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I prefer the blues (eyes, shirt) and color in the pine cones on the left, but I prefer the smoother, less red skin tones on the right.
@Ms_Tex here you go, had a quick mooch round the beach and town. For me this 50-230mm is just what I want, Light great to carry and not to bad on sharpness, None of these have been sharpened at all.
Testing full zoom by David Ore, on Flickr
On the mobile by David Ore, on Flickr
On the beach by David Ore, on Flickr
Reflections by David Ore, on Flickr
Full zoom West pier by David Ore, on Flickr
Paddle round the pier by David Ore, on Flickr
Having a read by David Ore, on Flickr
@Dave70D Very nice! Those photos make me consider the 55-200 mm. I know my current tripod would like it better than the 50-140 mm. I should just rent the two lenses I'm looking at/thinking about at the same time and compare them side-by-side in all the situations I think I might want to use them.
I have a new conundrum for you all to chew the fat about.
SD cards for the XT2. Yes, I can read the manual. Fuji require me to spend out on something like a SDXC class3 64GB card FOR EACH SLOT. I have no doubt that these are very wonderful pieces of silicon engineering indeed, but why the hell would I NEED 64Gb ? Even for 30 minutes of video filming in 4k I bet a 16GB card would stow it away in just a few of its pockets and not even open the rucksack on its back. Just what is the requirement of this huge memory for?
Now, before you jump in with what you have been suckered into going and buying. I had an 8GB card in my little point and squirt, I was suckered into buying it, because in reality I expect a 1GB would have covered everything I ever did on it. (I still use it and have stuck a 4GB card that was lying around in it, some little Kingston horror wearing a blue uniform, must be RAF). I haven't had the camera more than a week, and needed something to shove in the slot to play with. It turns out that this 30MB/s old school SDHC class 1 card works perfectly. I even did some video of geese coming over, badly because I haven't worked out how to alter the exposure in video mode yet, but it recorded perfectly, without any hold ups or hitches and the video clips have downloaded perfectly. Maybe had I splashed out £150 on fancy cards I could have saved myself 2 or 3 minutes while they transferred from the card to the confuser, possibly not because the cockroach drive in my confuser is likely a bottleneck anyway.
Any thoughts on cards? Anyone had similar experiences? Anyone had any glitches from my approach? I am tempted to just buy another one of these, or maybe the smallest capacity of the higher class card available for the second slot. Currently I am just shooting onto the one card. A BIG SHOOT for me would be maybe 200 shots - hence why i say, what do I need all that wasted capacity for? Perhaps there is a technical reason I don't know.
64gb does seem a little excessive for most usage. I'm surprised Fuji state a suggested capacity at all. With my crude maths, I would have thought that shooting Raw + fine jpeg, that's going to get you close to 2000 images per card. .
I have 2 x 64Gb cards in my X-T2, bought on an Amazon deal - Sandisk Extreme Pro - 95Mb (I paid about £28 each)
Shooting RAW (uncrompressed) + Fine JPG is 979 shots per card
Shooting RAW (lossless crompressed) + Fine JPG is 1599 shots per card
But you need to check your RAW converter can handle Fuji RAW Loseless Compressed before committing to that option.
Normally I would shoot onto smaller cards, but with 2 card slots I run in Backup mode and just use the larger cards (as I think it is extremely unlikely that both cards will fail at the same time)
Quick question for XT2 users. Is there a momentary spot meter option? v On my Nikons I can assign a function button that when held will give me a spot meter reading regardless of what metering mode I'm in. When I let go, it's back to normal.
@Dave70D Very nice! Those photos make me consider the 55-200 mm. I know my current tripod would like it better than the 50-140 mm. I should just rent the two lenses I'm looking at/thinking about at the same time and compare them side-by-side in all the situations I think I might want to use them.
Great set of images Sir, with #4, #5, & #7 being my fav's. Keep up to good work.
George.
