- Messages
- 8,536
- Edit My Images
- No
The 100-400 is More pale then the MK2 of the 70-200
And there's certainly no possibility of doing that in Photoshop.
And there's certainly no possibility of doing that in Photoshop.
And there's certainly no possibility of doing that in Photoshop.
The 100-400 is More pale then the MK2 of the 70-200

next stop I think will be the 17-40 in the not too distant future.
thanks for the advice, I may just do that, a used one will be good for me, an F4 will be fine for my landscaping I think.Snip:
If you can run to the cost, or wait until you can afford it (or perhaps go for a mint/ish used one with good guarantee from a reputable shop or online dealership), I'd go for the 16-35 L IS instead if I were you. If not, I don't think I'd use a 17-40 L with a 5D Mk IV at anything much less than f/16 if I didn't want the corners to look too soft. I seem to remember the 16-35 L IS is on the list of suitable lenses for the 5DS range, so should be more suited to the resolution the 5D iv is capable of. That's the 'problem' with top notch DSLRs, the lenses have to be 'top notch' too if you want to get the full benefit.
Don't get me wrong, I don't think there's much wrong with the 17-40 L when it's used stopped down, and if I were on a tight budget and not using the latest top-spec type full frame DSLR then I'd still consider buying a good used one (I have one in my camera bag!). However, if I bought a 5D Mk iv I'd want to upgrade to a 16-35 L IS if/when I could afford to. Primarily as it's got IS and it's a more modern optical design, and will be sharper in the corners than the average 17-40 L at wider apertures (from around f/11 and below). Whether you think this is worth the cost difference only you can decide.thanks for the advice, I may just do that, a used one will be good for me, an F4 will be fine for my landscaping I think.
my 5d 4 has firmware 1.0.4, is this the latest version? 1.1.2 on the canon site - is that newer, Im not sure how it works. thanks
I've always had good results from it, but I traded my 17-40 for the 16-35, purely for the Stabilisation, since I was taking a lot of interior shots under low lighting.Having watched that the 17-40 didnt fair too bad I thought, Adam has alway been happy with it it seems. food for thought. no rush yet so I will keep both in mind. Thanks for the vid link.
thanks Tim, Ill have a go at updating it, not done before with any of my cameras.
thanks Brian, Im still pondering.I've always had good results from it, but I traded my 17-40 for the 16-35, purely for the Stabilisation, since I was taking a lot of interior shots under low lighting.
Lovely picture, wonderful lighting on the roof - BUT (I hope this doesn't cause offence) I'd retouch or remove the woman in pink as my eye keeps going there (unless she's your wife!)
There's never a rocket launcher around when you need one! The times this happens... frame the shot and wait for people to move out of the way, and wait, and wait! Then, just as they go, some other person pops into the frame and poses for someone to take their photo! :banghead:Lovely picture, wonderful lighting on the roof - BUT (I hope this doesn't cause offence) I'd retouch or remove the woman in pink as my eye keeps going there (unless she's your wife!)
My first rule of steam railway photography is always to avoid stations, however I wanted a shot of "British India Line" under that magnificent curved roof at York station.The times this happens... frame the shot and wait for people to move out of the way, and wait, and wait! Then, just as they go, some other person pops into the frame and poses for someone to take their photo! :banghead:
"The Scarborough Spa Express", (week 7) 12/07/18.May I ask a question please.....
I am a m/43 user, please don’t hold that against me.... Somone in my village is looking to sell his Gripped Canon 5d MkII with 12,000 shutter actuation. Is this a good price and does the camera still stack up now that the mkIII and mkIV are available.
May I ask a question please.....
I am a m/43 user, please don’t hold that against me.... Somone in my village is looking to sell his Gripped Canon 5d MkII with 12,000 shutter actuation. Is this a good price and does the camera still stack up now that the mkIII and mkIV are available.
Or an original sony A7 mk 1 body brand new for similar price rangePut it this way, If I had £500 to spend and wanted a full frame DSLR (body only) I'd seriously consider putting a £150 or so to it and look at a mint-ish, low-use Canon 6D Mk 1, which should have better low-light performance and image quality than the 5D Mk II in my opinion. Even if you bought a 5D Mk II for £400 I think it would still be a bit 'old hat' by today's standards. Don't get me wrong, a 5D Mk II can still produce nice looking photos... but so can a 1924 Kodak Brownie box camera given the right subject and lighting conditions! Anyway, it's entirely up to you, but at £500 I think you aren't that far off being able to own something a 'camera generation' newer. I hope this is useful, but only you really know your camera needs, so perhaps have a good think about it and do some research before you decide on which camera to buy.![]()
I have one for sale in classifiedsOops, I may have just pulled the trigger on a 5D Mk IV
Roll on next week
MPB have given a fairly good price on my 6D and 7Dmkii![]()
Oops, I may have just pulled the trigger on a 5D Mk IV
Roll on next week
MPB have given a fairly good price on my 6D and 7Dmkii![]()