OFFICIAL I HAVE A NEW (FILM RELATED) TOY THREAD!!

Mir 38b for Pentacon six,

Should be back from CLA this week needed some work to the shutter curtain but besides that all good. :)

Mir 38b.jpg


Mir 38b 1.jpg
 
It's now reached the stage where people say "I hear you like old cameras". It perhaps wouldn't go down well if replied more honestly and said "it's a little more nuanced than that. I like some old cameras if they will do what I want them to and in a format I enjoy". Hence me ending up with this:

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A Kershaw Eight-20 Penguin. In good condition bar one repairable bellows hole. Quite a nice thing really and very solid. A couple of apertures and a focus mechanism which means in period it would certainly be a step up from a box camera.

Once I've plugged the hole I'll run a film through it.
 
A few things I acquired recently.

First a Voitlander Vito B.

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The good news...

The camera came in an old school vinyl camera bag and with its case, four filters, the proper lens hood, a working Weston Master 2 meter (reflected light readings from which closely match my Sekonic), cable release, tripod with ball and socket head, Zeiss Ikon Ikoblitz flash and some flash bulbs (just need the correct 15V battery)!, the full kit in pristine condition, only degraded by time.

The bad news...

The camera shutter fires but the shutter does not open. Looks like a sticky lubricant situation. Unfortunately the cost of a repair may be prohibitive.
 
Second...

An Ilford Envoy medium format 6x6 camera with case. The shutter works fine. It's an interesting camera maybe inspired by the Agfa Clack and bakelite Kodaks like the Brownie 127. The film plane is curved to compensate, in part, for the simple meniscus lens. This work well for the Agfa Clack so I'm looking forward to using the camera. Only one shutter speed, no aperture settings but two, yes two!, focus settings marked 'PULL OUT FOR PLACES' and 'PUSH IN FOR FACES'. I've always wanted to try one of these. The case is rubbish, by the way, the worst ERC ever designed.

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But there is more...

I visited an antiques centre (more like a warehouse) near Northampton.

There were a few photographic items which caught my eye; a big box of photographs, two magic lantern slide projectors and a couple of Daguerreotypes.

Of the projectors, one was a wreck but the second was in pretty good shape. both only £85 each. I had to pass because the good machine was huge, almost industrial in scale and I've given away all my slides to a local collector. The Daguerreotypes were interesting and a bit expensive but I don't collect early images. There were two of children, one of which I feel certain was post mortem. They were pictures I would like to own, definitely, but I just have to resist the temptation some times. In the end I bought these four pictures.

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I like the Queen Victoria look alike in the second picture. The negative of the first photograph seems to have been tampered with to suggest an aura around the woman.


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Both the CDV's were made in the North West so I had to have them. The last photograph makes me wonder why the man is wearing a pith helmet, could the picture have been taken somewhere abroad?
 
Spec : A small and compact camera to take on holiday, must be 4x5.

I found this.

Crown Graphic.JPG

With a bit of luck I have found something in good working condition. I will do a few tests later on the range finder and infinity stops.
 
Spec : A small and compact camera to take on holiday, must be 4x5.

I found this.

View attachment 490984

With a bit of luck I have found something in good working condition. I will do a few tests later on the range finder and infinity stops.
If you find that it’s a bit bulky, my SnapShot is lighter (around 600g without lens) and offers both standard and technical (15mm rise/fall/shift) lens cones with a full International/Graflok standard spring back.


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If you find that it’s a bit bulky, my SnapShot is lighter (around 600g without lens) and offers both standard and technical (15mm rise/fall/shift) lens cones with a full International/Graflok standard spring back.


View attachment 491054View attachment 491055View attachment 491056View attachment 491057
The crown Graphic is surprisingly ergonomic, the strap being on the left leaves the right hand totally free to do all the fiddling about with the lens apertures and movement adjustments.
 
Very nice. Hope it is in good working order.
All good so far, very happy, had to rearrange the order of the ground glass and fresnel but all good, the pillock who tightened the ground glass clamps had tightened them to the same torque as a wheel nut.
 
More new toys,

Run out of 510 pyro and been told that the Pyrocat HD is better so made some. Found a new SH bookshop in town, pick what you want and make a donation so I gave a fiver for the two. I was concerned that I was being a bit tight but the staff were made up. :)

New Toys.JPG
 
I was going through my German 35mm & 120 cameras, and made a discovery.

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2 Leicas, a Contax, 2 Wrras, a Praktina, and Exa & Exacta, Ikonta, Super Ikonta, and 2 Rolleiflex camera.

