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I totally agree, DaveThanks, and indeed! But she doesn't seem to mind and it makes for a more interesting picture, I think...
I totally agree, DaveThanks, and indeed! But she doesn't seem to mind and it makes for a more interesting picture, I think...
Hi guys. I wonder if I could share some of my problems with the XT-1 and look for tips.
Firstly I don't know why this keeps happening, but I regularly find the exposure dial has moved. I'm not consciously aware of knocking or moving it.
Do you guys find a similar problem, and if so, apart from double checking the dial before taking a shot, are there any other ways you use to prevent this?
Hi guys. I wonder if I could share some of my problems with the XT-1 and look for tips.
Firstly I don't know why this keeps happening, but I regularly find the exposure dial has moved. I'm not consciously aware of knocking or moving it.
Do you guys find a similar problem, and if so, apart from double checking the dial before taking a shot, are there any other ways you use to prevent this?
There isn't. The best you could do is set auto ISO and shoot wide open using aperture priority.On another question. I'm having a real struggle with sharp images in low light. I messed up getting photos of my daughters first dance show on stage. When I was zooming in I noticed the images were blurry. In a panic I tried to set it to AUTO. With my old X10 I could just switch onto auto if I didn't want to think, it did excellent in low light. It doesn't seem there is the equivalent on the XT-1?
Not at all. I would say that perhaps an X-T10 or X-T20 would serve you better though as these have the same sensor but are a little more user friendly and have that 'auto' button where you feel you need it.Thank you. That's a shame, Sometimes you just need to react to a situation without thinking. I have found it rather complicated as a camera. I guess it's just practise makes it second nature. With my X10 I became so familiar with everything I no longer had to think. Maybe setting up function keys would help me.
It was blur and shake - different photos different problems. I was watching the show, and trying to get images - didn't really want to focus on what the hell I was doing wrong on my camera. An AUTO function would really help in those situations. I guess you guys would all frown upon me for just saying that though
After some chat on here about bracketing, I had a play at my local lake this morning. It has a reviver running behind it that I though may make a good image, however I'm not that happy with it.
Little Britain by Steve Jelly, on Flickr
I made a couple of silly mistakes.
1) The lens is set at f22 - Why I don't know but I didn't check.
2) 7 shots on a moving river probably isn't the best idea is it?... The time between shot 1 & 7 was a couple of seconds - more than enough time for stuff to move.
Even @ f22, the DoF doesn't seem that great....
The B&W edit looked a lot better that the colour.
Edit: Colour version added...
Little Britain2 by Steve Jelly, on Flickr
Agreed, Terry. What it may have benefited from is some focus stacking to get the trees and foreground as sharp as possible, but that's a whole other ball game!What were you trying To achieve.
I do not see how a 7 shot bracket would help in any way, as the subject matter's tonality would be easily contained within a single exposure anyway.
As a shot it is not interesting enough to stand on its own feet, and it has no point of interest to base a composition around.
Agreed, Terry. What it may have benefited from is some focus stacking to get the trees and foreground as sharp as possible, but that's a whole other ball game!
The fact it's been shot at f22 probably hasn't helped with some diffraction likely you'd think? I usually won't go above f16 as an absolute maximum, f13 under normal circumstances.
I find I can only really get away with bracketing from a tripod. Worth using if you have one [emoji106]Thanks for the feedback.
Agreed, it wasn't the right subject to use the bracketing system. I was trying to maintain some foreground interest, but the light wasn't the best. A shot a cross the lake probably would have been a better example, due to the shadows under the over hanging trees, and the bright sky.
I must of turned the aperture ring on the lens at some point, and as I was on 1 knee with the body on the floor, I couldn't read all the details on the rear screen, even though it was tilted up towards me.
I guess I just wanted to play with the bracketing function as I haven't used it before... I'll go and find a better subject....
Must admit find the auto switch handy on the XT20 at times espically if you want to hand it to someone to get a picture.On another question. I'm having a real struggle with sharp images in low light. I messed up getting photos of my daughters first dance show on stage. When I was zooming in I noticed the images were blurry. In a panic I tried to set it to AUTO. With my old X10 I could just switch onto auto if I didn't want to think, it did excellent in low light. It doesn't seem there is the equivalent on the XT-1?
