Show us yer film shots then!

[Marvin d martian]

Stunning work Rod, lovely image.

Mart

 

[Musicman]

Yep. That's a winner.

 

[Musicman]

A couple more with the M645J and expired Portra 160NC.

Having a lot of fun with this. I am beginning to wonder why I bother with 35mm.

55mm f/2.8


Abellio London 9034 [BX55 XMH] by cybertect, on Flickr

150mm f/4


The Place cranes by cybertect, on Flickr

 

[Musicman]

One more with the M645J / 55mm / Portra 160NC.


Potters Fields in Autumn by cybertect, on Flickr

Every once in a while it comes out exactly as you planned.

 

[AlanSmithee]

1939 Pontiac Deluxe 8 Convertible



100ACR, Rodinal 1+100

​

 

[CaptainPenguin]

One recent film and one that I had forgotten I had not processed

Yashica Zoom 80 Fuji 200

EOS 600 Canon 24-85 USM Fuji 400

 

[AlanSmithee]

400TMY, PMK Pyro

​

 

[Musicman]

Yashica Zoom 80 Fuji 200

Like that first one a lot. The pose of the driver adds an extra dimension when you notice it.

 

[EdMoss]

A collection of black and white portraits taken at a cycling time trial earlier this year.

5x4 Tri-x, silver gelatin contact prints on ADOX MCC.

 

[TheBigYin]

cracking shots Ed, and it brought back many, many memories of riding my bike at a painful sustained heart rate up and down quiet dual carriageways early on sunday mornings.

 

[Andysnap]

I took my Olympus Trip 35 out yesterday to Manchester. What a lovely little camera to use for street work, very quick and easy to hide.

Cross Street

Cross-Street-Manchester by andysnapper1, on Flickr

Dog-Gone

Dog-Gone by andysnapper1, on Flickr

Glitter

Glitter by andysnapper1, on Flickr

Windswept

Windswept by andysnapper1, on Flickr

Cheers

Andy

 

[RaglanSurf]

Great dog shot, the Olympus Trip is a great little camera.

 

[Simonx]

Salford Quays on a beautiful day back in April. Shot on well out of date Velvia 50 with my OM2 and the Zuiko 28mm.

Salford002 by Simonx8123, on Flickr

Salford001 by Simonx8123, on Flickr

Salford004 by Simonx8123, on Flickr
I'm not sure if I like the Quays or not. It's certainly very striking - especially on a day as nice as that one was but it's a jumble of shapes rather than anything coherent.

 

[FruitFlakes]

Neopan 400 pushed to 800 in Rodinal 1:50, semi-stand = so much grain I could sand down blocks of wood with the negatives. Some shots looked quite Moriyama-ish though!

Hexar AF:

M4 + VC 50/1.5 (such a good lens!):

 

[fixedimage]

Nice shots there. I've been using Tri-X at box speed in 1+25 R09. Might be time to start pushing it soon though as there's less and elss light around this time of year.

 

[FruitFlakes]

Thanks. I've also been using Tri-X lately, although I'm developing it in Diafine, really liking the results:

Hexar AF, Tri-X at 1600.

 

[excalibur2]

Thanks. I've also been using Tri-X lately, although I'm developing it in Diafine, really liking the results:

Hexar AF, Tri-X at 1600.

A guy on Mflenses.com is asking "Where can I get Diafine in the UK" :shrug:

 

[FruitFlakes]

I got mine from AG Photograpihic.

 

[AlanSmithee]

Neopan 400 pushed to 800 in Rodinal 1:50, semi-stand = so much grain I could sand down blocks of wood with the negatives.

It doesn't look too grainy on the monitor. Now would that be 400 or 800 grit sandpaper.

 

[excalibur2]

I got mine from AG Photograpihic.

Apparently out of stock, but someone said "Mr Cad"...if you need some

 

[FruitFlakes]

It doesn't look too grainy on the monitor. Now would that be 400 or 800 grit sandpaper.

Definitely 800 , although I'm used to Diafine+TX400 grain on 120, going back to 35mm is quite a shock!

Apparently out of stock, but someone said "Mr Cad"...if you need some

They get it in stock every few weeks or so, but Diafine lasts pretty much forever (as I'm told). Mr Cad only sells the 3.8L kits as well, no way I shoot that much!

 

[Alastair]

I've finally made a start on scanning rolls shot over the summer..


