Great shot, I love the processing you use on these type of images. I am still trying to decide on my 'style' but this looks great
200103 - Slate Truck-1 by David Yeoman, on Flickr
200103 - Slate Truck-1 by David Yeoman, on Flickr
Great shot, I love the processing you use on these type of images. I am still trying to decide on my 'style' but this looks great
Lovin` this processing, mate. It really suits
Seriously thinking about ditching my Nikon D500 for an x-e3.
Fed up with the size, weight and noise of the D500. I'm hardly using it.
Seriously thinking about ditching my Nikon D500 for an x-e3.
Fed up with the size, weight and noise of the D500. I'm hardly using it.
X-E3's are at a bargain price in the Fuji Refurb Store
I can't see the "pop" but it's a great image nonetheless.Thanks, IMO it looks better on flickr, has more of that 'Pop' that @snerkler craves
I can't see the "pop" but it's a great image nonetheless.
I can't see the "pop" but it's a great image nonetheless.
Yeah it is, that almost miniature/tilt shift look. I'd rather a lens do this naturally than trying to add it in post though, and depending on the scenario it might not always be possible to get it looking good/right in postThis 'pop' you speak of, in that car image you often post, is more like tilt shift effect I think. In that image at least. This can easily be added in post,
Yeah it is, that almost miniature/tilt shift look. I'd rather a lens do this naturally than trying to add it in post though, and depending on the scenario it might not always be possible to get it looking good/right in post
Too specialised, just want a prime with good subject isolation. Plus the car image isn't truly a tilt shift look obviously. If it was truly tilt shift then the roof of the car would be blurred.Tilt shift lens maybe? For the times you really want emphasis - I think it can look great for certain subjects, like your car images. But for portraits it often looks as if it were post processed, the subject almost looking like they were added in later
Too specialised, just want a prime with good subject isolation. Plus the car image isn't truly a tilt shift look obviously. If it was truly tilt shift then the roof of the car would be blurred.
The Mitakon 35mm f0.95 looks good though. Also been looking at the 90mm f2, that looks pretty special although not a focal length I'd use.
Like the first one Dave - very arty farty
Couple more from yesterday X-H1 + XF50mm f2, on the West Pier I had a play in Topaz Studio to get it how I wanted.
The Grand Hotel Abtract Reflection by Dave, on Flickr
Very nice Fujigraph, liking the creative approach to this shot very much.
George.
Couple more from yesterday X-H1 + XF50mm f2, on the West Pier I had a play in Topaz Studio to get it how I wanted.
The Grand Hotel Abtract Reflection by Dave, on Flickr
Works really well that Dave. Looks like a painting.
Well I bit the bullet, Xpro 1 bought, looks very good in the pics, £265, can't really go too wrong st that I don't think
Thanks George, I have a week off now and am hoping to get over to Whitby, if it arrives by then I'll take the XP1 to try outThat's a positive "Result" in my book, "ENJOY".
George.
Lovely
I’m finding Fuji’s choice for the LCD on the X-Pro 3 a strange decision. I get the ‘idea’ behind it but as a street camera surely a lot of folk still like to use the LCD from time to time and don’t want to have to flip it down. Why not just have a true vari-angle so you can have it with the screen rotated so that you can’t view it for those that want to, and then have it the other way around who want to make use of the LCD at all times?
I get why Fuji did it, I think it’s divided a lot of people, however I am actually considering one
I get why Fuji did it, I think it’s divided a lot of people, however I am actually considering one
Well I bit the bullet, Xpro 1 bought, looks very good in the pics, £265, can't really go too wrong st that I don't think
Look forward to seeing your images from the X100V Xpro3 and X-T4