I've not had problems with kinking, personally. It leads off the top roll, over the back plate, then onto the takeup spool... kind of a C-shaped path?

I had another look at the photos from the automat. I don't think I had issues with kinking, just incompetence at focussing :oops: :$
 
I was thinking along those lines last night, if there was some sort of local(ish) weekend or 1-day Sat or Sun meet I'd be up for attending (if I was invited, that is! :whistle:) and if FishyFish could attend I'd be happy to bring a Yashica 635 along for him to try out. We just need the weather to buck its ideas up and for spring to arrive. However, if we just made it a 1 day weekend meet we could always set a date but postpone if the weather outlook wasn't good?

Churnet Valley Railway has a steam gala in the last weekend of Feb. That might be a possible meeting point as it is fairly local to a motley collection of film camera owners?

https://www.churnet-valley-railway.co.uk/event/810/winter-steam-gala-2017

Checked the weather for that weekend and it's currently saying dry and reasonable both days so it has time to change. Saturday currently looking slightly better than Sunday.
 
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Sounds like a possibility Suz, if it gives enough notice for people, so what does 'the motley collection' think?
 
I can't do that weekend unfortunately, of course no reason why you can't organise it anyway sounds like a really good day out.

Most of the film meets have been organised enough time in advance to enable folk to make the most of cheap travel options and also we have chosen places that are on the rail network to include as many people as possible regardless of distance and the need for a car or motorcycle.

Over the years we've been to London, Manchester, Bristol (twice), Chester, York, Llandudno and organised weekends in the Lake District, the Peaks and Edinburgh.

And thanks to @ChrisR he reminded me we've also been to Suffolk and the National Arboretum.

Will stick up a post with some likely destinations and dates for March/April and see what we can sort out.
 
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Devon meet is the next one in May I think. Nothing else has been organised. Yet. Are you volunteering? :D
I'll set the wheels in motion Suz (y)
 
Churnet Valley Railway has a steam gala in the last weekend of Feb. That might be a possible meeting point as it is fairly local to a motley collection of film camera owners?

https://www.churnet-valley-railway.co.uk/event/810/winter-steam-gala-2017

Checked the weather for that weekend and it's currently saying dry and reasonable both days so it has time to change. Saturday currently looking slightly better than Sunday.

That doesn't look to be too far from me, so could be a possibility as long as I'm not already booked by my wife for some task or other that weekend.:)

It'd definitely be useful to see some cameras in the flesh. Youtube and website reviews are great, but they're no match for actually looking through a viewfinder with your own eyes.
 
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Over the years we've been to London, Manchester, Bristol (twice), Chester, York, Llandudno and organised weekends in the Lake District, the Peaks and Edinburgh.

Not forgetting Suffolk (Essex?) and that Arboretum...

I quite fancy Northumbria. We could probably strand @Andysnap on Holy Island again if we planned it carefully!

London only once? Maybe another one in London would be simple to organise as most people can get cheap tickets there. I was wondering about going to London this weekend, actually; the wife's away and there just migt be an architecture shot in there somewhere!
 
I can't do that weekend unfortunately, of course no reason why you can't organise it anyway sounds like a really good day out.

Most of the film meets have been organised enough time in advance to enable folk to make the most of cheap travel options and also we have chosen places that are on the rail network to include as many people as possible regardless of distance and the need for a car or motorcycle.

Over the years we've been to London, Manchester, Bristol (twice), Chester, York, Llandudno and organised weekends in the Lake District, the Peaks and Edinburgh.

Will stick up a post with some likely destinations and dates for March/April and see what we can sort out.

The meet at Whipsnade was good for looking at cameras and probably put a few people off the RB67 for size, seeing it with prism and L grip :eek:
 
I'll go with the flow, Churnet sounds good and local for an informal 1-day meet, if there's enough lead-in time for people? Not too keen on the London suggestion though... big scary place full of traffic and people, not good for badgers at all! Animal jokes aside, I'm not that keen on busy cities and prefer countryside and villages, but won't be offended if people decide they'd rather do some street photography in The Smoke instead. (y)
 
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.....just that you mentioned a Rollei (or similar TLRs)...my joke has always been you need to carry 3 Rolleis:- wide angle, normal, and tele to cover all situations...but my joke might be out of date now using stiching in Photoshop :D But still, unless you want a MF for a particular use then you can't beat a system that's versatile for all situations e.g. MF SLRs with WYSIWYG (y)

I realise you were joking, but the serious point about MF is a lot of the time you don't really need a long lens because you can crop the negative so much. If you carry a 'flex with a 75mm lens, you effectively have everything from a slightly wide to short tele (image compression aside of course). Very flexible. Flexible. You see what i did there?
 
I took the automat out for the second time ever. I have decided I don't get on with WLFs. Or manual everything. Wish I'd taken the MF P & S beast instead!
 
I realise you were joking, but the serious point about MF is a lot of the time you don't really need a long lens because you can crop the negative so much. If you carry a 'flex with a 75mm lens, you effectively have everything from a slightly wide to short tele (image compression aside of course). Very flexible. Flexible. You see what i did there?

Cos you can get by with one fixed lens, but I bought a tele rollei for portraiture (and it was a piece of crap also very limited but it was for a special use so OK)....Today lenses are cheap for cameras that can swop lenses e.g. I paid £365 for my RB67 65mm lens umpteen years ago...so why be stuck with a camera with a fixed lens. TLRs are so oldie worldie but if they turn you on, that's what matters.
 
Brian, only you can single out one type of analogue camera as being "oldie worldie"....you're in the F&C section man, everything is oldie worldie!
Who are you calling "oldie worldie"? @Andysnap i wouldn't stand for it Andy he's 'avin a pop:bat:
 
I'm mulling the idea of getting a better MF camera this year. I currently have a Lubitel 166 U, which is ok, but I'm finding the focussing screen to be difficult to use (even with the magnifying lens) and consequently tend to avoid shooting stuff that can't be captured at the infinity setting.

I want something that's easy to focus, has good image quality, and I'm probably looking at a budget of up to £200 (although something less would be a bonus). Any recommendations on a suitable camera (it doesn't have to be a TLR)?

Thanks.
If you can find one at the price a Hasselblad 205 TCC is a good camera.
 
If you can find one at the price a Hasselblad 205 TCC is a good camera.

Yeah, a nice camera, but they often cost about 10x the OP's budget and can be very tricky to repair if anything goes wrong. These factors ultimately led to my abandoning the Hasselblad system. It's a shame as I loved my 110mm f/2 lens.
 
Who are you calling "oldie worldie"? @Andysnap i wouldn't stand for it Andy he's 'avin a pop:bat:

Bl**dy youngsters comin' in here and takin' the pee out of us more senior gents... grrrr :mad:
 
Today.....I have mostly been eating Koni Omega's




.......burp !
 
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