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Really? I've never met one.Plenty of people, same as any other form of photography
Really? I've never met one.Plenty of people, same as any other form of photography
See I can’t tell if you’re on the wind up so I’ll give it the benefit of the doubtReally? I've never met one.
Not a wind up. The only photos I know of people buying are weddings, family portraits and pets. Admittedly I do know a guy who has sold/sells night time cityscapes - although I don't know who to, could be for business premises.See I can’t tell if you’re on the wind up so I’ll give it the benefit of the doubt
Go to any major tourist town in any of the national parks or picturesque areas and the answer is there in a nutshellNot a wind up. The only photos I know of people buying are weddings, family portraits and pets. Admittedly I do know a guy who has sold/sells night time cityscapes - although I don't know who to, could be for business premises.
Doesn't say a lot about how many people buy them, but lots for sale in the shops and Amazon as well specialist web sites around that sell them.Really? I've never met one.
It’s quite simple - people visiting picturesque areas on holiday often want a souvenir etc, if they can’t afford a framed print then a calendar is often an affordable option. I’ll easily shift 2-300 over a season in my gallery. Most galleries will sell them in these tourist areas. Vloggers like Heaton who have large followings on YT will use calendar sales as the main base income for the year. For some of these guys on YT it will probably be their biggest earner over the year.Do you mean postcards?
Aah, sorry. I see calendars mentioned.
After much thought, I still don't know anyone who buys landscape photos calendars.
After much thought, I still don't know anyone who buys landscape photos calendars.
Buying a calendar as a souvenir of visiting an area is a different thing to buying a calendar of 'landscape photography'. I buy a poultry calendar (of old poultry prints) because I like poultry and because it supports my local poultry club. I wouldn't buy a calendar of pig prints because I'm not interested in pigs.It’s quite simple - people visiting picturesque areas on holiday often want a souvenir etc, if they can’t afford a framed print then a calendar is often an affordable option. I’ll easily shift 2-300 over a season in my gallery. Most galleries will sell them in these tourist areas. Vloggers like Heaton who have large followings on YT will use calendar sales as the main base income for the year. For some of these guys on YT it will probably be their biggest earner over the year.
Are you specifically talking about the sales of TH calendars or landscape/scenic calendars in general, which is what I was talking about. I don't know anyone who has bought a TH calendar.Correct. I'm currently working on believing that calendars are his base income, not Iceland tours, workshops and 350,000 Youtube subscribers.
It's interesting though.
This could get muddy, so to be clear.
I don't know anyone who buys landscape photography calendars in general.
I'm not convinced that T.H. uses calendars as his base income. Seems like small beer to me.
In the same way as any other art form where the buyer has no personal connection with the subject, it’s any person who just likes what they see infront of them and find it appealing? Ordinary people I guess, and people who are keen followers of said photographers work. Other photographers rarely buy from each other but that’s the same with other genres I’d imagine. Demographically for me it’s mainly the 40+ rangeBut it's not calendars I'm really asking about. Who buys prints of 'landscape photography' of places they haven' visited? What sort of demographic? Photographers or 'ordinary people'?
I think when you do the maths of it you’d be surprisedAnd, yes, I agree I can't see the calendars being a large proportion of his income.
but it's as though if a picture doesn't have bright, pretty colours and simple repeating shapes then it's not of value..
To her, maybe not.. everyone has different likes.
I see absolutely no point in, and I get no enjoyment out of any of the pictures posted in the nude section here, but doesn’t mean others don’t.
Other photographers rarely buy from each other but that’s the same with other genres I’d imagine.
There's a nude section!I get no enjoyment out of any of the pictures posted in the nude section here, but doesn’t mean others don’t.
But it's not calendars I'm really asking about. Who buys prints of 'landscape photography' of places they haven' visited? What sort of demographic? Photographers or 'ordinary people'?
I would be delighted to be surprised.I think when you do the maths of it you’d be surprised
He’ll probably shift circa 5k calendars I’m guessing, at a per calendar profit of around £15 after production costs and postage. That’s probably a conservative estimate, so there’s £75k before tax. That’s of course a guess but probably in the ball parkI would be delighted to be surprised.
I admit I totally underestimated the number of calendars he might sell.He’ll probably shift circa 5k calendars I
With 375k subs even if a tiny fraction of those buy one, it will still make a very profitable earner. Workshops etc will be profitable of course but not in the way a calendar will be.I admit I totally underestimated the number of calendars he might sell.
Correct. I'm currently working on believing that calendars are his base income, not Iceland tours, workshops and 350,000 Youtube subscribers.
It's interesting though.
That's a very different question to one about calendars. I think you missed out collectors from your list of photographers and "ordinary people"
It seems a reasonable assumption that https://www.saatchiart.com/photography/landscape are selling to collectors, or maybe interior designers etc.
Where as https://www.photo4me.com/ . seems aimed at the general consumer.
Several Vloggers like TH also sell fine prints, and I assume these are mainly sold to photographers who follow the vlog.
I would buy prints if I could, but can't afford it, so tend to buy books, which sometimes include a small original print. I think that small publishers (like the now-defunct triplekite press, but there are others like Another Place Press) are a good way for photographers to share work with other photographers. I also bought an Ansel Adams calendar just to get the prints.
I know it doesn't directly answer your question or give any "numbers" but I think a variety of people buy original landscape prints.
She's neither a consumer or even a potential one. So unless TH has no market whatsoever, or wants to change his market significantly - her opinion is worthlessSurely it’s worth having a consumers point of view....
Everybody is a potential consumer, when somebody (anybody) doesn’t like your work you have the choice of considering their opinion and doing something about it if you feel you need them as a potential customer or ignoring it because you don’t need them or basically don’t give a toss about their opinion. I’m sure we can all guess which he goes for but regardless of that everybody is entitled to their opinion.She's neither a consumer or even a potential one. So unless TH has no market whatsoever, or wants to change his market significantly - her opinion is worthless
I buy photobooks. Too many of them... But very few sell more than hundreds and a tiny number sell thousands.
I think there is more than a hint of getting exposure by being controversial about someone popular. Which is a risky ploy imho. I have no interest in going back to their YT channel. I agree it would be interesting to have the woman in the video critique here husband's work in a similar way. But then would it get the views or notoriety without Thomas Heaton's name attached.
I couldn’t agree less. I’m not in the market for a Lamdscape calendar; I could spend a day reinventing those images, I’d still have zero interest in buying the calendar.Everybody is a potential consumer, when somebody (anybody) doesn’t like your work you have the choice of considering their opinion and doing something about it if you feel you need them as a potential customer or ignoring it because you don’t need them or basically don’t give a toss about their opinion. I’m sure we can all guess which he goes for but regardless of that everybody is entitled to their opinion.
Lesson no1 in marketing is to understand who your customers are.Barnsley have no options in the January window but I totally agree with your views on the relative value of haribos against a landscape calendar. I’m not keen on them either.... haribos I mean.
Really? I've never met one.
Which begs the question, do you actually know any people?Neither have I. And that's not a wind up.
Buying a calendar as a souvenir of visiting an area is a different thing to buying a calendar of 'landscape photography'. I buy a poultry calendar (of old poultry prints) because I like poultry and because it supports my local poultry club. I wouldn't buy a calendar of pig prints because I'm not interested in pigs.
But it's not calendars I'm really asking about. Who buys prints of 'landscape photography' of places they haven' visited? What sort of demographic? Photographers or 'ordinary people'?