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No Red,I’ve only got a Canon M100 and I’m ok with its colours but if I ever get another Sony I will look into itHave you tried doing colour profiles for each camera?
Canon and Sony look good to me,@snerkler and @SsSsSsSsSnake @jonneymendoza I know which I prefer.... and it sure aint pinkie pie.
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There’s very little wrong with the D750, or the D850, or the 5D4 etc etc. Mirrorless aren’t the be all and end all, but I think it’s the way the market is shifting. For me it gives the option of a lighter setup when paired with the right lens meaning I could have FF for travel as well as everyday stuff. Also, Nikon has the worst liveview on the market, mirrorless certainly trumps it here. Now to be fair DSLRs don’t lend themselves to frequent use of live view like mirrorless do imo, but then this is another advantage of mirrorless for travel for me (I use liveview a lot on holiday). Lastly AF spread, mirrorless has a big advantage.
But that’s about it for me, all the other bells and whistles I’m not bothered about. The final image will be no better, and there are some downsides to mirrorless such as balance with large/heavy lenses. If it wasn’t for wanting a lighter camera for travel I don’t think I’d honestly be tempted by mirrorless at this stage.
Canon and Sony look good to me,
Towards the end the is a camera on the stand with a grip, and it looks awful and huge. Let's hope it is for reference and the real thing will be designed better.
Not a bad first impressions..
Towards the end the is a camera on the stand with a grip, and it looks awful and huge. Let's hope it is for reference and the real thing will be designed better.
interesting, how does this work?.
I wish you the best of luck at your next job.
(If the card fails and you your all the images, it may be your last)
The point of the profile is not taste, it's accuracy. You get it accurate and then you apply your 'taste' or style, and the if you are consistent in your taste or style, and do the same things most of the time, you can save what you do as a preset applied to profiled image on import. That could be your starting point for more detailed editing if needed.You could of course, assuming you could find someone who had the same taste as yourself
Maybe the camera isn't targeted at the professional photographer - they have the D850 & D5 as the pro bodies. (Pic the correct camera for your use if dual cards is high on the agenda)
For an amateur/enthusiast a card failure is a PITA but not a matter of life and death. Further to this XQD is far more reliable than CF where the majority of failures come from bent pins and poor electrical contact.
Like @HoppyUK - card failure has never happened on my XQD cards and is way down the list of worries (In fact it isn't on the list) & it's importance is over hyped; there are far more camera failures than memory card failures in reality.
I don't worry about which of the two brake pedals to press in my car in case one doesn't work or load two films into my camera.
Nikon may well loose sales through no dual card slot but if they had put dual XQD cards in there people would have moaned about costs and if they had put XQD and SD people would have moaned the SD card 'deliberately' slowed the data transfer down.
After the recent thread about changing to mirror-less I can't yet see any advantage of a full frame mirror-less over a FF DSLR so your choice as a Pro buying Nikon would be D850 or D5 and D750, also the Z series if dual card slots are not a concern, if you're a keen enthusiast you now have the Z series if you want mirror-less for some reason.
Going on those shots,my objections have been based on my own shooting experience with Sony and shots posted on here and flikrThe tune has changed then
But as I keep saying, the opposite is true, lenses designed specifically for the reduced distance to sensor can be small and fast. What is happening atm is that lenses designed for a DSLR are having a spacer added to their mount which allows a lens design to be bodged to fit.Here is a thought…you know how a couple of the Sony lenses are small, like the 35/2.8 and 55/1.8. They are basically the width of the mount, and have you notice the size of the Nikon 35/1.8 which is the width of the mount, so I doubt they will release "small" lenses because the mount is that big, unless it tapers in like a cone.
We might be seeing a new breed of lenses that is MUCH bigger than we've ever seen in DSLR. Especially if they take the no compromised approach like Sigma did with the Art series, alas 105/1.4. This new mount will open up the possibility to some hefty lenses.
They are both in the enthusiast/ pro price range, and feel like mirrorless versions of the D750 and D850 to me. I think Nikon may have called the pro cameras in their announcement too.Maybe the camera isn't targeted at the professional photographer - they have the D850 & D5 as the pro bodies. (Pic the correct camera for your use if dual cards is high on the agenda)
For an amateur/enthusiast a card failure is a PITA but not a matter of life and death. Further to this XQD is far more reliable than CF where the majority of failures come from bent pins and poor electrical contact.
Like @HoppyUK - card failure has never happened on my XQD cards and is way down the list of worries (In fact it isn't on the list) & it's importance is over hyped; there are far more camera failures than memory card failures in reality.
I don't think the SD card in my D500 slows down the camera significantly. And that has XQD and SD card slots in a camera cheaper than either of these two Z cameras. These mirrorless cameras are supposed to save the manufacturers money as they don't have to pay for the expensive prism and align the AF.Nikon may well loose sales through no dual card slot but if they had put dual XQD cards in there people would have moaned about costs and if they had put XQD and SD people would have moaned the SD card 'deliberately' slowed the data transfer down.