The Werramatic, bottom right, was boughtr for £20 in February, came with the lens hood & cap, as well as its case. It's fully functional, meter is accurate. What I hadn't realised until 2 days ago is this is one of the Werras that take interchangeable lenses.

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Two other CZJ lenses were available a 35mm an 100mm, thge view fider has the bright-lines for all 3 lensews.

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I showed a friend this camera last night, he's a photographer and also a prototype engineering engineer, he was amazed at the build quality. It's an East German camera, the only camera made in the Carl Zeiss Jena lens factory. The focusing is in Metres and Feet.

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Now to find the 35mm & 100mm lenses for a reasonable price.

Ian
 
I was going through my German 35mm & 120 cameras, and made a discovery.

View attachment 492237

2 Leicas, a Contax, 2 Wrras, a Praktina, and Exa & Exacta, Ikonta, Super Ikonta, and 2 Rolleiflex camera.

The Werramatic, bottom right, was boughtr for £20 in February, came with the lens hood & cap, as well as its case. It's fully functional, meter is accurate. What I hadn't realised until 2 days ago is this is one of the Werras that take interchangeable lenses.

View attachment 492238


View attachment 492239

Two other CZJ lenses were available a 35mm an 100mm, thge view fider has the bright-lines for all 3 lensews.

View attachment 492240

I showed a friend this camera last night, he's a photographer and also a prototype engineering engineer, he was amazed at the build quality. It's an East German camera, the only camera made in the Carl Zeiss Jena lens factory. The focusing is in Metres and Feet.

View attachment 492244View attachment 492243

Now to find the 35mm & 100mm lenses for a reasonable price.

Ian
I had a Werra 1 as my only camera from 1967 for 4-5 years or so. Stopped using it soo after I got onto my Pentax SLR track, and then som 30 yers later gave it away to a charity shop. I do regret that. The lens was excellent. I have thought of getting another one... but no, maybe not! I remember the film loading faff, and the lens sticks out far too much for the pocketable mission I have in mind (plus I'd prefer an on-board light meter these days). But it's interesting to see how they have developed from my early model.
 
The MX is my favourite Pentax K mount camera, I used them with power winders to shoot rock concerts. I still have a black body MX.

Ian
 
The MX is my favourite Pentax K mount camera, I used them with power winders to shoot rock concerts. I still have a black body MX.

Ian
Never (until now) owned a Pentax. The MX shutter is capping at 1/1000s. Anything below is OK so will send for a CLA. Bit disappointing given the description of the camera on ebay. Hey ho.
 
And these...
All SMC Pentax M: 24mm f/2.8, 30mm f/2.8, 120mm f/2.8 - all in minty condition.

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AFAIK there isn't a Pentax-M 24mm lens, and the Pentax-A 24/2.8 has its lettering outside the barrel; there also isn't a Pentax-M 30mm lens (see https://www.pentaxforums.com/lensreviews/SMC-Pentax-M-Lenses-c27.html), so I suspect these two are the earlier "K" lenses, more closely derived from the screw-mount Takumars. The 30mm and 120mm (definitely a M) get great ratings from PentaxForum users, and the 24mm does OK, too. The M 50/1.7 is also a lovely, small, light lens; the 1.4 is heavier and only slightly better IMO. You've got a spectacular set there, Chris!

I've had multiple MXs (daily drivers rather than shelf queens); the most expensive issue for me has been variable frame spacing. I'm now gentler and more consistent in my film advance, and don't seem to have an issue any more.

I love my LX, though it's heavier. Metering is superlative (down to -6.5 EV and up to 120 seconds exposure in auto mode!); I tend to use it for colour, either negative or transparency, or for low light. Add 1 or 2 stops of EC in Auto and let it do its thing!
 
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I've decided to stop my scatter-gun approach to buying Minolta lenses.

I've now ended up with several generations (below), partly just through 'GAS' and partly as some lenses came with Cameras I've bought. So from here on in, I'm only going to (deliberately) go for MCII lenses.

I may well end up selling on the other kit, but there are one or two lenses I'll probably hold on to. Especially as they never made an MCII zoom and I really like a couple of the zooms.

To that end, I've picked up five more MCII lenses since my last post.

The 58/1.2 - like the last one I posted, this is also a radioactive thoriated glass version so is a little warm. I've bought a cheap UV torch, so I'll see if it makes any difference.


