The first image is fine but the second one: there's a slight amount of haze/fog in the middle of the image. It happens when certain conditions are met. There was no bright sunlight.What's the problem?
Super Takumar 135mm f3.5
Snapped this on my way from the garden to my computer set up. Manual focus. I knew that she wouldn't stay still for long. Busy on the left of the frame too. Oh so close to a perfect shot for my personal album.
View attachment 318818
One more.
One more.
Love them clouds! The horizon however looks curved [dip in the middle and curves upward both sides, is the land like this or is the lens doing something funky here?
I can't say about what's best, I just pick up any lens that interests me irrespective of mount.Just out of interest, a question for lovers of vintage lenses on mirrorless cameras. What's it better to do?
- Buy all your lenses in one mount and stick to it?
Or...
- Cherry pick the best lenses for you out there and buy multiple adapters?
Or...
Go for a bit of both. Mostly stick to one mount but maybe buy something in a different mount if it's very special to you?
Just wondered what people do.
Probably not completely up to date but my main selection is:For my Sony A7 I have adapters for Nikon, Minolta, Olympus, Canon FD, PK, M42 and Leica M (but no lens for that one now.)
For MTF I just have Minolta and Olympus.
I just wondered what others have and do.
haha!
This just might have something to do with the Vivitar lens but to be honest I see this as character more than anything else. Yes, I'd be a little upset if my Sony 20mm f1.8 did this but I see these old lenses more as part of the experience and joy of it all rather than to produce a top notch technically good picture. Not that I could produce a technically good picture but you'll see my point. Maybe some of the distortion could be corrected post capture, but I haven't done anything like that to these.
I did some correction to this one.
I might see if I can take some similar pictures with my Tamron 17mm f3.5 an see how they compare distortion wise.
Just out of interest, a question for lovers of vintage lenses on mirrorless cameras. What's it better to do?
- Buy all your lenses in one mount and stick to it?
Or...
- Cherry pick the best lenses for you out there and buy multiple adapters?
Or...
Go for a bit of both. Mostly stick to one mount but maybe buy something in a different mount if it's very special to you?
Just wondered what people do.
Adapters aren't too expensive and can also be picked up secondhand so i have several which means I'm not limited to one mount. That said, many vintage lenses were made in a variety of mounts and most were made in M42 so I always buy M42 if that lens was available in that mount. No vintage lenses were made in Nikon Z mount, of course and I now use a Z6 but when I was using a Nikon DSLR with F mount I'd always look for F mount lenses. It's always easier without the need for an adapter but no big deal if you do, either. I wouldn't want to miss out using a stunning lens just because I only had one adapter or refused to use multiple adapters.
I think you'll find the increase is to do with the added costs of suppling the UK now we've left the EU. Suppliers now have to charge VAT on behalf of HMRC & have to be registered for this....They've shot up from around £5-10 to about £20 [non adjustable] and £20-25 [adjustable higher quality ones like K&F] to £35+, doesn't seem much but when you want a bunch of them the lenses aint much a bargain anymore - I don't mind spending a few quid on an adapter but I really detest the greed from these sellers, same ones who were delighted when you bought a bunch of them over time when they were cheap now milking the trend as adapting lenses got much more popular.
I'm kind of locked in on the 80-200 AIS F4, the size and weight are only off putters [when you figure in the adapter on top] looks a nice lens for reasonably cheap, does 1:4.4 'macro' on the long end - Also eying the Vivitar series 1 70-210 f/3.5 first version with 1:2 macro
I think you'll find the increase is to do with the added costs of suppling the UK now we've left the EU. Suppliers now have to charge VAT on behalf of HMRC & have to be registered for this....
At work I've found may items are simply no longer available as the manufacturer is not willing to jump through all the loops the UK insists on. Other items like calibration standards that we can still get are now taking a month or more to arrive when they used to be next day.
Love them clouds! The horizon however looks curved [dip in the middle and curves upward both sides, is the land like this or is the lens doing something funky here?
I've just had another look at this in my Adobe CS5. The distortion looks rather complex, a sort of wave rather than a uniform barrel or pincushion which makes it a faff on to correct manually. There's no lens profile for this lens but under Olympus there's a Bower 14mm profile that does a rather nice job and to it I've also applied some manual correction. There may be other profiles that'll do a better job. This profile seems to leave the perspective distortion untouched but there is a slider for that.
There's still perspective distortion but I'm still happy with it.
Just get a Fuji X rear cap, & cap it via the adapter.I've just bought the Tamron to Fuji X adaptor. The only draw back I can see is that you have to put the adaptall back on in order to cap the rear element. Unless I'm missing something, which is entirely possible.
I used to have a similar issue on an old Cosina 19-35mm lens I had on my Nikons. I once saw somebody refer to it as a moustache horizon I don’t think I ever managed to fix it, but it may be that there’s a lens profile for the Cosina lens, it was also branded as some other makes too one of which was Tokina if that helps!