Fair enoughI feel I have to just say that I diagree strongly with this
Absolutely
Within an hour? Its been 5 years I guess I may as well pack up ..
Anyone want any cheap camera gear?
TBH I use flickr as a hosting site for posting here and other places, I'm not on any groups nor do I go around "Faving" images.
I do get a few "Faves" mostly from people I don't know and they are hardly ever in the UK either.
They were last seen Monday.
We do get a lot of "One hit wonders" that post, never to be seen again.
I can only imagine that they think this is a FB Clone, going on the fact of a few RTM's, over time where we've had complaints
about the comments on their images, from "Newbies" Largely the complaints are unfounded.
It simply means Chris that your not using Flickr properly
TBH Jeff, that was a bit of a tongue in cheek post.Flicker works exactly as I like it, I simply ise it as a dumping ground to link images too, not really worried about how many favs etc.
Fair play to you.so I guess it does work ... for me at least
About 5 years ago when I first started wildlife photography my daughter bought me a book '100 Wildlife Tips' by Guy Edwardes. I was wow'd and thought to myself that I would love to aspire to his standard. A couple of years ago I was unexpectedly introduced to him (in a field on Portland) by a mutual good friend and we have become good friends and I have often shot and travelled with him. When he Likes one of my pics I know he means it and it means a lot to me - I only give his a Like if I really do like them and we often comment positively. If he has a criticism he usually offers it to me face-to-face. He has definitely raised my standard.
The other side is people are put off by criticism regardless if is constructive and with best intentions, and if you look at the post above (https://www.talkphotography.co.uk/threads/hayling-island-beach.699197/#post-8488284) its a good example of constructive feedback but on neither reply, not a single mention of anything the person has done well or even just ok. I don’t think the people replying are being nasty or anything, actually being helpful showing examples of good shots but it may not come across to that user like that.
I’m not a natural landscape photographer but was at the beach last weekend so gave it a go. Constructive remarks appreciated!
Generally people don't mention the "likes" some do, but not many, the post was more to do with taking the time to write a reply if someone has taken the time toI have had many, more than expected, "likes" here. I have not always said thank you for them
A lot of people do, and there is nothing wrong with that, its a responseI have on one or two occasions done a block thank you,
Of courseCan I do a bit of creeping!!!!!
Surely the last person to post in a thread, should be the OP?
It's difficult in cases like this - perhaps I should have said something like "this photo was well exposed and in focus" - although comments like that seem, to me, insulting. However the OP in that case did open their post with:
The implication was that they were an experienced photographer of other things so rather than attempt flattery first, it seemed most appropriate to cut to the chase and offer useful suggestions regarding how one might take pictures if placed in a similar situation again, along with some examples. If they had started with something along the lines of 'be gentle with me' then I might have used a bit more soap.
I thought criticism is the process of giving a critique.
So the longer we keep this thread going, the longer the Cobra man has too keep coming back? I might just keep on posting for the sake of ityep.
Why are people discussing criticism - it should be critique.
The fact so many people don’t distinguish between those 2 very different words is half the reason it’s badly given and badly received.
Likewise appraise and praise (for balance).
It’s my pet hate on every platform.
So the longer we keep this thread going, the longer the Cobra man has too keep coming back?
So the longer we keep this thread going, the longer the Cobra man has too keep coming back? I might just keep on posting for the sake of it
So the longer we keep this thread going, the longer the Cobra man has too keep coming back? I might just keep on posting for the sake of it
Generally, I have found that few who offer critique truly are skilled in such endeavors. Most who attempt it have little understanding of what they are doing. For example, most critiques begin with the photograph. Actually, skilled critiques begin with the EXIF. The reason one needs to begin with the EXIF is so that an understanding of the photographer can first be gained. Too often a critique operates from the perspective of the experience and capability of the person doing the critiquing. For example, in the extreme, the critique takes the position that if the photographer used a Nikon D850 and was a master of GIMP or PS he should have done this or that. And, to some degree the person critiquing may be just that. But, if the photographer uses a point and shoot, and edits with a simple online editor then the critique becomes more a criticism of him/her rather than a critique of the photograph. Thus in most cases I have found that critiques are often more unintended criticism than critique.some folks criticise from a different perspective than those that critique
the former is a hard nosed appraisal
whilst critique is, and should be based on photographic technicalities and in greater depth
like??...whats not to like...you could always fave!! aka flikr like
What utter utter utter nonsense.Actually, skilled critiques begin with the EXIF.
Actually, skilled critiques begin with the EXIF.
