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- Chris
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Anyhow, my point regarding the 50mm was that although it may not be technically as good, the images are still lovely, just for completely different reasons.
Zeiss has the undefinable 'pop', Canon appear to have an inherent colour/contrast that's really appealing.
DXO and all that nonsense can't measure that sort of stuff. I couldn't care less about critical sharpness or what those extreme corners are like that nobody is ever going to look at, and neither do my clients.
It's a bit like the 5D, I've gone from a current technogical beast in the a7II to a 10 year old 5D. Whilst on virtually every level the a7II smashes it, there is something a bit magical about the 5D files. Pretty interesting and a real eye opener for me.
Zeiss has the undefinable 'pop', Canon appear to have an inherent colour/contrast that's really appealing.
DXO and all that nonsense can't measure that sort of stuff. I couldn't care less about critical sharpness or what those extreme corners are like that nobody is ever going to look at, and neither do my clients.
It's a bit like the 5D, I've gone from a current technogical beast in the a7II to a 10 year old 5D. Whilst on virtually every level the a7II smashes it, there is something a bit magical about the 5D files. Pretty interesting and a real eye opener for me.