SanDisk makes a 16GB 95mb/s card, the Extreme Pro. That's what I use in my X-T1. The only time I came close to filling that card (RAW + fine jpg) is when I spent an entire day - 6 hours - photographing puffins. It handled 10-15 shot bursts just fine.Precisely my point - EACH CARD is about 5x the total capacity I need and can ever see me needing. If I do need more capacity at some point in the future, I can always buy another, bigger, faster card - I like the idea of 95MB/s ones though, I'll look to see if there is a smaller one at that speed, but I will buy it from a SHOP, not that bloody American website that is trying to take out all the independent shops. I refuse to patronise them.
SanDisk makes a 16GB 95mb/s card, the Extreme Pro. That's what I use in my X-T1. The only time I came close to filling that card (RAW + fine jpg) is when I spent an entire day - 6 hours - photographing puffins. It handled 10-15 shot bursts just fine.
+1SanDisk makes a 16GB 95mb/s card, the Extreme Pro. That's what I use in my X-T1. The only time I came close to filling that card (RAW + fine jpg) is when I spent an entire day - 6 hours - photographing puffins. It handled 10-15 shot bursts just fine.
Very nice set of images Sir, well posed with spot on exposure & colour.
George.
I once owned a first-iteration FM, and without a doubt it was the best film camera I ever had. Sold it to a mate, but he won't let me have it back.Please Note :- This shot has actually been posted before and it was not taken on a Fuji-X camera. Most people on this thread know of my love for the Fuji X-T1 & X-T2 units and this shot describes one of the reasons why the system feels just right for me.
I've been lucky enough to have owned and still own a copy of every Higher end Nikon SLR film camera from a Nikon F onwards. But without a doubt the unit I've liked using most of all is a Motor Driven Nikon FE2 it just feels right.
Is it any wonder then why I like using a Fuji X-T1 and now the X-T2 units so much, probably more than any other current digital camera. The similarity to my FE2 is uncanny and the handling is just as good. Just thought I'd do a shot of them together.
Nikon FE2 And Fuji X-T1-802863 by G.K.Jnr., on Flickr
for looking.,
George.
Thank you George, that's a really nice gesture and much appreciated.I don't know if it's just me imaginin' it, but this forum/thread sure has become extra lively and been gettin' a lot of good input recently.
Its really great in my book to see some new names on the thread, so for the likes of :- @wardy07 @GTG @Lensflare @Ms_Tex @Dave70D @erstem (my apologies if I've missed anyone) "WELCOME" good to have you around.
George.
View attachment 107824
16-55, crow is handheld and the camera is at f4 with a 1/15th - first shot in anger with the new outfit. UV resin being used to create eyes on a crow decoy.
Please Note :- This shot has actually been posted before and it was not taken on a Fuji-X camera. Most people on this thread know of my love for the Fuji X-T1 & X-T2 units and this shot describes one of the reasons why the system feels just right for me.
I've been lucky enough to have owned and still own a copy of every Higher end Nikon SLR film camera from a Nikon F onwards. But without a doubt the unit I've liked using most of all is a Motor Driven Nikon FE2 it just feels right.
Is it any wonder then why I like using a Fuji X-T1 and now the X-T2 units so much, probably more than any other current digital camera. The similarity to my FE2 is uncanny and the handling is just as good. Just thought I'd do a shot of them together.
In case anybody is interested its just a simple product type shot taken using three studio flash heads, each with a largish soft box fitted and against a white background.
Nikon FE2 And Fuji X-T1-802863 by G.K.Jnr., on Flickr
for looking.,
George.
lol, okay last one
By the way that was a secret poll to see which works better for me - On1 RAW vs Lightroom - the left one (and below) was On1
In this version I've taken the eyes down a little and reduced the reddening of the skin and smoothed a little.
Cones v3 by John Norton, on Flickr
I have a new conundrum for you all to chew the fat about.
SD cards for the XT2. Yes, I can read the manual. Fuji require me to spend out on something like a SDXC class3 64GB card FOR EACH SLOT. I have no doubt that these are very wonderful pieces of silicon engineering indeed, but why the hell would I NEED 64Gb ? Even for 30 minutes of video filming in 4k I bet a 16GB card would stow it away in just a few of its pockets and not even open the rucksack on its back. Just what is the requirement of this huge memory for?