You pays your money, or not, and you make your choice. Great to have all these choices though isn't it.After the recent thread about changing to mirror-less I can't yet see any advantage of a full frame mirror-less over a FF DSLR so your choice as a Pro buying Nikon would be D850 or D5 and D750, also the Z series if dual card slots are not a concern, if your a keen enthusiast you now have the Z series if you want mirror-less for some reason.
@snerkler and @SsSsSsSsSnake @jonneymendoza I know which I prefer.... and it sure aint pinkie pie.
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Maybe the camera isn't targeted at the professional photographer - they have the D850 & D5 as the pro bodies. (Pic the correct camera for your use if dual cards is high on the agenda)
Going on those shots,my objections have been based on my own shooting experience with Sony and shots posted on here and flikr
Going on those shots,my objections have been based on my own shooting experience with Sony and shots posted on here and flikr
@snerkler and @SsSsSsSsSnake @jonneymendoza I know which I prefer.... and it sure aint pinkie pie.
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But had the person just come off a sunbed! In which case....The iPhone looks best!
Sony looks like he has been on a 'dirty protest', Canon looks anaemic and Nikon looks like he has come off a sunbed!
Just shows it’s a personnel choice ,all have different tastes,The iPhone looks best!
Sony looks like he has been on a 'dirty protest', Canon looks anaemic and Nikon looks like he has come off a sunbed!
That’s true,I will post when I see a shot on here I don’t like the colours of so you get my lean.Which shots? People here tend to edit and tweak as they like
@decigallen ..........because they already have the best full frame DSLR on the market (D850) that they want to keep as the Pro choice of their line up for high resolution work. What significant advantage at this point in time does any FF mirror-less give over this awesome package with it's fantastic lens choice? (I would suggest just a 'fashion' statement and a new gadget.)
I've no doubt mirror-less is the future as it's much easier/cheaper to produce but at the moment I can see no reason whatsoever to change from full frame DSLR to full frame mirror-less. I can see reasons to change from Full Frame DSLR to a different format mirror-less though.
@snerkler and @SsSsSsSsSnake @jonneymendoza I know which I prefer.... and it sure aint pinkie pie.
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The iPhone looks best!
Sony looks like he has been on a 'dirty protest', Canon looks anaemic and Nikon looks like he has come off a sunbed!
I thought the canon one was a touch OE alsoThat canon image is clearly almost a stop brighter than the rest, and the iPhone is half a stop under, which many will find ‘pleasing’, when comparing colour, surely the first step is to baseline exposure?
Silent shooting
Size and weight
Easier to use with manual lenses thanks to peaking
Easier to nail exposure
Sharper focusing with no AF micro adjustments needed
EVF shooting
Accurate AF with the LCD screen
More AF points with near edge to edge coverage
Just off the top of my head..
As for crippling their mirrorless to keep D850 sales, Steve Jobs said that you should never be afraid to cannibalise your own sales, or someone else will. I would've bought a killer 24mp Mirrorless Nikon. I don't want or need a D850 - the file size and larger, heavier body put me off.
That canon image is clearly almost a stop brighter than the rest, and the iPhone is half a stop under, which many will find ‘pleasing’, when comparing colour, surely the first step is to baseline exposure?
The iPhone looks best!
Sony looks like he has been on a 'dirty protest', Canon looks anaemic and Nikon looks like he has come off a sunbed!
A £3399 camera isn't targeted at professionals?! And if it isn't targeted at professionals why would it use XQD cards that can cost as much as some basic DSLRs?
The main reasons I bought into mirrorless were to reduce size and weight but also as I thought that smaller kit would attract less attention and it does. It was only later that I saw the other advantages you've listed. The fact that I can have a FF camera with a Sony 35mm f2.8 or Voigtlander f1.4 and it'll fit in a winter coat pocket or the same bag my MFT GX9 fits in still amazes me.
If you look at the big to the left of the subject you can see that the canon and iPhone images have different exposure, I’ve no desire to put it right, I have no interest in other camera makers colours.Feel free to take the canon down in post to match the exposure.
meh, I’m not convinced they bother with WB settings on those shots, my D750 never had Percy Pig skin tones@snerkler and @SsSsSsSsSnake @jonneymendoza I know which I prefer.... and it sure aint pinkie pie.
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Interesting. Does it change on press and then change back if you press again, or do you have to press and hold?I have the Group Area-AF set as the default AF, then the top button selects Single Point and the bottom button selects 9-Point.
I find thid gives me a lot of flexibility with wildlife inc BIF.
My comment was tongue in cheekThe point of the profile is not taste, it's accuracy. You get it accurate and then you apply your 'taste' or style, and the if you are consistent in your taste or style, and do the same things most of the time, you can save what you do as a preset applied to profiled image on import. That could be your starting point for more detailed editing if needed.
He looks to me like he's over done it on some cheap bronzing lotion, he'll probably look worse again if the image was blown up. Based on the other 3, he's nowhere near that colour in reality