Yashica D, Kodak Ektar.

I need to spend some time adjusting the height on the negative holder when scanning, I'm sure I can get sharper scans out of the V500.

 

[erictearle]

Some film work from me;


7:00am. by Eric Tearle, on Flickr


Untitled by Eric Tearle, on Flickr


Misty Morning. by Eric Tearle, on Flickr


Oakamoor, 2011 by Eric Tearle, on Flickr


Double Exp film swap. by Eric Tearle, on Flickr


Newsweek. by Eric Tearle, on Flickr

 

[AlanSmithee]

The Living And The Dead



400TMY, PMK

​

 

[RaglanSurf]

Eric's the new "Where's Wally"

and Mr Smithee, that's one beautifl and atmospheric shot.

 

[erictearle]

Where's Wally?

What's that meant to mean?

 

[TheBigYin]

i'm guessing it's playing "find your name stamp" - a bit like the "where's wally" books - find the guy in the stripy red and white shirt

 

[erictearle]

Ah I see what you mean now! As much as I hate watermarks, it stops people stealing the photos, reproducing them in mass amounts. It's happened before Si I jut protect myself a little now

 

[RaglanSurf]

Where's Wally?

What's that meant to mean?

Sorry Eric, I assumed you'd done the whole hidden name thing as some sort of homage to Where's Wally.

And I'm really struggling to find "Eric" in the last two

i'm guessing it's playing "find your name stamp" - a bit like the "where's wally" books - find the guy in the stripy red and white shirt

See I'm not the only one to make the connection

 

[AlanSmithee]

Ah I see what you mean now! As much as I hate watermarks, it stops people stealing the photos, reproducing them in mass amounts. It's happened before Si I jut protect myself a little now

That small water mark is not difficult to remove. How is it protecting your photos?

 

[erictearle]

That small water mark is not difficult to remove. How is it protecting your photos?

No you're right its not, but again why does it matter There my photos and my choice to put my name on them

Let me rephrase. Its not there to "protect" as such, just there to let people know its mine. If people don't like it then that's their opinion

 

[erictearle]

Back on topic;


Jackmans Estate. by Eric Tearle, on Flickr


Bank. by Eric Tearle, on Flickr

 

[joxby]

Not often you see a scene that vignettes before you even contemplate shooting it...

On the watermark thang, it is no protection but as long as you use one you will know that whoever stole your image, did not do it by accident.
I dunno what consolation that is but I find it easier to choose a course of action knowing the type of people I'm dealing with.
On the other hand, some peeps are just thieving arses, from which there is no protection..

 

[TheTimeChamber]

Few from London, half Velvia100 and half Fuji1600


November042 by Sectionate, on Flickr


November040 by Sectionate, on Flickr


November038 by Sectionate, on Flickr


November007 by Sectionate, on Flickr

 

[Deleted member 35046]

Back on topic;


Bank. by Eric Tearle, on Flickr

Really nice shot, Eric.

 

[menthel]

Some from my Brother's wedding with my M6 and 35mm V3 summicron and 50mm f1.5 voigtlander on Neopan 1600.


Richard and Kathleen Wedding Neopan 1600-5.jpg by menthel, on Flickr


Richard and Kathleen Wedding Neopan 1600-29.jpg by menthel, on Flickr


Richard and Kathleen Wedding Neopan 1600-23.jpg by menthel, on Flickr

 

[fixedimage]

A few I printed last night, more on my Flickr.


IMG_0012 by Ande Murdoch, on Flickr


IMG_0008 by Ande Murdoch, on Flickr


IMG_0007 by Ande Murdoch, on Flickr


IMG_0004 by Ande Murdoch, on Flickr

 

[erictearle]

Really nice shot, Eric.

Thanks dude

 

[EdBray]

Ethan, taken this morning on Pentax Super A, 135mm f2.5 Takumar, film was Ultrafine Extreme ISO 400 pushed to ISO 3200, this gave an exposure of 1/125 @ f4, developed in Ilford LC29 at 1:9 for 14 minutes.

 

[AJQS]

Ethan, taken this morning on Pentax Super A, 135mm f2.5 Takumar, film was Ultrafine Extreme ISO 400 pushed to ISO 3200, this gave an exposure of 1/125 @ f4, developed in Ilford LC29 at 1:9 for 14 minutes.

None too shabby, better than my GH1 at equivalent ISO I'd say!