Now, before you jump in with what you have been suckered into going and buying. I had an 8GB card in my little point and squirt, I was suckered into buying it, because in reality I expect a 1GB would have covered everything I ever did on it. (I still use it and have stuck a 4GB card that was lying around in it, some little Kingston horror wearing a blue uniform, must be RAF). I haven't had the camera more than a week, and needed something to shove in the slot to play with. It turns out that this 30MB/s old school SDHC class 1 card works perfectly. I even did some video of geese coming over, badly because I haven't worked out how to alter the exposure in video mode yet, but it recorded perfectly, without any hold ups or hitches and the video clips have downloaded perfectly. Maybe had I splashed out £150 on fancy cards I could have saved myself 2 or 3 minutes while they transferred from the card to the confuser, possibly not because the cockroach drive in my confuser is likely a bottleneck anyway.
Any thoughts on cards? Anyone had similar experiences? Anyone had any glitches from my approach? I am tempted to just buy another one of these, or maybe the smallest capacity of the higher class card available for the second slot. Currently I am just shooting onto the one card. A BIG SHOOT for me would be maybe 200 shots - hence why i say, what do I need all that wasted capacity for? Perhaps there is a technical reason I don't know.
A few from my frustrating trip out to the park earlier. Macro just wasn't going to work out, so I removed the rings and just shot some wider shots with the 35mm. You can tell in the first there's a fair bit of breeze. When in closer this gets magnified along with everything else, may as well be a hurricane
Pollination by Enticing Imagery, on Flickr
_DSF9747 by Enticing Imagery, on Flickr
About the best I did get using the rings, the bee was well behaved, again it was the breeze, everytime I clicked the shutter I swear the wind picked up:
Bumble by Enticing Imagery, on Flickr
Great set Keith, love the last one.
Cheers, wish I'd gotten better though. I must have taken 200 shots, these were the best. There will be days like these, I think the more I try plan to go shoot the worst results I come back with
So I thought people might find this shot interesting, if only as a demonstration of how X-Transformer can get detail out of a 16MP X-Trans file without strange worminess and so on. The other thing we can learn from it is that at the long end, the 18-55 zoom isn't quite as sharp in the corners as it is in the centre even at f/8, although it's certainly no slouch.
As others have said though, at the wide end it's amazing - I've made a 40"x30" mono print from it that I was entirely happy with (and so was the person on whose wall it hangs!). That's the only real problem with the 18mm f/2 prime - a very decent lens - the zoom is just too good!
Cleadale evening by David Hallett, on Flickr
I think you've done well Keith if the wind was that bad. #3 is a crackerA few from my frustrating trip out to the park earlier. Macro just wasn't going to work out, so I removed the rings and just shot some wider shots with the 35mm. You can tell in the first there's a fair bit of breeze. When in closer this gets magnified along with everything else, may as well be a hurricane
Pollination by Enticing Imagery, on Flickr
_DSF9747 by Enticing Imagery, on Flickr
About the best I did get using the rings, the bee was well behaved, again it was the breeze, everytime I clicked the shutter I swear the wind picked up:
Bumble by Enticing Imagery, on Flickr
I think you've done well Keith if the wind was that bad. #3 is a cracker
So I thought people might find this shot interesting, if only as a demonstration of how X-Transformer can get detail out of a 16MP X-Trans file without strange worminess and so on. The other thing we can learn from it is that at the long end, the 18-55 zoom isn't quite as sharp in the corners as it is in the centre even at f/8, although it's certainly no slouch.
As others have said though, at the wide end it's amazing - I've made a 40"x30" mono print from it that I was entirely happy with (and so was the person on whose wall it hangs!). That's the only real problem with the 18mm f/2 prime - a very decent lens - the zoom is just too good!
Cleadale evening by David Hallett, on Flickr