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That's a pretty good 24 hours work, Steve! Very impressive.
Thank you Chris
That's a pretty good 24 hours work, Steve! Very impressive.
Chris, they look very good to me. Love the tones on the first and last.
Abandoned...these shots always seem to suit film.
Canon is doing well..
First image from my Walker SF45 'plastic fantastic'
Image of Venford Dam in Dartmoor National Park with water spilling over the top taken on the 3rd August 2012. This dam rarely spills after June which is testament to the very wet summer we have had so far this year. I am fortunate to be able to shoot from this location as it is not accessible to the general public.
...
The exposure was made with Tmax 100 at f64 with 4x 1/4 second exposures to try to catch the water flowing equally over all four spillways.
Ed, I really liked this, but I'm not sure I understood the technique. Was that four quarter second exposures from the same spot on the same frame, or four separate shots you've combined in PP?
That flooded seat one is lovely. Here is one of the tyne bridge.
Stoke lock. Is there still a lock keeper living in that cottage Trev?
That flooded seat one is lovely. Here is one of the tyne bridge.
Olympics Large Format Velvia 50 by NGUSS, on Flickr
A few images from a Mamiya C-330f that I happened to pick up at the weekend.
As usual the film used was a Kodak Ektar and developed at home with tetenal C-41.
Thanks for looking, Steve.
Nice, Steve. Are the colours deliberately restrained? Is it the Ektar (I've not used it yet)? The developing process?
So this was my first go with Provia 100F transparency film on the Pentax...
Footpath near Kenilworth...
Abbey Fields, with some quite nice clouds!
This is the first film where I started taking notes of the exposure (mid-roll), and I've just finished transcribing these into Aperture. The results are interesting. The Footpath shot was f/11 at 1/250; spot on the f/16 at 1/125 for ISO 100 film that the Sunny 16 rule suggests. However the previous shot in very similar conditions chose f/11 at 1/125, around a stop over-exposed.
The Abbey Fields shot I left in this reply above was also f/11 at 1/125, and I noted "Sunny bright, quite hard shadows". So I reckon that's over-exposed by a stop.
I also noted, on closer inspection, that the Provia hadn't done a whole lot better than the Velvia on some of the shadows. I found myself pulling right back on the shadows slider in many shots, as I spotted the "horrid coloured net effect". You can see it a bit in the loss of any shadow detail in the tree bang central above (I've now pulled back on the shadow slider for this one as well, of course not showing up in this previously-uploaded image). So maybe I should forgive the Velvia 100 a bit more (see the post on Naboo's "First velvia" thread, where I was asking vainly for advice on exposing Velvia better, http://www.talkphotography.co.uk/forums/showpost.php?p=4868791&postcount=24).
Love the clouds in this one, Chris.
....but the greens don't look very "clean" if that makes sense. I don't know if it is the developing or if you have done some post processing which has made them look a bit dull.It is almost as if there is a mist masking the definition whereas the clouds are well defined.
Heather
That very good shot of an old church in Harting looks similar to a church in Hertfordshire....this one is about 900 years old.
Very nice Brian, I find that churchyards always make places for photography.