Hi All,
Ok, I am in rather a questioning mood tonight, my apologies.
What comes over very strongly to me through this thread is the strength of emotions it raises on both sides, one side being controlled by, perhaps, a dated constitution which limits the role it can play yet clearly valued by many, the other side having developed a service which clearly had an impact on disabled photographers hence the significant increase in membership in the area it served. May I clarify my comment about a dated constitution, I recognise there have been attempts to change it and that some changes have been blocked by the charity commissioners
My question, what lessons can be learnt from this issue and how can photographers with disabilities be better served in the future? Is the idea of say a network of accessible studios potentially a reality, is that what is wanted? Should there be one group that encompasses the current work of the DPS and tries to develop a network of studios or would they remain separate. Are we all missing the point and in fact the views of the majority of photographers with disabilities are not represented by either group and we need to be looking at something entirely different, if so what?
Sorry, lots of thoughts there, no real answers yet, give me your views; let us keep the politics and old arguments out of it from this post onward. May I ask one thing though, if you know of other photographers with disabilities please ask them to contribute to the thread, let us get as many views as possible.
Regards
Chris
Ok, I am in rather a questioning mood tonight, my apologies.
What comes over very strongly to me through this thread is the strength of emotions it raises on both sides, one side being controlled by, perhaps, a dated constitution which limits the role it can play yet clearly valued by many, the other side having developed a service which clearly had an impact on disabled photographers hence the significant increase in membership in the area it served. May I clarify my comment about a dated constitution, I recognise there have been attempts to change it and that some changes have been blocked by the charity commissioners
My question, what lessons can be learnt from this issue and how can photographers with disabilities be better served in the future? Is the idea of say a network of accessible studios potentially a reality, is that what is wanted? Should there be one group that encompasses the current work of the DPS and tries to develop a network of studios or would they remain separate. Are we all missing the point and in fact the views of the majority of photographers with disabilities are not represented by either group and we need to be looking at something entirely different, if so what?
Sorry, lots of thoughts there, no real answers yet, give me your views; let us keep the politics and old arguments out of it from this post onward. May I ask one thing though, if you know of other photographers with disabilities please ask them to contribute to the thread, let us get as many views as possible.
Regards
Chris