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- Robin
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Very nice, good that you managed to catch the sun
Thank you.
Very nice, good that you managed to catch the sun
Thanks for the ideaHmmmmm...... Maybe between Guildford/Dorking...
https://www.lightpollutionmap.info/#zoom=10&lat=6652301&lon=-65293&layers=B0TFFFFFFFFF
But then, you still have to find a reasonable location/hill/tree/church/view....
I know of that one and it's closer than the poppy field for example. But one in Hitchin is even closer. Just over 20 miles from work.There’s some lavender fields in the Cotswolds, however another big drive..
I hadn't seen that offer. I went into my nearest Jessops and they had a new A7II in stock but offered me a slightly lower figure for my lens p/ex than I wanted. I casually reminded them of the money I'd spent last year on new Sony gear and they gave me a 10% trade-in bonus which gave me more than I'd expected. The LCE deal would have been better though in cash terms if I'd sold the kit lens, knowing me I'd have kept it though.Have you seen the deal from LCE? The genuine extra battery would be a good idea, and the brand new 50 1.8 would fetch £120-£130 quite easily (first dibs haha).
https://www.lcegroup.co.uk/New/sony-a7-ii-body-with-fe-50mm-f18-(alpha-a7m2)-_12208.html
There are some benefits of the A6400 over the A7II but I wanted the continuity of full frame with my existing A7RIII.Sounds like you are in a similar predicament as me. Have you thought about an A6400 as a second body? That’s what I’m thinking of rather than a mk2 or mk1 A7 or A7r. It gives some good benefits over a A7i or A7ii and there is much in them cost wise.
An A6400 would effectively make your 100-400 a 150-600 f4-f5.6 (the 200-600 would be a 300-900mm lens).
Stick it on a tripod and shoot the moon. Will be awesome.
Shouldn't need the tripod if it's the usual bright moon with craters you're after, even at F11, SS will be still well up there on a clear night. Using Nd filters for longer exposures maybe where you want cloud and or stars in too maybe
But much more comfortable to compose than holding a big ass lens with a tc on it.
Shouldn't need the tripod if it's the usual bright moon with craters you're after, even at F11, SS will be still well up there on a clear night. Using Nd filters for longer exposures maybe where you want cloud and or stars in too maybe
Not necessarily, I've got shots of the moon at 600mm, 1/60, F11, ISO100. Not a full moon as you don't get much detail, but getting on for 3/4.
I much prefer a shadowed moon, I stopped shooting the full moon long ago because I find them way too flat and boring. Only exception is the giant Harvest moon you can get in Autumn earlier evening, huge orange moon with blue sky - often possible to get some landscape below in those situations too. The shadow on darker night moons [waxing/crescent] really makes it pop and lifts those craters
I've decided to cancel my advance order with Wex for the 200-600. Having bought the 100-400 and 1.4 TC just over a year ago I'd be looking at a loss of £1000 or even more on the lens alone as I couldn't justify keeping both.
The extra 40mm reach and 2/3 stop gain I'd get from the 200-600 coupled with the as yet undefined improvement in IQ is not justified by the financial loss. I suppose I should be feeling better having reached that decision but to be honest I feel a little wretched, I'll give it another year to see what results others are getting.
If I didn't have the 100-400 combo I'd buy the 200-600 in a heartbeat. At least my wife's happy!
All in all
I've decided to cancel my advance order with Wex for the 200-600. Having bought the 100-400 and 1.4 TC just over a year ago I'd be looking at a loss of £1000 or even more on the lens alone as I couldn't justify keeping both.
The extra 40mm reach and 2/3 stop gain I'd get from the 200-600 coupled with the as yet undefined improvement in IQ is not justified by the financial loss. I suppose I should be feeling better having reached that decision but to be honest I feel a little wretched, I'll give it another year to see what results others are getting.
If I didn't have the 100-400 combo I'd buy the 200-600 in a heartbeat. At least my wife's happy!
All in all
That's the video that swung it for me!I did exactly the same! Pre-ordered the 200-600 but cancelled a week or so later when I thought about it. The 200-600 is a lot bigger to carry and doesn't have the dual AF motors etc.
There's an interesting discussion in Mark's latest video on the pros & cons of the 100-400 + 1.4TC against the 200-400.
View: https://youtu.be/UR_s8DRWh6U
That’s fair enough. I thought I would mention it just in case if it was an option. I too would like to keep the full frame sensor but AF is pretty important for me. I also want to keep animal eye AF on the second body so I will need to go with something quite new (A7III, A7RIII, A9 or A6400). The problem is for a second camera the first three options are pretty much out of my price range for a second body. The A6400 seems to be much easier on the pocket and gives extra advantages the A7RIII doesn’t.I hadn't seen that offer. I went into my nearest Jessops and they had a new A7II in stock but offered me a slightly lower figure for my lens p/ex than I wanted. I casually reminded them of the money I'd spent last year on new Sony gear and they gave me a 10% trade-in bonus which gave me more than I'd expected. The LCE deal would have been better though in cash terms if I'd sold the kit lens, knowing me I'd have kept it though.
There are some benefits of the A6400 over the A7II but I wanted the continuity of full frame with my existing A7RIII.
There’s some lavender fields in the Cotswolds, however another big drive..
Really like that video the a9 and 200/600 looks like a great birding combo .
Question is the a9 MKII on the horizon .
Rob.
That’s the point though isn’t it. With the A9 you don’t have to do much. Its AF is so good you’d have to be pretty bad to miss focus. With the A9II you won’t have to do anything. Just point the camera in the general direction and it will read your mind, get your subject in focus and track it until you click. With a later FW update you probably won’t even need to click. You can just say ‘Hey Alpha, click click click!’.
Joking aside, I think it gets to a point where too much tech kinda ruins the fun. Maybe it’s just me.
Do tell..
Went to the real confetti petal co. fields on Sunday, just squeezed the last hour. Haven’t seen so many cameras and photographers since the photo show. My little one is a bit small really, reckon perfect in 3 years or so as the flowers are about 4ft high.
Hi, I had a look online some time ago and saw them in the Cotswold, not really done much else to that really, I guess there will be opening/closing times etc, which wouldn’t be at sunrise/set.
I’ve not been to the confetti farm yet, some friends have with there children and they’ve all said how good it was.
Neewer battery grip and two batteries on special at Amazon for the next few hours @£67.99
https://www.amazon.co.uk/Neewer-Ver...m=A3P5ROKL5A1OLE&pf_rd_r=TY85THMC82WJEYV7VN40
Not a recommendation for it as I have no idea what it's like and no interest in getting one
Wishing that Sony would fit a top screen...
https://fstoppers.com/originals/who-else-wants-sony-change-one-thing-386303
I just don't miss the top screen, not when I can see the setting in the EVF and don't have to take my eye away from the EVF to look at a top screen. I suppose if picking the camera up just looking at it a top screen shows the settings but is that really more convenient than looking at the back screen or picking the camera up and looking at the EVF?
We're all different but I just don't miss the top screen at all...
Reading the comments on that article people talk about losing the exposure dial if a top screen is fitted and that's something I wouldn't be too upset to lose as two dials would be enough for me, one at the front and one at the back, as long as one was clickable to switch between aperture or shutter and exposure compensation.
I used to knock the Exposure Compensation dial on my Fujis all the time (it somehow even used to change in my bag!), usually ended up on - 3 or something. Thankfully not had that issue on the Sony, it's pretty stiff.
Since I'm full manual lad, I hardly ever use EV compensation unless I am on Av or Tv mode.
I use it in manual as I can set the aperture and shutter and use ec to alter the ISO. I find this useful.