Irrespective of how a photograph was made, and sometimes also despite the intention and skill or lack of it by the photographer, a photograph is a cultural object and may be judged on that basis. Thus sensibly it is first and foremost the photograph that is assessed, not the photographer.The reason one needs to begin with the EXIF is so that an understanding of the photographer can first be gained. Too often a critique operates from the perspective of the experience and capability of the person doing the critiquing.
Generally, I have found that few who offer critique truly are skilled in such endeavors. Most who attempt it have little understanding of what they are doing.
For example, most critiques begin with the photograph. Actually, skilled critiques begin with the EXIF. The reason one needs to begin with the EXIF is so that an understanding of the photographer can first be gained. Too often a critique operates from the perspective of the experience and capability of the person doing the critiquing. For example, in the extreme, the critique takes the position that if the photographer used a Nikon D850 and was a master of GIMP or PS he should have done this or that. And, to some degree the person critiquing may be just that. But, if the photographer uses a point and shoot, and edits with a simple online editor then the critique becomes more a criticism of him/her rather than a critique of the photograph. Thus in most cases I have found that critiques are often more unintended criticism than critique.
Ah, I get it now...
(as the Alert doesn't work how some expect it to, is there a quick link to threads the you have posted in and have had replies?)
Irrespective of how a photograph was made, and sometimes also despite the intention and skill or lack of it by the photographer, a photograph is a cultural object and may be judged on that basis. Thus sensibly it is first and foremost the photograph that is assessed, not the photographer.
The strengths and weaknesses and meaning of the image can be discussed without getting mired in the technical. If the value of images depended on technique alone, it would be a sterile circumstance.
Who mentioned trends? The presence of culture is ubiquitous throughout civilsation.It need not have anything to do whatsoever with a current society trend.
How about posting one/some of yours, Dave? I can't recall ever seeing one.
Ansel was a control freak. Photos can be and are made by anybody.
.... It's a two-step action but see if going under your name in the page header to your Preferences > Latest Activity suits you better. It does a search and presents you with a list of your most recent posts everywhere on TP.
Otherwise, if your main wish is to see what replies there have been, select Watch Thread and set your Preferences to receive email notifications. But this doesn't of course inform you whether anyone has directly replied to you by quoting your post.
I can see the actual replies in my email notifications and consequently not bother to link onto the TP page if I don't want to reply or comment.
You possibly already know what I have said, but in case you didn't. No harm done, eh?
[You can say Thank You now, or even click me a Like]
Who mentioned trends? The presence of culture is ubiquitous throughout civilsation.
Ansel was a control freak. Photos can be and are made by anybody.
Yes it's all integrated, somehow, but the quantities of the components varies. Sometimes skill can be almost completely missing and the image is more or less an accident, but it may still have cultural meaning - and communicate something. There's a huge spectrum of possibilities. And we should be free enough to be able to embrace accident. Ask any artist.
Hmmm, neither of those gives a list of threads that I have posted in and that have subsequently received replies. The first doesn’t appear to give any indication of new posts to threads I’ve posted in, just to the thread. The second requires the use of a round trip to another application (email client). Whichever, they are both multi step actions, not a bookmarkable link.
If there is a perceived problem with people not returning to threads they have started or posted in, it may be helpful to make it easier for forum users to find those threads.
It was a sensible question, not sure why you’ve added in the bit in bold.
Everything has a cultural context and identity whether we want it to or not. It's reasonable and valid to pay attention to that dimension - and ought to be enriching?But I think that seeing 'cultural meaning' in everything is over thinking it.
????how does his words I quoted suggest photographer exclusivity?
Everything has a cultural context and identity whether we want it to or not. It's reasonable and valid to pay attention to that dimension - and ought to be enriching?
.... So are you saying that a two-step action is too many steps for you? There is a limit to what any forum software is able to do.
In practice the email route is only one step < Just click the emailed link to the thread. On my Macs I am able to create a folder dedicated to Talk Photography and a Rule which automatically moves incoming emails from TP to that folder. I have created folders for various other regular senders too. Simples.
.... I interpreted it as a sensible question and I was only trying to be helpful by offering you sensible options.
None of my words were written in bold.
Robin covered thatAh, I get it now...
(as the Alert doesn't work how some expect it to, is there a quick link to threads the you have posted in and have had replies?)
Who ever designed Xen ( and previously vB, ) obviously thought that the system(s) in place were plenty.Maybe it is possible with a forum modification?
Keep posting ... its good to talk
*LIKE* as it saved me typing all that out.
[You can say Thank You now, or even click me a Like]
I the Fuji thread.