MCII 58mm f/1.2 ROKKOR-PG by Kell, on Flickr


58 1.2 MCII Front by Kell, on Flickr

The 58/1.4 - I wasn't originally going to get this as well as the f/1.2, but after months of searching for a good f/1.2 I was giving up and kept seeing a mint f/1.4 for sale, so I bought it. Then the very next morning, a good, relatively inexpensive, UK lens came up on my alerts, so I bought that too.


58 1.4 MCII Front by Kell, on Flickr


MCII 58mm f/1.4 ROKKOR-PF by Kell, on Flickr

The 200/3.5 - I have an MC-X version of this, which is good. This is the first lens I've bought from Japan and was really pleased with the way it went. The only downside is that the lens was a steal at £30, but the postage was £30.


MCII 200MM F/3.5 TELE ROKKOR-QF by Kell, on Flickr



The 135/3.5 - it was a spares or repairs lens that was just £15 as it had oil on the aperture. I've stripped it down and cleaned it and was going to use it today to test but forgot my memory card.


The 100/2.5 - this is currently on its way.


I know (or suspect) that a lot of you have more lenses than this, but it's too many for me really. So I am planning to thin it out a bit.

This is the current list - separated by generations.


Lenses OCT 2026 copy by Kell, on Flickr

Primes

ARI 55 f/2 (1414490)

ARII 55 f/1.8 (3421715)


MC-X 200 f/3.5 (5554194)

MC-X 50 f/2 (1018123)


MCI 135 f/2.8 (1167556)

MCI 58/1.4 (5066710)


MCII 135 f/3.5 (1558010)

MCII 135 f2.8 (1597420)

MCII 200 f/3.5. (5541814)

MCII 28 f/2.5 (1553252)

MCII 28 f/3.5 (1558085)

MCII 300 f/4.5 (3512394)

MCII 35 f2.8 (4599102)

MCII 58/1.2 (2559177)

MCII 58/1.4 (5717223)

MCII 85/1.7 (2504250)


MDI 16 f/2.8 (1201554)


MDII 100 f/2.5 (1215955)

MDII 24 f/2.8 (2210712)

MDII 28 f/2.8 (1173498)

MDII 35 f/1.8 (1201642)

MDII 45 f/2 (1614827)

MDII 50 f/1.2 (1006245)


MDIII 135 f/3.5 (8080639)

MDIII 20 f/2.8 (8003300)

MDIII 28 f/2.8 (8007413)

MDIII 50 f/1.4 (8208790)

MDIII 50 f/1.7 (9805945)



Zooms


MDII 50-135 f/3.5 (1033140)


MDIII 24-35 f/3.5 (1004363)

MDIII 24-50 f/4 (8003594)

MDIII 28-85 f/3.5-4.5 (1006561)

MDIII 35-70 f/3.5 (1189564)

MDIII 70-210 f/4 (1053724)

MDIII 75-150 f/4 (1029992)


MDIIIa 28-70 f/3.5-4.8 (52003979)

MDIIIa 28-70 f/3.5-4.8 (56012150)


Panagor 80-200/3.8

Tamron Adaptall 80-210/3.8-4.0
 
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This arrived last week, the latest recruit to my medium format gang. These cameras are notoriously complex and, if the handbook procedures are not followed to the letter they lock up and repairers are a challenge. But I want to take the chance as it is reputedly much better than the Hasselblad CM500 series, but released ten years too late! (Anyway, as the Germans say, why would anyone not want to follow the procedures). So I have read, re-read and memorised the handbook on my .........

Rolleiflex SL66

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Examples from first roll here
 
This arrived last week, the latest recruit to my medium format gang. These cameras are notoriously complex and, if the handbook procedures are not followed to the letter they lock up and repairers are a challenge. But I want to take the chance as it is reputedly much better than the Hasselblad CM500 series, but released ten years too late! (Anyway, as the Germans say, why would anyone not want to follow the procedures). So I have read, re-read and memorised the handbook on my .........

Rolleiflex SL66

55573537932_2493e494e2_c.jpg


Examples from first roll here
If you turn the lens round and mount it's for close-ups. For me the shutter speeds stopped working and had to have it repaired, also for portraits (unless you buy expensive leaf lens), the 1/30 sec flash sync wasn't of much use for me. Anyway I liked it until I bought the RB67 and bronica etrs and then it didn't get much use and sold it.
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I knew a repairer, years ago, who was Rollei trained and a wizard with the TLRs.

I once asked him about the SL66 and he was not an enthusiast. He gave it the ultimate insult by saying "even those people at Bronica made a better machine!" :exit:
 
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