- Messages
- 4,659
- Name
- Pete
- Edit My Images
- Yes
Both Images are good, I think the softness to the flower actually works in B&W
Pete
Pete
Patterns works really well for the theme as you have patterns in the glass, plus patterns in the frames - or was it something leaning against the glass?
I've been given a couple of old rolls of colour film and plan to put them into an old camera (one of those stuck at the back of the cupboard), but I'm worried it will be like the old days and I have to work up to taking the shot because of the expense One day I might have to look into what it all involves if you develop your own B&W ones... something to think about when I have more time on my hands as no doubt there is quite a learning curve, and no doubt it's not cheap either.It's a cheap "stained glass" stick-on thing that my wife put on the window and the intent was for the double pattern thing...
No need to be in awe of using film. It's almost quicker for me to get 24/36 shots on to my computer because on digital I'd take a million and spend the evening curating. Half an hour to develop, another half hour to scan in (which I do while watching telly). The only major pain is when I only want to take a handful of photos for the 52 and have no camera with a handful of frames left. Worse if I'm shooting colour because I couldn't get that done in a 7 day turnaround (shoot, develop, scan, post).
I really like how the stain/mark on the wood is an integral part of the composition.
Hah you spotted it... Thanks Nick. It was the only bit of the table I could work the composition into without a lot of clearing stuff and messing around with backgrounds. So I decided to make it a feature with the intent to see if anyone thought it was bad or good.
do you have a set list of settings that work for specific scenarios?
I think you did much better with a (mostly) non-green subject. Lesson learned for me.A literal take on the theme Ian but in the circumstances of shooting on B&W film I don't suppose you have many options