Thanks. I don't see a setting in the menus, or on the dials, to set program to P?its more long winded but if you set the program to P, aperture on the lens to A, Shutter speed to A, iso to auto and focusing to wide i have always thought it would be in auto mode.
Page 24 of the manual - http://www.fujifilm.com/support/digital_cameras/manuals/pdf/index/x/fujifilm_xt1_manual_en.pdfThanks. I don't see a setting in the menus, or on the dials, to set program to P?
I find I can only really get away with bracketing from a tripod. Worth using if you have one [emoji106]
Thanks. I misplaced my little paper manual a long time ago. Useful reading through it again. Interesting to see my function buttons don't work like the manual suggest. e.g. pressing the F1 button, whatever drive mode I am in, brings up metering.
Those settings were actually my last ditch attempt at my daughters play. It still failed to generate sharp images, where auto mode on other less sophisticated cameras has saved me in the past.You can just set everything to "Auto" (aperture, shutter speed, ISO) and everything is then left up to the camera!
In what scenario would you pick bracketing over dynamic range?
In the case of the image being discussed - wouldn't upping the dynamic range help balance out the differences in dark and light areas of the scene?
EDIT - saying that - I understood bracketing as a process, and it has a number of different settings e.g. exposure, shutter speed etc. One way of increasing the dynamic range of a shot is to bracket three different exposures. Have never used it on the XT-1 though, so could be talking rubbish in the context of this thread.
Hello Terry - I remember you well from the days of the X10 thread!It does not increase the dynamic range of the image. It lets you capture a greater range than single shot can, as additional shots can capture those parts clipped in the highlights and shadows.
In the scene that you took there was no clipping at either end. so the procedure achieved nothing at all.
Of course when you capture that wider range on multiple shots, and fuse them, you then have to compress them in order to display them. in most cases it is the display or print that is the limiting factor.
Almost inevitably the captured image will be both compressed and duller. You have to apply other PP techniques to restore brightness and contrast.
Thanks I have corrected the post.Hello Terry - I remember you well from the days of the X10 thread!
To clarify one point - that wasn't my image. It was posted by a different member (Steve).
7 shots on a moving river probably isn't the best idea is it?... The time between shot 1 & 7 was a couple of seconds - more than enough time for stuff to move.
It does not increase the dynamic range of the image. It lets you capture a greater range than single shot can, as additional shots can capture those parts clipped in the highlights and shadows.
In the scene that @Jelster took there was no clipping at either end. so the procedure achieved nothing at all.
Of course when you capture that wider range on multiple shots, and fuse them, you then have to compress them in order to display them. in most cases it is the display or print that is the limiting factor.
Almost inevitably the captured image will be both compressed and duller. You have to apply other PP techniques to restore brightness and contrast.
That's not my experience. Of course, if you're looking for a sharper shot, to the extent of using focus stacking, I would always use a tripod for that if possible.I find I can only really get away with bracketing from a tripod. Worth using if you have one [emoji106]
Depends on shutter speed also naturally, but for landscapes when at least one of the shots will be over exposed, that's where the hand held issue comes in.That's not my experience. Of course, if you're looking for a sharper shot, to the extent of using focus stacking, I would always use a tripod for that if possible.
But for combining exposures, the auto align functions generally cope just fine with (e.g.) three handheld exposures. You might lose a little bit of picture at the very edges, but that's all, most of the time.
Of course, it depends exactly how you're doing it. But for HDR in LR or hand blending in PS, there won't usually be a problem.
If the subject is moving, it gets more complicated, but of course a tripod won't help with that anyway.
Nice one - its the FUJI XManaged to get back to the canal today, and it’s good to have some light to play with for a change!
Under the Bridge
View attachment 123721
T2, 10-24 f4. ISO100 f6.4 @ 1/80 - Acros
Nice one - its the FUJI X
Was that the intention?