The dark grey sculpture against the blue grey sky works nicely - and a fascinating subject. What is the background of this sculpture?
here we go, it is one of a pair of landmarks in Consett County Durham.
In the 1960’s Consett Steelworks made some of the highest technology steel in the world, but in September 1980 the steelworks shut down, ending 150 years of iron and steel-making in the area.
The railway serving the steel town was closed shortly afterwards and the area was redesigned as a cycling and walking route by 1990 with artworks being added between 1988 and 1998.
A sculptor, Tony Cragg, was commissioned to create a lasting memorial to the steelworkers of County Durham. When Cragg visited the site, there was nothing left of the steelworks, so he decided to call the project Terris Novalis – literally “new made land”.
Cragg made models of the Terris Novalis sculpture in 1992, cast in mild steel, but for the commission in Consett, he blew them up from 2m high to over 7m high, and cast them using stainless steel. They were installed in 1996, with the help of a massive crane. Terris Novalis became a phenomenal piece of work: giant instruments marching across County Durham on their strange feet.
Tony Cragg, who works in Germany, has slipped from public notice since his Turner Prize win in 1988. Perhaps that suits the slightly mysterious character of Terris Novalis: there is no plaque, sign or interpretation board to explain what it is, or why it landed on the outskirts of Consett.
Because Cragg works in Germany, the stainless steel was cast in Düsseldorf – ironic when it found itself landing on the site of a British steelworks.