When they come off the scanner looking this good it just makes your day. Fuji Pro160 4x5 out of the Chroma Carbon Adventurer
View attachment 289142
Hmmm, edited as I have realise that attaching images directly here seems to soften them somewhat. Is that as it usually is?
Yes, the backend is brutal with compression here. Best to host externally and then hotlink.
Two phone snaps (scanner won't do anything larger than 8x10), 11x11" on 12x16" Ilford MGRC V Satin. Both are split contrast prints, shot on a Rollei MX-EVS, Tri-X, developed in Diafine. I find that split contrast works really well with Diafine dev'd Tri-X, especially with the low contrast Tessar found in the Rollei.
Might have to start using Flickr again
I find that uploading at 1024px or less on the long edge is best on here.Hmmm, edited as I have realise that attaching images directly here seems to soften them somewhat. Is that as it usually is?
Really like thatChurch interior in Kirkharle, Northumberland. HP5+ rated at EI1600 in an Olmypus OM2 and developed in HC110:
View attachment 289233
One more pinhole image from Chemical Beach and one of Steetley Pier. Reality So Subtle 6x6F camera and Pan F+
Crocodile teeth by Kevin Allan, on Flickr
Steetly Pier pinhole by Kevin Allan, on Flickr
The fuzzy area at the top of this frame is likely a reflection (itt was shot through glass). Or a ghost.
Whatever, I like the slight "Borley Rectory" feel it gives the photo.
Canon Sure Shot Supreme
Agfa APX 100
Ilfotec DD-X 1+4 10.5mins @ 20°
A descending apparition by fishyfish_arcade, on Flickr
@Sectionate, @FruitFlakes, @Kevin Allan, @gazmorton2000,
Apologies for the blanket reply, but I really like all of these images you that you've posted. I particularly like the first waterfall, the first of the two prints, the first sea stack and (you guessed it!) the first street scene. Really good work.
@Sectionate, @FruitFlakes, @Kevin Allan, @gazmorton2000,
Apologies for the blanket reply, but I really like all of these images you that you've posted. I particularly like the first waterfall, the first of the two prints, the first sea stack and (you guessed it!) the first street scene. Really good work.
That's really nice. I can never 'see' photos like this, but you've absolutely nailed it imho.
Let's try this then, hosting from somewhere else and I don't THINK I have shared these before on here. Some Cinestill 800 pushed a couple of stops in development. First time I have used this stock in 35mm and at night and pushed!
And yes, I took the Leica and no, I didn't get robbed or worry about it at any time.
Leica M3 - Cinestill 800 +2
I like the first and final of these Gareth. The Cinestil 'glow' works really well on the profusion of streetlights and neon.
How did you find shooting street shots over there? It seems that people in south-east asia are far more tolerant of strangers making their photographs than they are here in the UK. There's a YouTube channel I follow that has a lot of videos featuring street candids and I'm always amazed at how easily he makes the pictures and how little the people seem to be bothered by it.
e.g.
View: https://youtu.be/mBEzLSx9dLA
2020! now even Jam tomorrow has been downgraded to eggsZeiss Mess-Ikonta 524/16
Ilford Delta 400
Ilfotec DD-X 1+4 8mins @ 20°
More eggs tomorrow by fishyfish_arcade, on Flickr
Negs back from the developers. My 2nd roll of film, this time using a Pentax S1A
Pentax S1A by mozziephotography
adobe.ly
Really nice again. Have you applied any post processing (I'm presuming you have due to the square crops and toning on skme images)? They look great though. My sort of stuff.