You will be where in three weeks?I shall be there in 3 weeks, very excited.
I hope you have a great time.I shall be there in 3 weeks, very excited.
A closely guarded secret location.You will be where in three weeks?
A closely guarded secret location.
Actually it refers to the post on the previous page, Glencoe, but I hadn't noticed that I'd slipped.
Orion?
Looks like the sky will be quite lit up by the city lights.
That's a lovely picture Ian. It has an ethereal look to it and the contrast between the lighter shades of the scrub, small trees, sky and the dark silhouette of the foreground tree works really well.Really really struggling with Konica 750. Keep making notes after each roll and keep discovering more errors. Almost there now, but it's a very weather dependent film. Not enough IR light in this one, but the under-exposure gives it a moody look I really quite like. Canon EOS30 with the 40mm f/2.8STM.
View attachment 385648
Ian that one is completely fabulous as far as I'm concerned!Really really struggling with Konica 750. Keep making notes after each roll and keep discovering more errors. Almost there now, but it's a very weather dependent film. Not enough IR light in this one, but the under-exposure gives it a moody look I really quite like. Canon EOS30 with the 40mm f/2.8STM.
View attachment 385648
I like it as well, but I'm not sure that it's what @Harlequin565 was looking for? The Laurie White book has some info on Konica compared to Kodak, and possibly worth a pop at £9 delivered?Ian that one is completely fabulous as far as I'm concerned!
Really like that Robert - especially the Big Country title Next up - The Siege of Dunkeld! (Link NSFEars)The Hermitage, Dunkeld.
The first shot from my new camera, scanner and fluid mount.
Technical crap:
Hasselblad 503cx plus 80mm CF lens.
Kodak Portra 160.
Developed in my kitchen sink with Cinestill C41 powder kit.
Scanned using an Epson V850 pro, fluid mount, Kami scanning fluid and Mylar sheets.
Location being Southsea Seafront.
The point of focus was the word DONUTS.
Please tell me what you feel about the colour balance and saturation as I'm newish to to colour negative film.
View attachment 386381
I agree, the colours look good to me.The colours look pretty nice to me. The correct look for colour negative films is largely subjective and will differ from lab to lab, person to person, so if you're happy then all is well.
I don't know whether or not you use Photoshop, but I find using the Image -> Auto Colo(u)r or Auto Contrast options to give an instant alternative interpretation useful. Sometimes it works, often it doesn't, but it's a really quick and easy way to see if it makes a difference.Please tell me what you feel about the colour balance and saturation as I'm newish to to colour negative film.
Colours look fine to me.The first shot from my new camera, scanner and fluid mount.
Technical crap:
Hasselblad 503cx plus 80mm CF lens.
Kodak Portra 160.
Developed in my kitchen sink with Cinestill C41 powder kit.
Scanned using an Epson V850 pro, fluid mount, Kami scanning fluid and Mylar sheets.
Location being Southsea Seafront.
The point of focus was the word DONUTS.
Please tell me what you feel about the colour balance and saturation as I'm newish to to colour negative film.
View attachment 386381
Agree with those above, the colours look good, if a little saturated, think Eggleston on Portra. Better than most of my home processed C41 looks.The first shot from my new camera, scanner and fluid mount.
Technical crap:
Hasselblad 503cx plus 80mm CF lens.
Kodak Portra 160.
Developed in my kitchen sink with Cinestill C41 powder kit.
Scanned using an Epson V850 pro, fluid mount, Kami scanning fluid and Mylar sheets.
Location being Southsea Seafront.
The point of focus was the word DONUTS.
Please tell me what you feel about the colour balance and saturation as I'm newish to to colour negative film.
View attachment 386381
I find fluid mounting much easier than using the holders.The colours look pretty nice to me. The correct look for colour negative films is largely subjective and will differ from lab to lab, person to person, so if you're happy then all is well.
How much faff is the liquid mounting vs the regular film holders?
I'll be honest, I use Canon DPP for correcting my images.I don't know whether or not you use Photoshop, but I find using the Image -> Auto Colo(u)r or Auto Contrast options to give an instant alternative interpretation useful. Sometimes it works, often it doesn't, but it's a really quick and easy way to see if it makes a difference.
As I said, colour neg is all a bit new to me.Agree with those above, the colours look good, if a little saturated, think Eggleston on Portra. Better than most of my home processed C41 looks.